Extra Ordinary, a blend of low-key supernatural chills and offbeat Irish comedy, is one of the sweetest and funniest movies of the year.

/Film was able to sit down with writer/directors Mike Ahern and Enda Loughman and cast members Will Forte, Maeve Higgins, Barry Ward, and Claudia O’Doherty to discuss the film, which premiered at the SXSW Film Festival last year and is finally getting its theatrical release this weekend. We discussed the origins of the film, what other movies inspired it, and yes, we even took a diversion into MacGruber.

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downhill trailer

Filmmakers Nat Faxon and Jim Rash took some time out of their schedule to sit down with /Film for a phone interview to talk about their new film, Downhill.

Downhill premiered at the Eccles Theater during the first weekend of the 2020 Sundance Film Festival. The film is the the English-language remake of the Swedish dark comedy Force Majeure. In addition to directing the film, Faxon and Rash co-wrote the script with Jesse Armstrong. Downhill marks their return to Sundance for the first time since premiering The Way, Way Back in 2013.  The duo previously won an Oscar for co-writing The Descendants with Alexander Payne.

Searchlight Pictures will release the film in theaters this weekend.

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The 10 Funniest Performers of the Decade

Funniest Performers of the Decade

(This article is part of our Best of the Decade series.)

Choosing the top ten funniest performers of the 2010s was not easy. If there’s one thing to know about comedy, it’s that it is subjective. What’s funny to one person may not be funny to someone else.

One thing I took into account while making this list is how reliable these performers were over the past decade. Did they have stand-out moments in one film or in multiple films over the years? How should a late bloomer be evaluated? If someone delivered a breakthrough performance late in the decade, should that wipe away someone else if they were consistently reliable for years? These are the questions I pondered.

As this decade comes to an end, one can only hope to see Daniel Craig and Charlize Theron take on more comedic performances. Craig crushed it in both Logan Lucky and Knives Out. While both Young Adult and Tully were more of a dramedy than outright comedies, Theron’s performance in Long Shot shows that she’s ready to be taken seriously as a comedic actress. That being said, if a film otherwise classified as a dramedy was submitted to an awards show as a comedy, I’m counting it as a comedy.

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Whether or not you’re familiar with the name Tracy Letts, there’s a strong chance that you’ve seen him grace the big and small screen over the years. After all, this actor/playwright has been popping up in some of the most critically acclaimed films of recent years.

Letts appeared in Lady Bird and The Post in 2017. He wrote the plays Bug, Killer Joe, and August: Osage County, all of which were adapted for the big screen. On the small screen, Letts appeared in several episodes of Homeland, Divorce, and The Sinner.  And in 2019, you can catch Letts appearing in both Ford v Ferrari and Little Women.

Letts opened up over the phone about his roles in those two 2019 films, what he looks for when reading a screenplay, and his favorite sites in Chicago.

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The past summer has been very tough on comedies, with a number of films failing at the box office after premiering to strong buzz. In a summer where only a handful of major releases truly broke the bank, it’s sign of how the movie landscape has shifted.

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The Art of Self-Defense Interview

During the 2019 SXSW Film Festival, /Film had the opportunity to sit down with writer/director Riley Stearns and cast members Jesse Eisenberg, Imogen Poots, and Alessandro Nivola to discuss the upcoming Bleecker Street release, The Art of Self-Defense.

Given that this funny dark comedy is set in the world of martial arts dojo gyms, it only made sense that the press junket would be held at a dojo gym in Austin. As such, the rules were strict, including no shoes on the mat. Since the film itself is obsessed with the rules and idiosyncrasies of the karate world, it was only appropriate. 

Bleecker Street will open The Art of Self-Defense on July 12, 2019.

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(Welcome to The Soapbox, the space where we get loud, feisty, political, and opinionated about anything and everything. In this edition: Hollywood needs to get better about transgender representation.)

When the 2019 GLAAD Studio Responsibility Index was released in May 2019, the most disappointing news was that not a single major studio film featured a transgender actor.

While it’s true that there was transgender representation in mid-major releases, the same could not be said of the studios.  The report examines the output of the following studios: 20th Century Fox, Lionsgate Entertainment, Paramount Pictures, Sony Pictures, Universal Pictures, Walt Disney Studios, and Warner Brothers, and four of their subsidiaries.  Additional distributors include A24, Annapurna Pictures, Bleecker Street, FilmRise, Gunpowder & Sky, IFC Films, Magnolia Pictures, The Orchard, Orion Pictures, Samuel Goldwyn Films, Strand Releasing, and Wolfe Releasing.

While it’s admirable to mention those films from the smaller distributors, their releases just don’t have the reach as the mainstream studio films.  Strangely enough, the blurbs on Annapurna nor Bleecker Street mention the casting of transgender actors in The Sisters Brothers and Colette, respectively.  GLAAD rightly takes Colette to task for the casting of a cisgender woman as a transgender man let alone not using the preferred name.

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Wild Rose Interview

Following last fall’s world premiere at Toronto, Wild Rose made its US premiere this March during SXSW.  The US premiere came on the heels of actress Jessie Buckley being among the five finalists for the BAFTA Rising Star Award.  While she did not win, that’s a name you need to remember.

I sat down to chat with Buckley and director Tom Harper during SXSW to talk about their movie. Now, several months later, Wild Rose has hit theaters. Enjoy our conversation about making this gem of a movie how country music has gotten so popular in Scotland.

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Booksmart Cast and Crew Interview

Booksmart is the film about female friendship for a new generation.  What sets this film apart from Bridesmaids is that rather than focus on women in their 30s, the film chooses to focus on a pair of women on the eve of graduating high school.

I spoke with a number of cast and crew on the red carpet before the world premiere of SXSW.  During the post-premiere Q&A and even during an event at the Twitter House earlier that day, director Olivia Wilde spoke about those films that she looked to for influence.  Not surprisingly, two of the films mentioned were Fast Times at Ridgemont High and Clueless.  Both of these films are set in high school and were directed by Amy Heckerling.  The influences weren’t just limited to high school comedies but also buddy cop films in the comedy and drama genres, such as Beverly Hills Cop, Lethal Weapon, and Training Day.

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When I first watched Booksmart during its world premiere at SXSW, I fell in love with this high school comedy in an instant. When we talk about the films that we wished we had while growing up, this is one of them. It feels like an instant classic. Kaitlyn Dever and Beanie Feldstein are both phenomenal in the film and I couldn’t stop laughing at every ridiculous and wonderful joke.

Booksmart screenwriter Katie Silberman (she shares screenplay credit with Emily Halpern, Sarah Haskins, and Susanna Fogel) spoke with /Film over the phone this week to discuss the writing process as well as favorite high school comedies. Before the world premiere, I chatted with Katie Silberman on the red carpet. Some of that conversation has been edited into the transcript of our phone conversation.

Annapurna opens Booksmart in theaters on May 24, 2019.

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