X Review: A Slick And Stunning Original Slasher [SXSW]
Ti West is back with a violent vengeance.
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Sweetie, You Won't Believe It Review: An Uproarious And Chaotic Slapstick Caper [Telluride Horror Show 2021]
Kazakhstani horror-comedy Sweetie, You Won't Believe It is a funny, gory ride that might be the most chaotic movie of the year.
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Antlers Review: This Atmospheric Monster Movie Is An Undercooked Disappointment
Antlers has plenty of atmospheres and some great monster effects. But the entire endeavor ultimately feels underwhelming and undercooked.
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Saint Omer Review: A Quiet, Simmering Courtroom Drama [London Film Festival]
An intelligent, absorbing drama.
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Enola Holmes 2 Review: A Charming Mystery Outing Better Than The First Movie
Holmes Alone 2: Lost in Old York.
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Causeway Review: Jennifer Lawrence And Brian Tyree Henry Are Wonderful In This Low-Key Drama
Jennifer Lawrence and Brian Tyree Henry make the somewhat underwhelming Causeway worth watching.
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All Jacked Up And Full Of Worms Review: Psychedelic Horror Delivers On Shock But Skimps On Storytelling
Worms are life, worms are love.
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Satan's Slaves: Communion Review: Haunted Apartment Complexes Are The New Haunted Houses [Brooklyn Horror Fest]
A compelling sequel that takes haunted house rules and applies them to a busier apartment complex.
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One Piece Film: Red Review: Chaotic, Colorful, And A Pitchy But Fun Gateway For A One Piece Newbie
One Piece Film: Red works as an eye-popping introduction to the weird and wild world of 'One Piece.'
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The Lost King Review: Stephen Frears' New Film Seeks To Change The Record On Richard III [Austin Film Festival]
The Lost King is plenty charming.
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Pretty Red Dress Review: An Uplifting, Insightful Study Of Masculinity [London Film Festival]
A thoughtful, charming study of masculinity and gender expression.
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Blaze Review: A Vivid And Imaginative Portrait Of Processing Trauma [London Film Festival]
Blaze is a tough, uncompromising film, but it's also incredibly beautiful.
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The Novelist's Film Review: In Search Of The New
Hong Sang-soo's latest is a look at creatives in search of outlets for artistic expression.
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Black Adam Earns $7.6 Million In Thursday Box Office Previews, DC And The Rock Off To A Good Start
Will Black Adam change the hierarchy of power at the box office? Most likely.
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Peter Von Kant Review: A Moody, Melodramatic Chamber Piece [London Film Festival]
A moody, meditative melodrama, an exciting psychological character study.
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Black Adam Spoiler Review: A Promising Film With Odd Choices
Watch out for spoilers, Black Adam!
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Black Adam Review: A Superhero Movie, But Worse
Black Adam ends up feeling like an outline rather than a finished movie.
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Terror Train Review: Punch Your Ticket To Boredom [Brooklyn Horror Film Festival]
Terror Train commits the sin of being forgettable.
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One Fine Morning Review: A Clear-Eyed Drama About Love And Farewell [NYFF]
Like in her previous works, director Mia Hansen-Løve has a gentleness when painting the portrait of women living and enduring in transitions.
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Raymond And Ray Review: A Tale Of Two Brothers, And Two Wasted Performances From Ethan Hawke And Ewan McGregor
Raymond and Ray wastes the potential silver screen magic you should have by casting Ethan Hawke and Ewan McGregor as brothers.
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Summoners Review: A Witchy Indie With Practical Magic DNA [Brooklyn Horror Fest]
A lighter horror film with Practical Magic vibes.
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Superhero Bits: More Moon Knight With Oscar Isaac Is A Real Possibility, Gotham Knights Reviews & More
Today in superhero news: Julia Roberts is down for a superhero movie, sure, why not?
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Run Sweetheart Run Review: The Most Dangerous Date [Brooklyn Horror Fest]
A knock-down, drag-out thriller.
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The Best New Blu-Ray Releases: Nope, Lost Highway, Beast And More
Nope, Lost Highway, Bullet Train, and more head to Blu-ray.
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The School For Good And Evil Review: Paul Feig Works His Magic For A Frothy But Flawed Family Film
The School for Good and Evil is a frothy and fun time, helmed by a director who knows and has respect for the material.
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Ticket To Paradise Review: Two Stars Can Only Get You Halfway There
It's great to have Julia Roberts and George Clooney together again, even if the film they're in is lacking.
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