The 14 Best Action Movies From Black Directors

There are very few pure action movies, a fact one only comes to appreciate once they try to compile a list like this. "The Expendables," "Commando," and the "Fast and the Furious" franchise are examples of such films in which the only objective is to blow things up in creative and satisfying ways. Instead, most action movies fall on a sliding scale and also incorporate thriller, horror, and comedic elements.

The same handful of Black directors pops up on this list again and again, in part because they are excellent directors but also because it's a shallow pool. Black directors just don't get as many opportunities. According to a 2021 report by the consulting company McKinsey & Company, less than 6 percent of the writers, directors, and producers of U.S.-produced films are Black, despite Black Americans constituting 13.4 percent of the United States population (per the same report). This discrepancy may also explain why the films listed here are about something more than chases and gunfights. The action scenes are the main draw in comic book films, but director Ryan Coogler was after something more elemental and important in "Black Panther." "I was very honest about the idea I wanted to explore in this film, which is what it means to be African," Coogler told Rolling Stone. 

This 1995 film from the Hughes brothers is loosely based on the life of Haywood Kirkland and his experiences after returning home from Vietnam. It's a story that unfolds over nearly a decade, and in that way, "Dead Presidents" is almost like three movies in one. The opening sequence is reminiscent of "Goodfellas," as young Anthony Curtis (Larenz Tate) spends time with (and is enamored by) bookie Kirby (Keith David). That segues to the war in Vietnam, with jungle shootouts and the sort of casual insanity the genre seems to demand. The last half of the film is a lead-up to the heist and its fallout. Taken as a whole, "Dead Presidents" feels like a biopic, and it effectively shows the hows and whys that led Anthony to such a drastic end. 

Between this film and his memorable role as O-Dog in "Menace II Society," it remains baffling that Tate never really became more popular. Chris Tucker also stars, playing Anthony's friend Skip with all the fast-talking gusto for which he would quickly become famous. 1995 was a great year for the ascendant young comic, as "Dead Presidents" released only six months after "Friday" made Tucker a household name. Here, his manic energy is balanced by a narrative in which Skip is suffering from exposure to Agent Orange and is a heroin addict, allowing Tucker a rare opportunity to stretch his dramatic legs.

There aren't many movies more unabashedly action-oriented than the "Fast and the Furious" franchise. Each installment is bigger, louder, and more improbable than the last, but damn, if they aren't all entertaining. Director F. Gary Gray joined the franchise for the eighth installment, which was the first mainline entry without Paul Walker. Despite Walker's notable absence, the film is one of the better entries.

"F8" functions as something of a soft reboot, introducing a bevy of new faces to an already full roster and setting up a recurring, multi-film antagonist in Cipher (Charlize Theron). While it is great fun watching Helen Mirren chew the scenery as the matron of the Shaw family, the jaw-dropping stunts bring all the boys (and girls) to the yard. Jason Statham taking on a plane full of goons while holding a baby is one of the best action scenes in the entire nine-film saga.

A remake of the 1960 film of the same name, which is itself a Westernized take on Akira Kurosawa's legendary "Seven Samurai," "The Magnificent Seven" reunites director Antoine Fuqua with "Training Day" stars Denzel Washington and Ethan Hawke. While the film follows the conventions of its lineage (seven men heroically protect a town from an invading force of hostiles and are whittled down to a spare few survivors but impossibly manage to save the day), the shootouts are pure 21st-century action, with all the gunplay and explosions one could hope for. It is a Western more in the mold of "Tombstone" than "Unforgiven," and it doesn't have much to say about the genre other than "Hey, wouldn't this be cool?" And it is.

Washington plays Sam Chisholm, a stoic U.S. Marshal who would rather let his guns do the talking. He's joined by a former Confederate sharpshooter named Goodnight (Hawke); Joshua Faraday (Chris Pratt), a gambler and good-hearted scoundrel in the Han Solo mold; and big game hunter Jack Horn (Vincent D'Onofrio). Rounding out the seven are a Chinese assassin (Lee Byung-hun), a Mexican outlaw (Manuel Garcia-Rulfo), and a Comanche warrior (Martin Sensmeier). "The Magnificent Seven" has the same sensibilities as action Westerns like "Young Guns": Life is cheap and heroes go out in a blaze of glory.

Antoine Fuqua directed this gritty action film, which is based on the 1980s television show of the same name. Robert McCall (Denzel Washington) is a retired black ops soldier working at a home improvement store. McCall likes to spend his evenings drinking diner coffee and reading classic novels. He befriends Alina (Chloë Grace Moretz), a lonely girl being trafficked by the Russian mafia, who dreams of becoming a singer — even while recognizing her world isn't the place for such dreams. When Alina's pimp beats her within an inch of her life, Robert decides to take matters into his own capable hands. Much killing ensues.

"The Equalizer" is "John Wick" without the mesmerizing gun ballet. Instead, the death-dealing is visceral and in your face. Russian lackeys are shot, stabbed, electrified, and strangled. A set piece near the end of the film takes place on Robert's home turf: the home improvement store. It plays something like "Die Hard" meets "Home Alone" as the Russian hunters become the hunted and are eliminated through the use of gardening implements and tools. A sequel was released in 2018 and a third film is coming in 2023.

The Marvel Cinematic Universe's first true black superhero (apologies to Falcon and War Machine, but T'Challa is in a different stratosphere), "Black Panther" quickly transcended the comic book movie genre and became a cultural event. Ryan Coogler's film is joyously Black, celebrating what Africa is and what it could be. It is also a top-tier action movie with kinetic, intricately-staged fights and explosive chases buoyed by a thumping hip-hop soundtrack.

T'Challa (Chadwick Boseman) is the new King of Wakanda, a fictional, futuristic African country. He is also the Black Panther, a superhuman warrior in a nigh-invulnerable suit with an arsenal of gadgets that would make James Bond envious. T'Challa's rule is challenged by Erik Stevens, played with brooding intensity by a yolked Michael B. Jordan, who mostly goes by "Killmonger" for obvious reasons. Unbeknownst to practically everyone, Erik is T'Challa's cousin (their fathers were brothers) who was born and raised in America and abandoned there after T'Challa's dad murdered Erik's. The drama is all very Shakespearean and gives the action a weight and pathos most comic book films lack.

In this remake of the 1969 British film of the same name by director F. Gary Gray, this star-studded film features a team of expert thieves who plot to steal millions in gold from a private vault in Los Angeles, which was originally stolen from a Venice bank (hence, the film's name). It checks all the requisite heist boxes: assemble a team of personalities, make exquisite plans, and scramble when complications arise. Oh, and it has an incredible chase scene. The Mini Coopers used in filming are practically part of the cast.

Mark Wahlberg stars as Charlie Croker, team leader and fixer. Charlie was part of the crew that stole the gold from the bank and was subsequently double-crossed by Steve Frazelli (Edward Norton), who took all $35 million for himself. Charlie recruits Stella (Charlize Theron), a professional safe-cracker for whom this job is personal, and enlists the rest of the original crew to get their money back. The result is a film that is reminiscent of "Ocean's Eleven" in that both movies involve heists and teams of charmingly unsavory characters. However, "The Italian Job" is faster and funnier with taut, pulse-racing action scenes, and those wonderful Mini Coopers.

Oh, look. Another Denzel Washington film! The man simply has a way of popping up in the best movies, or conversely, movies are simply better when Washington is in them. 

Of all the films on this list, "Inside Man" is the least actiony. Outside of a sequence in which the police imagine all the ways a shootout could go wrong, there isn't any traditional action at all — no gunfire or chases. The only violence is a brief beat down that occurs behind a frosted window. And yet, here we are.

"Inside Man" is a heist film directed by Spike Lee and released in 2006. Washington stars as detective and hostage negotiator Keith Frazier, who is called to the scene after a group of criminals seizes control of a New York bank. The ringleader, Dalton Russell (Clive Owen), is preternaturally calm and prepared and often breaks the fourth wall, addressing the audience directly as he describes how he will commit the perfect crime. This is where the action comes in, as detective Frazier and Russell match wits in a tense game of cat and mouse. The rest of the cast, including Jodie Foster, Willem Dafoe, Chiwetel Ejiofor, and Christopher Plummer, is just as stellar. "Inside Man" is a riveting film and an amazing action movie.