Pretty Red Dress Review: An Uplifting, Insightful Study Of Masculinity [London Film Festival]
A thoughtful, charming study of masculinity and gender expression.
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Blaze Review: A Vivid And Imaginative Portrait Of Processing Trauma [London Film Festival]
Blaze is a tough, uncompromising film, but it's also incredibly beautiful.
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The Novelist's Film Review: In Search Of The New
Hong Sang-soo's latest is a look at creatives in search of outlets for artistic expression.
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Black Adam Earns $7.6 Million In Thursday Box Office Previews, DC And The Rock Off To A Good Start
Will Black Adam change the hierarchy of power at the box office? Most likely.
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Peter Von Kant Review: A Moody, Melodramatic Chamber Piece [London Film Festival]
A moody, meditative melodrama, an exciting psychological character study.
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Black Adam Spoiler Review: A Promising Film With Odd Choices
Watch out for spoilers, Black Adam!
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Black Adam Review: A Superhero Movie, But Worse
Black Adam ends up feeling like an outline rather than a finished movie.
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Terror Train Review: Punch Your Ticket To Boredom [Brooklyn Horror Film Festival]
Terror Train commits the sin of being forgettable.
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One Fine Morning Review: A Clear-Eyed Drama About Love And Farewell [NYFF]
Like in her previous works, director Mia Hansen-Løve has a gentleness when painting the portrait of women living and enduring in transitions.
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Raymond And Ray Review: A Tale Of Two Brothers, And Two Wasted Performances From Ethan Hawke And Ewan McGregor
Raymond and Ray wastes the potential silver screen magic you should have by casting Ethan Hawke and Ewan McGregor as brothers.
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Summoners Review: A Witchy Indie With Practical Magic DNA [Brooklyn Horror Fest]
A lighter horror film with Practical Magic vibes.
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Superhero Bits: More Moon Knight With Oscar Isaac Is A Real Possibility, Gotham Knights Reviews & More
Today in superhero news: Julia Roberts is down for a superhero movie, sure, why not?
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Run Sweetheart Run Review: The Most Dangerous Date [Brooklyn Horror Fest]
A knock-down, drag-out thriller.
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The Best New Blu-Ray Releases: Nope, Lost Highway, Beast And More
Nope, Lost Highway, Bullet Train, and more head to Blu-ray.
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The School For Good And Evil Review: Paul Feig Works His Magic For A Frothy But Flawed Family Film
The School for Good and Evil is a frothy and fun time, helmed by a director who knows and has respect for the material.
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Ticket To Paradise Review: Two Stars Can Only Get You Halfway There
It's great to have Julia Roberts and George Clooney together again, even if the film they're in is lacking.
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My Policeman Review: A Visually Appealing Romantic Drama Burdened By Structural Confusion
My Policeman looks great, but ends up being a pretty flat adaptation as far as adaptations go.
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Queens Of The Qing Dynasty Review: A Queer Friendship Set To Electronic Music And Lyrical Textures [NYFF]
Queens of the Qing Dynasty is a frank portrait of neurodiversity.
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SHTTL Review: A Towering, Single-Take Masterpiece Of The Lives We've Lost [London Film Festival]
SHTTL is insightful, beautiful, and completely unforgettable.
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Nayola Review: An Animated Spectacle On The Harrowing Effects Of War [London Film Festival]
A beautiful and visceral animated film.
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Halloween Ends Spoiler Review: A Big Swing That Does Laurie Strode Wrong
What was it all for, this revival?
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Return To Seoul Review: A Restless, Roaming Reverie On Cultural Identity [NYFF]
Return to Seoul captures the ineffable angst of not belonging, yet always yearning to belong.
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Jazz Fest: A New Orleans Story Review: Riding The Line Between Celebration And Commercialization
Jazz Fest: A New Orleans Story covers a signature American music festival.
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Guillermo Del Toro's Pinocchio Review: A Classic Children's Tale Meets Frankenstein And Fascist Italy [London Film Festival]
Guillermo del Toro's Pinocchio brings weirdness, darkness, and joyfulness to Carlo Collodi's tale of the little wooden puppet.
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Coma Review: An Elliptical Exercise In Lockdown Limbo [NYFF]
It's not easy to digest this kind of film. But its ideas hold weight.
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She Said Review: The Harvey Weinstein Exposé Drama Talks A Lot But Unearths Little [NYFF]
She Said is an impassioned but pedestrian journalism movie that mechanically rehashes things we already knew.
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