White Lies and Dark Truths: How ‘The Farewell’ and ‘The Last Black Man in San Francisco’ Explore Gentrification Onscreen
Posted on Tuesday, July 9th, 2019 by Kalyn Corrigan
It’s not a comparison most would make, is it? After all, what could two movies that are seemingly as vehemently opposed as The Farewell and The Last Black Man in San Francisco possibly have in common? One is a story about a Chinese American woman dealing with her grandmother’s illness, and the other is an account of a young African American man attempting to reclaim a childhood home he can no longer afford.
As strange a pairing as these two A24 releases may seem at first glance, there’s a lot more shared idiosyncrasies than what meets the casual observer eye. At their core, both of these films are fish-out-of-water narratives in which white lies serve as the antidote to the terminal loss of home.