Morgan Freeman's Star-Studded Heist Movie On Netflix Flew Under Everyone's Radar
Before Martin Brest became one of Hollywood's top action-comedy directors with the surefire hit "Beverly Hills Cop" and "Midnight Run" (a buddy comedy offering more than laughs), he delivered a nifty variation on the one-last-job crime flick with 1979's "Going in Style." Rather than tell a tale of an aging crook looking to make a big score that'll allow them to retire to a tropical locale far away from the long arm of U.S. law enforcement, he spun a yarn about three law-abiding senior citizens (George Burns, Art Carney, and Lee Strasberg) who, bored with whiling away their remaining days on a Queens park bench, decide to liven things up by robbing a bank. The movie was a big hit, inspiring filmmakers to round up aging legends for comedic capers or cliche-laden off-color romps where the central joke is watching old people curse.
Most of these movies lack the texture and sensitivity of "Going in Style," where they do the job early in the movie and briefly enjoy the spoils. One member of the group dies soon after the robbery, while another gets one glorious night in Las Vegas before turning in for good. The lone survivor? He winds up in prison and will likely die there. It's a bittersweet ending that blends irrepressible mischievousness with inescapable regret.
Brest's "Going in Style" is more of a character study and, thus, lacks big, broad jokes that send you out of the theater buzzing. This may be why it's rarely discussed today. It may also be why there wasn't much outrage when Zach Braff directed a remake starring Morgan Freeman, Michael Caine, and Alan Arkin. As a result, the 2017 heist comedy, which is currently streaming on Netflix, flew completely under the radar. I'm afraid there's a good reason for this.
Those keen on Going in Style might want to stick with the original
Working from a script by Theodore Melfi (the writer/director of the decent Bill Murray vehicle "St. Vincent"), Zach Braff departs from Martin Brest's grounded approach to plop us in an lifelessly immaculate Brooklyn straight out of a television commercial. There's hardly anything wrong about placing your own spin on a remake, but the charm of Brest's movie was that George Burns' character just up and decides one day that he should rob a bank with his buddies. And despite being rank amateurs, they pull it off.
Braff's movie turns the premise into a shopworn underdog tale where our heroes stick up a corporate bank after their bought-out employer eliminates their pensions. Since they expect their haul to far exceed the money owed them, they resolve to give the leftover cash to family, friends, and others in need. Because the stakes aren't high enough, Morgan Freeman's character also finds out he'll soon die of kidney failure if he doesn't get a transplant posthaste. Oh, and Michael Caine's character gets the idea to rob a bank by witnessing one firsthand.
There's nothing casual or fun about Braff's movie. Unlike their predecessors, its protagonists are cloddish and dotty and, therefore, in need of a warm-up robbery. So, we get a botched, unfunny shoplifting excursion that goes disastrously awry. As for the aftermath of the bank job? (Spoiler, I guess.) They get away with it (thanks to a cute kid), no one dies, and world peace is achieved.
Braff's remake was actually a commercial success in theaters, but it was poorly reviewed because it possesses the comedic invention of a Hallmark movie. Meanwhile, Brest's film is currently available to rent on Prime Video and Apple TV. Choose wisely.