This weekend brings Isn’t It Romantic? to theaters, officially turning Rebel Wilson into a leading lady. But for her next film coming this spring, she’ll be sharing the spotlight with Anne Hathaway in a remake of Dirty Rotten Scoundrels called The Hustle. The first trailer has just arrived, and it almost feels like a throwback to the comedies of the 1980s. There’s a little bit of intrigue, a little bit of slapstick, and whatever the hell Anne Hathaway is doing with her accent. Watch The Hustle trailer below. Read More »
Late last year, we learned about a new Sesame Street movie in development. The project was intended to be the first theatrically released big screen adaptation of the popular children’s television show since Elmo in Grouchland in 1999, so it’s going to be a big deal. Anne Hathaway was being courted to star in the movie set up at Warner Bros. Pictures, and now she’s not only confirmed, but production could start late this summer. Plus, we have details on the Sesame Street movie’s story, thanks to Portlandia director Jonathan Krisel, who will be behind the camera for his feature length directorial debut. Read More »
Serenity is probably not the movie audiences are expecting. Steven Knight’s third feature as a director is a bonkers thriller, both old-fashioned and modern, that defies expectations. Nobody could ever call this movie predictable. Knight says he’s not a fan of the constraints of any given genre, and it shows in Serenity, a movie not tied down to the rules of a thriller. It’s not an easy film to put in a box or even say much about without spoiling anything.
It’s the first feature Knight has directed since Locke, and although that drama came out six years ago, it’s so memorable that it doesn’t feel like it’s been that long since the creator of Peaky Blinders and Taboo directed a movie. Recently, he told us about the challenges of his latest film, why he doesn’t like labeling movies by genre, the differences between writing for himself or a studio, and more.
Read More »
Right from the beginning, there is something off about Serenity. The sultry neo-noir thriller starring Matthew McConaughey and Anne Hathaway seems to take place on a fictional fishing island that boasts a New England name but a tropical climate, while half the residents speak with a vague Southern twang. McConaughey’s character, Baker Dill, receives strange visions and omens — some of them seemingly supernatural in nature. And there’s the matter of Jeremy Strong‘s bespectacled businessman chasing after Baker Dill with urgent news about…something.
These all lay the grounds for a twist of sorts, or a revelation that some greater conspiracy is at work. But the Serenity ending has a twist that is so out of left field, it feels like you have fallen into some drug-fueled fever dream.
Major spoilers for Serenity follow, so do not read on if you want to see the movie…although these spoilers may convince you to actually see this movie.
Read More »
A certain level of worship has grown around the movie “twist.” Career-ending contracts have been signed, backs bent, people probably (not really) thrown in movie jail for committing the worst sin a film lover can make: spoiling the twist. Twists have become such an essential part of our pop culture language that they’re more expected than not, and usually come in the form of a shocking death or a rote reveal. But there’s something to be said for the twist so monumental, so disruptive that it retroactively transforms the entire movie.
One such twist happens two-thirds of the way through Serenity, Steven Knight’s neo-noir thriller starring Matthew McConaughey as a rugged fishing boat captain whose dark, tortured past comes back to haunt him in the form of his sultry ex-wife Karen (Anne Hathaway). The sexy narrative that follows is pretty standard noir melodrama stuff: Karen begs McConaughey’s absurdly named Baker Dill to kill her abusive husband (Jason Clarke), whose drunken rages not only endanger her, but her and Baker’s young son. Though he at first refuses, bent on his obsession with catching a giant tuna that he hilariously nicknames “Justice,” Baker relents after he begins to experience strange visions that convince him that he is telepathically linked to his son.
Read More »
Anne Hathaway is joining The Witches remake cast as the Grand High Witch herself. Robert Zemeckis is helming the new take on the Roald Dahl children’s book, which was previously adapted into a disgusting (in a good way) movie from director Nicolas Roeg. Zemeckis’ film will allegedly take the story from the UK and set it in the American South.
Read More »
Anne Hathaway might soon be asking, “Can you tell me how to get to Sesame Street?” The actress is being eyed for the lead role in the Sesame Street movie being produced by Warner Bros. Hathaway will be playing a human character, so don’t expect to see her running around in puppet-form. Portlandia co-creator Jonathan Krisel is directing the film inspired by the classic educational children’s television series that’s been on the air since 1969. Read More »
Once and Sing Street director John Carney hasn’t directed anything in two years, but he’ll soon be back behind the camera with Modern Love, a new anthology series based on the New York Times column and podcast. While most of his crowd-pleasing movies have focused on music thus far, Carney has assembled a new band this time: a “band” of high-profile actors like Anne Hathaway, Tina Fey, John Slattery, and many more to star in this new Amazon series. Check out the full cast list below.
Read More »
Cool Posts From Around the Web:
The female-driven Dirty Rotten Scoundrels remake The Hustle is officially rated PG-13. The film, which stars Anne Hathaway and Rebel Wilson, had originally been awarded an R-Rating, but producers weren’t happy. While many modern comedies embrace their R-ratings, The Hustle was hoping to reach a wider audience. Now it has the chance.
Read More »
(Welcome to The Dark Knight Legacy, a series of articles that explore Christopher Nolan’s superhero masterpiece in celebration of its 10th anniversary.)
(The Unpopular Opinion is a series where a writer goes to the defense of a much-maligned film or sets their sights on a movie seemingly beloved by all. In this edition: we sing the praises of Christopher Nolan’s somewhat misunderstood Dark Knight follow-up The Dark Knight Rises.)
“I see a beautiful city and a brilliant people rising from this abyss.” – Jim Gordon (and Charles Dickens).
How do you follow up The Dark Knight? The movie changed the face of superhero cinema, and became almost instantly iconic. Another sequel wasn’t just required, it was practically demanded by audiences. Director Christopher Nolan had several choices – he could forge ahead with a sequel that copied the layout of The Dark Knight, he could create something completely new, or he could walk away entirely.
To Nolan, the third option seemed most appealing. Despite all the success, despite all the acclaim, the director wasn’t exactly keen making a third film in his Batman series. But over time, Nolan began to form a plan. A plan that seems almost insane in our current age of never-ending superhero sagas: he would craft a conclusion. A film that would actually bring the story he started back with Batman Begins to a close. That film was The Dark Knight Rises.
Read More »