John Boyega gives a phenomenal performance in an otherwise formulaic bank robbery thriller that lacks a sense of urgency to keep it moving.
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Director Jim Archer turns his short film into a quirky, charming feature length comedy about a friendship between a reclusive inventor and his makeshift robot.
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Are you ready to meet Richard Davis?
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This is the moment where any notion of a happy ending in Attack on Titan disappeared in smoke.
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A slight but commendable documentary about Sinead O'Connor.
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Call Jane deals with important issues, but does so in a rather underwhelming way.
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Krystin Ver Linden's daring directorial debut doesn't quite come together. But man, what a killer premise. Check out our review of Alice from Sundance 2022.
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It's the beginning of the end for Ozark, and its famously blue color scheme is turning red with the blood of the Byrdes' victims.
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Rebecca Hall reminds us once again that she's one of the best actresses working right now.
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Writer/producer/director/star Cooper Raiff returns to the festival scene with another low-key winner, delivering a winning performance opposite Dakota Johnson.
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Thandiwe Newton excels in co-writer/director Julian Higgins' feature directorial debut, playing a woman who has been pushed to the brink of what she'll accept.
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Director Shalini Kantayya dissects the rise of the wildly popular social media app and digs into the good, the bad, and the ugly of the viral sensation.
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Monia Chokri's manic and metaphorical new movie Babysitter uses heightened storytelling to explore several hot-button ideas.
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Filmmaker Nina Menkes provides an academic analysis of the depiction of women in film and how they're inherently objectified by the language of cinema.
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Sophie Hyde's intimate drama about intimacy is one of the highlights of Sundance so far, thanks in large part to the two stellar lead performances.
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Something In The Dirt is another winner from one of the wildest directing duos out there right now.
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Amazon has a new documentary coming in March that tells the story of Lucille Ball and Desi Arnaz from their early years to their super stardom and beyond.
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In Hatching, director Hanna Bergholm uses practical effects to deliver an effective exploration of puberty and the societal pressures placed on women.
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You Won't Be Alone might please hardcore folk horror fans, but it borrows too heavily from other, better films.
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Karen Gillan, Aaron Paul, and Beulah Koale co-star in the latest dark comedy from Riley Stearns, the director of Faults and The Art of Self-Defense.
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Comedian W. Kamau Bell asks challenging questions about coming to terms with the legacy of Bill Cosby and his heinous misdeeds over the years.
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Columbus director Kogonada returns to Sundance with a low-key science fiction film about connections, loss, and celebrating the little moments in life.
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Maika Monroe thinks someone is out to get her in the ho-hum thriller Watcher.
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Bill Nighy delivers a dignified performance as a loyal bureaucrat who must reconcile his life's work after receiving a devastating diagnosis.
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Max Walker-Silverman's feature film debut features outstanding performances from stars Dale Dickey and Wes Studi.
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Riotsville, USA is a reminder that the more things change, the more they stay the same.
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When You Finish Saving the World ends up feeling like something made strictly for film fests.
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