Posted on Wednesday, September 19th, 2018 by Ben Pearson
Yesterday, Sony invited us to their studio lot to see some early footage from The Girl in the Spider’s Web, the newest entry in the Dragon Tattoo franchise. Afterward, co-writer/director Fede Alvarez (Don’t Breathe) and star Claire Foy (who won an Emmy the night before for her work on The Crown) joined us for a Q&A to talk about the look of the movie, the intensity of the film’s hacker protagonist Lisbeth Salander, a sex scene that was removed from the film, Foy’s feelings about playing the role in the midst of the #MeToo movement, and much more. Read More »
Most of the time, press conferences for big blockbuster movies are opportunities for the actors to crack a few jokes, share a fun story or two about making the movie, and that’s about it. It’s rare that anything actually substantial comes out of these Q&A sessions, but the press conference for Rampage, the upcoming film adaptation of the video game, was a little bit different.
During the conference, actor Joe Manganiello (who plays a mercenary in Rampage) revealed that star Dwayne “The Rock” Johnson was in talks to lead a Dungeons and Dragons movie, and Johnson confirmed it. Read about The Rock Dungeons and Dragons connection, the Rampage movie’s special homage to the video game on which it’s based, and more below. Read More »
Update: In a new interview, Steven Spielberg clarified his comments about being able to secure rights to Star Wars franchise so he could reference it in Ready Player One. Our original article follows, as well as video of Spielberg explaining how Lucasfilm cooperated after all.
Ready Player One is jam-packed with references to the pop culture of yesteryear, but an early version of the script featured a huge shout-out to a certain 1977 sci-fi classic which director Steven Spielberg ended up cutting out. And it may not be from the movie you’re thinking about. Discover the story about the one big Ready Player One reference that was abandoned, and learn which huge film franchise Spielberg and his team could not secure the rights to below. Read More »
In Ready Player One, much of the action takes place inside a virtual universe called the Oasis – a vast collection of digital planets where people can be whoever they want to be and basically do whatever they want. We know director Steven Spielberg put his actors in performance capture suits to film those sequences, but what did their physical set actually look like during production?
Below, Spielberg explains how he shot those complex Ready Player One Oasis scenes. Read More »
My biggest worry about Steven Spielberg‘s Ready Player One was that the film might sink under the weight of the sheer number of pop culture references it needs to juggle in order to be accurate to Ernest Cline‘s 2011 novel. While there are still plenty of references to be spotted, Spielberg thankfully manages to keep the film afloat amid all of its nostalgia.
But much of Spielberg’s career has been devoted to the idea of nostalgia in one way or another. Whether it’s making movies that remind us of being children, paying homage to adventure serials of days long past, or depicting bygone time periods in which characters make the right choices against all odds, Steven Spielberg may be one of the most nostalgic filmmakers working today. (Though he’s never been afraid to push the envelope when it comes to utilizing technology in his movies).
/Film caught up with The Beard at the Ready Player One press junket and asked him about his relationship with nostalgia, and during his answer, Spielberg teased the possibility of one day releasing a documentary about his days with fellow New Hollywood filmmakers Francis Ford Coppola, George Lucas, Martin Scorsese, and Brian De Palma.
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Writer/director Alex Garland‘s new movie Annihilation was /Film’s most anticipated movie of 2018, and it didn’t disappoint. It’s an intense, unsettling piece of science fiction that will send you staggering out of the theater holding your mushy brain in your hands.
Now, a new 30-minute Annihilation interview with Garland sheds some light on the making of the movie, including his appreciation for subversion, the most surprising element about writing, and more. Read More »
Folks, not only is Paul Thomas Anderson very good at making movies, he’s also very good at the internet. The acclaimed filmmaker is out there promoting his new masterpiece Phantom Thread, and in a series of recent Q&As, via Reddit and Twitter, he proceeded to charm the hell out of everyone and offer some good advice (to others, and to himself). See the results of the Paul Thomas Anderson Q&A below.
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Steven Spielberg’s upcoming movie The Post is one of the most vital, compelling pieces of filmmaking of his career. Full reviews are still under embargo, but the early buzz from critics who’ve seen early screenings is overwhelmingly positive.
I managed to get into one of those early screenings last night on the 20th Century Fox studio lot, where stars Meryl Streep, Tom Hanks, and Bradley Whitford appeared for a Q&A after the movie. What follows is a transcript of some of the most fascinating moments of that conversation, including stories about how ridiculously quickly this project came together, Spielberg’s approach to directing, and the impact of the movie’s costume designer.
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Earlier this week, I visited the Los Angeles County Museum of Art to see a screening of The Shape of Water, the newest fantasy film from director Guillermo del Toro. The screening was part of Film Independent at LACMA’s ongoing film series and featured a Q&A afterward with del Toro, actors Sally Hawkins, Doug Jones, Richard Jenkins, Michael Stuhlbarg, and composer Alexandre Desplat.
Below, you’ll find some of the best stories and quotes from the conversation, including how a drunken del Toro originally pitched Hawkins on her part, how the music ties in with the film’s visual aesthetic, which scene caused someone to vomit on the set, and the odd relationship between the film and the FX vampire series The Strain.
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I am not joking when I say that James Franco should receive serious awards consideration for his performance in The Disaster Artist, a film in which Franco plays Tommy Wiseau, the writer/director/star of 2003’s The Room, widely regarded as one of the worst films ever made. Having seen Wiseau speak in real life following a screening of his most recent movie at Beyond Fest earlier this year, it’s astonishing how perfectly Franco slips into that persona. Not only is the accent spot-on, but the physicality and the way he carries himself is a direct match. It’s a wonderful performance.
But here’s the best part. Franco, a prolific filmmaker who’s directed 30 movies or episodes of TV to date, also directed The Disaster Artist – and he directed the whole movie in character as Tommy Wiseau. You can read all about that in Franco’s own words and learn more about the making of the movie below.
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