The Haunting of Hill House and Bly Manor creator Mike Flanagan makes a triumphant return to Netflix with new horror series Midnight Mass. Read our review.
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The Apple TV+ adaptation of Foundation is a stunning reinvention of the original novels, bringing new life to a science fiction classic.
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Which 2013 movie about attacks on the White House is better? It's time for Olympus Has Fallen vs. White House Down in our Seeing Double series!
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Dear Evan Hansen heightens the problems of the stage show, making for an immensely painful and excruciatingly awkward viewing experience.
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The Many Saints of Newark gets a little too cute with its Sopranos references, but it's ultimately a successful deconstruction of the mob movie.
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Star Wars: Visions is a dream come true for Star Wars fans, anime fans, and anyone just looking for some stirring action and adventure.
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The 2021 Emmys left most of us wanting something ... more. Despite some genuinely wonderful moments, all in all, they weren't great.
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You Are Not My Mother is often predictable, but there's still enough creepy stuff in this Halloween tale here to please horror fans.
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Cry Macho may not be Clint Eastwood's final movie, but if it is, it sure feels like a fitting conclusion for the screen legend.
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Michael Caine curses and blusters his way through Best Sellers, a standard and slightly stale indie dramedy.
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Spencer features a career-best performance from Kristen Stewart, here playing a tragic, haunted Princess Diana.
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The Rescue is a thrilling, nail-biting documentary that may just restore your faith in humanity, however briefly.
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Robert Redford is a living screen legend with an incredible 50-year career. Between the movies he acted in and the ones he directed, these are his best.
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Justin Chon's deportation drama is an affecting, if sometimes overwrought, study of the meaning of home. Read our /Film review of Blue Bayou.
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Tim Roth abandons his life and family in Michel Franco's mysterious, unsettling slow-burn drama Sundown.
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We've played Star Wars: Tales from the Galaxy's Edge - Last Call, the final chapter of the virtual reality experience in a galaxy far, far away. So how is it?
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Naomi Watts tries her best in the school shooting drama Lakewood, but the film makes one bad choice after another.
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Copshop is dumb and violent, and also pretty entertaining. Read our review of the Gerard Butler/Frank Grill face off.
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We take a look at Kevin Smith's Secret Stash: The Definitive Visual History, a book chronicling the life and career of the filmmaking behind Clerks and more.
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Malignant hit theaters and HBO Max this weekend. If you've seen it already, read on for our spoiler-laden review. If not, hold off until you've seen it.
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Kenneth Branagh's Belfast has a lot of charm, but it never quite comes together the way it should.
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The Forgiven is a searing drama about two very different groups of people in Morroco during one long weekend.
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Benedict Cumberbatch and Claire Foy are quite good in the oddly melancholy The Electrical Life of Louis Wain.
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Dashcam, the latest pandemic-set found footage horror from Host director Rob Savage, is grating and disappointing.
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Our The Power of the Dog review looks at Jane Campion's fantastic, overwhelming neo-Western, featuring a killer Benedict Cumberbatch performance.
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Check out our review of the Pedro Almodóvar film that earned Best Actress for Penélope Cruz at the 2021 Venice Film Festival.
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Prestige period filmmaking rarely sizzles like The Last Duel. Find out why Ridley Scott's latest is worth watching in our review from the Venice Film Festival.
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