One of the defining traits of a mother is her unconditional love. No matter how rotten a child can be, a mother’s love can be undying and never waiver through troubled waters. It is both a blessing and a curse – this endless devotion and sacrifice that comes with being a parent. But just how far does that love go? How much can one parent give and risk in order to help a child that is seemingly hopeless?
In her sophomore feature Pelican Blood, writer/director Katrin Gebbe captures the immense dedication that mothers can exude despite the most defiant and dangerous kids they try to nurture and protect.
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In Christianity, the lamb is symbolic of gentleness, innocence, and purity. The animal has also been used as a reference to Jesus Christ when the bible mentions “lamb of God.” There is a softness and delicate nature to the lamb, one that provides comfort in its shed fur used for blankets and clothing. They also possess a specific loyalty and obedience as they are willfully herded by a shepherd–blindly following its master even to its death. This thematic symbolism is woven throughout director Malgorzata Szumowska’s horror film, The Other Lamb, as she depicts a tale of obedience and defiance within the isolated world of a cult. Read More »
Eventually, everyone has a first love. No matter where you find it or with whom, there is a chaotic and exciting rush that attaches itself to that particular feeling. With over one hundred films under his belt, director Takashi Miike is an expert at juggling all of the beauty and brutality that encompasses the emotional state of love. Rich in components of fear, revenge, anger, and sweetness, Miike delivers a pure knockout in his latest film, First Love. Read More »
There is a palpable love that radiates deep within The Adams’ latest film, and it is not just because the production is a family affair. A story reminiscent of Edgar Allan Poe’s The Tell-Tale Heart, the marital duo Toby Poser and John Adams direct, write, produce, and star in The Deeper You Dig–a film at Fantastic Fest 2019 that explores grief, guilt, and determination within the fragile boundaries of life and death. Read More »
Plastered around telephone poles, buildings, and ice cream trucks in South Florida, you’ll find stickers of a clown with hollowed-out eyes, thick red lips, and a phone number under his withered face. This is Wrinkles. Legend has it that the masked clown is out to provide a service terrorizing disobedient children. Over the past few years, Wrinkles has become folklore personified. Thanks to the hyperactive age of social media, the diabolic clown is pure nightmare fuel for naughty children but a breath of fresh air for parents in need of alternative disciplinary methods. Directed by Michael Beach Nichols, Wrinkles the Clown (watch the trailer here) introduces audiences to the man behind the mask and explores society’s dark fascination with his disturbing omnipresence. Read More »
Certain decades have their own tangible fears. The 1950s possessed a culture of fear that has been explored repeatedly throughout the horror and sci-fi genres. Cold war fears were heavily centered around an aversion to the other, technology, nuclear war, and aliens. There’s a singular simplicity in film and television that captures the emotional impact of these anxieties, allowing filmmakers to enhance metaphors through style, dialogue, and setting as opposed to overt displays of violence and nightmarish imagery. Director Andrew Patterson’s feature debut The Vast of Night at Fantastic Fest 2019 applies all of the conventional trepidation of the time period, while delivering a film with concise and unorthodox storytelling along with subtle suspense rooted in sci-fi. Read More »
In its fifth year, MondoCon is bigger than ever. In the convention’s program, co-founder and creative director Mitch Putnam mentioned this year’s con is “the first time it actually feels like we’ve hit our full potential.” Honestly, I couldn’t agree more. Movie, music, and comic book fans love Mondo for all of the rad collector items they make. Hell, I’m one of them. People line up for hours (and even camp out overnight) to get their hands on the latest releases, and this year was no different. I had the pleasure of attending this year’s two-day convention, which by far was their biggest and best event yet.
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Fantastic Fest is in its 15th year and ready to celebrate! The world-renowned genre fest kicks off today and cinephiles couldn’t be more excited to let chaos reign. We’re going to get things started a little early by debuting the poster for one of the films premiering at this year’s festival: Night Drive, a thrilling dark comedy that has been compared to the work of the Coen brothers.
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Cool Posts From Around the Web:
One of the most sought after items Mondo creates are limited edition screen printed movie posters. If you’ve ever tried to purchase one on their website only to miss the opportunity seconds after they drop, you know what I mean. Mondo hires an array of extremely talented artists across the globe to illustrate alternate movie posters that lead fans to camp out for, fly cross country for, and save up paychecks months in advance hoping to secure a print they’ve had their eye on.
One of the greatest aspects of the annual MondoCon (and there are many) is the live draw panel which allows fans to witness three artists collaborate on a poster in real time right before your eyes.
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Everyone has a favorite Val Kilmer movie. Since the early ‘80s, Kilmer has been a beloved actor in Hollywood with films like Real Genius, Willow, Batman Forever and Heat. Starring in several films that are staples in many people’s childhood and young adult life, Kilmer was the perfect choice to spotlight for a Rolling Roadshow weekend – especially with the recent announcement of Top Gun 2: Maverick, the sequel to his 1986 action film where he portrayed his infamous (yet lovable) role as IceMan alongside Tom Cruise. This past weekend, I had the distinct pleasure of seeing not one, but two outdoor screenings courtesy of Alamo Drafthouse – Tombstone and Top Gun, with the wingman himself in attendance.
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