For years, Paramount Pictures has a handful of franchises that have kept them afloat: Transformers, Mission: Impossible, Terminator, and a few scattered others. But the studio is perpetually in need of major intellectual property – and in today’s Hollywood, that means they especially need source material for comic book movies.
Now they’ve struck a development, production, and distribution deal with Steven Paul, a producer who recently acquired a majority interest in the Atlas Comics library, to adapt several of those original comics into movies. A writers’ room will be formed “to develop and build out the universe of characters from the expansive Atlas library,” and if you’ve been paying attention to the development of rooms like this in the industry, you already know that there’s apparently only one person ever hired to oversee them: writer/producer Akiva Goldsman (A Beautiful Mind, Batman & Robin). Read More »
Released ten years ago today, on May 8, 2009, director J.J. Abrams’ Star Trek reboot is the cinematic equivalent of a rock band going mainstream. It’s a hit remix version of an old song. Critically and commercially, the film was an unqualified success. Holding steady at 94%, edging out classic big-screen entries like The Wrath of Khan and First Contact, it remains the highest rated Star Trek movie on Rotten Tomatoes, as well as the top-grossing film in the series according to Box Office Mojo. Anytime a band goes mainstream, however, there’s always going to be a contingent of old-school fans that you hear affecting a Leonard McCoy grumble. They were with the band from the beginning but now it’s out there in the world and it belongs to everyone.
By the late 2000s, the Trek franchise was in a place where the overlapping runs of four straight television shows had ended—their viewership numbers falling victim to the law of diminishing returns. Fans like me, who grew up watching The Next Generation and Deep Space Nine in syndication, had lost touch with the final frontier. This is the movie that resuscitated that brand and opened the door to more adventures like the ones we’re seeing now on Star Trek: Discovery and the ones we’ll soon be seeing on the Captain Picard series.
As a storyteller, Abrams’ great strength is character. His weakness is plot. Both of those qualities are on full display in Star Trek, but the movie has such a velocity to it (not unlike the U.S.S. Enterprise itself when traveling at warp speed) that the viewer can’t help but get swept up in the youthful exuberance of this faster-than-light reboot. Beam yourselves aboard, then, and let’s take a long and winding trek into Star Trek on its tenth anniversary.
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Paramount’s live-action/animation hybrid Sonic the Hedgehog movie is set to speed into theaters this fall, but the film has just hit a significant roadblock. This afternoon, director Jeff Fowler revealed on Twitter that he and his team are going to redesign the film’s version of Sonic due to fan outrage. Read More »
Rocketman isn’t slated to hit theaters until the end of May, but if you’re a member of the free-to-join rewards program Fandango VIP, the movie ticket service will let you see the musical Elton John biopic a couple weeks early through their Early Access Screening program. Find out more about the Rocketman early screenings below. Read More »
After Mission: Impossible – Fallout, writer-director Christopher McQuarrie gave the impression that he was going to take a break from the franchise for a while. That didn’t last, though, because it was soon announced McQuarrie reunite with Tom Cruise yet again, and helm both Mission: Impossible 7 and Mission: Impossible 8 back-to-back. This will no doubt be a daunting feat, and McQuarrie isn’t afraid to admit that.
In a new interview, the filmmaker talks about how he’s feeling the pressure to make sure the franchise earns these back-to-back sequels, and his believe that the new films need to “swallow the last three movies whole.”
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What happens when you flood a house during a hurricane, and then throw some alligators into the mix? You get Crawl, a new, deliciously goofy horror-thriller from producer Sam Raimi and director Alexandre Aja. The high-concept premise traps a young woman (Kaya Scodelario) and her father (Barry Pepper) in a house during a Florida hurricane. The house is slowly filling up with water, but that’s the least of their problems. A congregation of alligators (I looked it up – that’s the term for a group of gators) has invaded the water-logged residence, and they’re hungry. Watch the Crawl trailer below.
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Hey, remember last summer when Paramount Pictures and Nickelodeon announced that they were working on a new Rugrats movie? But instead of being another animated take on the mischievous, precocious babies who started as a NickToon back in 1991, this new feature film adaptation was said to be a hybrid of live-action and computer animation used to bring the babies to life. Apparently no one at Paramount or Nickelodeon has realized what a horrifying idea this is, because the project now has a director. Read More »
It’s a bird! It’s a plane! It’s a…mouse? With the movie industry saturated with superheroes, you’d be forgiven for rolling your eyes at the prospect of a new one hitting the scene. But what if that new hero was in fact one of the oldest superheroes in American pop culture history? And he’s a mouse?
Mighty Mouse is the next superhero to soar to the big screen, with Paramount Animations developing a live-action/animated hybrid feature film based on the Terrytoons character first created in 1942. And who better to bring this muscled anthropomorphic super-mouse to life than…the co-writers of The Meg?
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Coming to America is making a fashionable comeback. The endlessly quotable, deeply hilarious 1988 comedy classic starring Eddie Murphy was the essential clash of cultures story, following a crown prince of a fictional wealthy African nation who decides to find romance in America. So it’s appropriate that for the Coming 2 America costumes, the sequel is looking to the costume designer of yet another fictional wealthy African nation.
Ruth E. Carter has been tapped to design the costumes for the Coming to America sequel, bringing with her the promise of lavish, Afrofuturistic designs and an Oscar award for designing just those kinds of costumes for Black Panther.
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41 years after the mega-popular musical Grease first cruised into theaters and 37 years after its sequel debuted, a Grease prequel is in development at Paramount Pictures. John August (Big Fish, Go) is writing the screenplay, which will focus on the initial meeting between the slick, leather-jacket-clad “greaser” Danny Zuko (played by John Travolta in the original) and the innocent high school student Sandy Olsson (Olivia Newton-John).
The big question, of course, is why does a prequel about their early love life need to exist when Danny and Sandy’s early relationship is discussed – and even overtly shown – in the original movie?
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