Crystal Lake Showrunner Had One Rule For The Friday The 13th Prequel Series [Exclusive]
Fans and casual viewers alike share the same general idea of what "Friday the 13th" is. As long as there's a killer, a lake, some spooky woods, and a nearby campground, the basic tenets of the long running franchise will be considered intact. Yet the questions of lore facing Brad Caleb Kane when taking on showrunner duties for the new Peacock/A24 prequel series "Crystal Lake" weren't so simply answered.
Sure, he could include all of the aforementioned elements and more, which "Crystal Lake" dutifully does. Pamela Voorhees (Linda Cardellini) and her son Jason (Callum Vinson) are heavily involved, the town of Crystal Lake (in New Jersey!) looks uncannily like it does in the original 1980 "Friday the 13th," and there are kills aplenty committed in and around the woods surrounding Camp Crystal Lake. Yet when dealing with such a long-running franchise, with many iterations of Jason, many final girls, and locations as wide-ranging as outer space, where does one begin to tackle it?
I had the opportunity to speak with Kane on the eve of the release of "Crystal Lake," and his comments on this very topic illustrate why the series turned out so well. When it came to adapting the "Friday" mythos to television, Kane didn't drive himself nuts fussing over a lengthy set of parameters. "The only rule was that it's got to be a good time," he said. After all, as dark and serious as some of "Friday the 13th" can get, the franchise is ultimately in the tradition of a ghost story around a campfire: grisly and demented, but super fun.
Brad Caleb Kane knows that Friday the 13th lore is 'inconsistent,' so he wanted to have fun with it
"Crystal Lake" steers directly into one of the most glaring oversights of "Friday the 13th": Mrs. Voorhees herself. Despite her being the killer in the original film and making brief appearances in subsequent sequels, the franchise somewhat awkwardly became Jason's territory. Going into the show, Brad Caleb Kane was well aware that the logic behind this switchover, not to mention the franchise's overall continuity, is dodgy at best. But this fact was more creatively liberating than limiting:
"The series is pretty inconsistent in terms of canon, and obviously from one to two, just because one was such a massive hit, they retconned it. They just decided Jason had been in the woods that whole time. And so there were really no parameters put on me in terms of what I could do."
Kane has a point. The canon of "Friday the 13th" only makes sense as a mercurial campfire tale, and any attempt to make it make sense as a linear story leads to bizarre inconsistencies. This being the case, Kane approached "Crystal Lake" with only one hard rule in mind:
"I attack every show and project I work on with no rules. I don't like there to be rules. The only rule was that it's got to be a good time. These movies were a good time, and ultimately I wanted the show to be an entertainment. I wanted the show to be a wild ride."
No spoilers here, but Kane's ethos is evident in the show, which takes some turns and wild swings that many won't be able to predict.
Crystal Lake does include elements that Brad Caleb Kane believes are key for the canon
With all that said, Brad Caleb Kane was also cognizant of the many elements of "Friday the 13th" that fans have come to adore and likely expect in a new entry. He was also aware that the show's reconfiguration of the series' timeline could be an issue for fans, and wanted to demonstrate an understanding of the franchise's canon even as he and his writers were unraveling it. As he explained:
"...we had to touch on certain points in the movies that were important to me as a fan. If we're introducing characters like Barry and Claudette, the counselors, and we're in the time period when these murders took place, at least we have to see those murders take place."
The "Barry and Claudette" Kane mentions are the very first victims in all of "Friday the 13th" lore, killed by Mrs. Voorhees in the 1980 film's prologue. That prologue is set in 1958, so the fact that "Crystal Lake" is set in 1971 is an indication of how Kane is moving some things around within the canon, yet still attempting to remain true to it as much as possible. In other words, he's honoring the spirit of "Friday the 13th" if not the letter, which is about as much as one can expect for the franchise at this stage. Whether that's enough for the fans at large remains to be seen, but it's enough for Kane as well as for this fan, so here's hoping others will agree.
"Crystal Lake" is streaming on Peacock on October 15, 2026.