Blonde Review: Ana De Armas' Powerhouse Performance Tries Hard To Save An Ambitious Mess [Venice]
Ana de Armas is a marvel as Marilyn Monroe, but it's not enough to pull this film out of the mess it makes of itself.
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Clerks III Review: Kevin Smith's Deeply Personal Goodbye To The Past
Clerks III brings things full circle at the Quick Stop in many ways, and it feels like a definitive ending to Kevin Smith's saga.
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Disney's Pinocchio Review: Re-Watch The Original Instead Of This Wooden Remake
Maybe it's time Disney gives these live-action remakes a break.
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Barbarian Review: A Genuinely Shocking (And Fun) Descent Into Horror
Barbarian offers something rich (and scary!) underneath its misleadingly simplistic surface.
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See How They Run Review: A Breezy, Winking Caper That Knows What It Owes To Whodunits Before
Sam Rockwell and Saoirse Ronan run away with a familiar but self-aware whodunit.
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Margaux Review: Feel Free To Ignore The Call Coming From Inside This Smart House
Margaux represents a cautionary tale, just not quite the one it set out to be.
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The Whale Review: Brendan Fraser Shines In A Derivative Darren Aronofsky Film [Venice]
Brendan Fraser is easily the best part of The Whale.
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Master Gardener Review: Paul Schrader's Late Career Hot Streak Is In Full Bloom [Venice]
Master Gardener asks its audience to contemplate the limits of forgiveness.
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Don't Worry Darling Review: Florence Pugh Saves Herself In A Stylish Thriller That Falls Short Of Its High-Minded Ideas
Maybe worry a little, darling.
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The Banshees Of Inisherin Review: Martin McDonagh's Best Film Is Wordsmithing At Its Wisest [Venice]
The Banshees of Inisherin captures both the elemental resonance of folklore with the sophisticated weightiness of classic stage drama.
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Pearl Review: Mia Goth Goes Bonkers For Fame And Love In Her Biggest Breakout Role Yet [Venice]
Mia Goth delivers her best performance yet.
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Bones And All Review: A Bloody Brilliant Tale Of Young Love On The Run [Venice]
A sincere, swooning romance (with cannibalism).
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Who Invited Them Review: The Charming Home Invasion Thriller Overstays Its Welcome
Who Invited Them doesn't deliver anything new, but it entertainingly plays with familiar ideas.
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Bardo Review: Alejandro González Iñárritu's Felliniesque Fantasy Falls Flat [Venice]
Bardo is an incoherent grab-bag of visual metaphors delivered with all the subtlety of a sledgehammer.
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TÁR Review: A Star Is Torn As Cate Blanchett's Conductor Falls Tragically From Grace [Venice]
TÁR is a Cate Blanchett masterclass.
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The Anthrax Attacks Review: The Post-9/11 Amerithrax Story Gets The Netflix Doc Treatment
A needless storytelling device hampers what could've been a solid documentary.
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White Noise Review: Noah Baumbach's Contagion Tale Wrestles With Death And Spectacle [Venice]
White Noise is both a cautionary tale and a redemption arc for humanity all at once.
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Our American Family Review: Love, Drugs, And Generational Trauma
Our American Family humanizes the people behind addictions.
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The Reason Christopher Nolan Stopped Reading Reviews For His Movies
'The test of films is ultimately the test of time.'
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Three Thousand Years Of Longing Spoiler Review: George Miller's Ode To Storytelling Mostly Shines In Complex Romance
With Three Thousand Years of Longing, George Miller makes a bold proclamation for the survival of these stories.
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Samaritan Review: This Cheesy Sylvester Stallone B-Movie Is A Hell Of A Ride
Samaritan is a B-movie with B-movie problems, but that doesn't mean you can't enjoy watching it.
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Funny Pages Review: Bizarre Coming Of Age Story Steeped In Impressive Specificity But Not Much Else
Funny Pages offers strangeness over sentimentality.
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The Best New Blu-Ray Releases: Heat 4K, Crimes Of The Future, The Black Phone, And More
The action is the juice in our latest Blu-ray round-up.
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Beast Review: A Film As Straightforward As It Is Ridiculous
The Idris Elba vs. lion movie Beast is incredibly silly, but it's not trying to be anything else.
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Fred Astaire's First Screen Test Got Harsh Reviews
Not everyone's career starts with rave reviews, and even a legend like Fred Astaire is no exception.
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