Get Out writer/director Jordan Peele‘s new horror film Us opens in the United States on March 15, 2019, but if you’re attending this year’s SXSW Film Festival in Austin, Texas, you may have a chance to catch it even earlier. The Us world premiere date has been announced, and the movie will be the opening night film at this year’s festival. Read on for more details. Read More »
Iconic filmmaker Jean-Luc Godard, a figurehead of the French New Wave movement which pushed the envelope of cinematic storytelling methods back in the 1960s, has spent much of his career experimenting with form. That experimentation continues in the 88-year-old’s latest cinematic effort, The Image Book, which played at this year’s Cannes Film Festival. The trailer has arrived, and I can say without hesitation that it’s unlike any trailer you’ve ever seen. Read More »
After playing the Toronto International Film Festival back in 2017, the Australian biker gang drama formerly known as 1% is finally coming to theaters, but with a new title and an early 2019 release date.
The film from director Stephen McCallum is now known as Outlaws, and it follows Matt Nable as the Copperheads motorcycle club leader Knuck who has been busy doing a three-year stint in prison. Meanwhile, Paddo (Ryan Corr) has been keeping the everything in order, even turning quite the handsome profit for the gang. So when Knuck returns, there’s a bit of a conflict as to whether Paddo should keep leading, or if they go back under the old leader. Violence and sex ensues, as you can see in the Outlaws trailer below. Read More »
Moonlight director Barry Jenkins returns with If Beale Street Could Talk, an adaptation of the novel by James Baldwin. Romantic and tragic, Beale Street is gorgeous and emotionally stirring – the type of movie that only comes along every so often.
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The Cannes Film Festival won’t be sending director James Gray a nice Edible Arrangement anytime soon. The We Own the Night and Lost City of Z filmmaker has some harsh words for the fest, claiming that the folks running Cannes are stuck in the past, and “protectors of the status quo.” The filmmaker also offered an update on his sci-fi film Ad Astra, which stars Brad Pitt and Ruth Negga – a film Gray is determined to take his time working on.
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Posted on Wednesday, November 28th, 2018 by Ben Pearson
As we recover from Thanksgiving and prepare to head into the holiday season, the 2019 Sundance Film Festival is just a few weeks away. /Film will be on the ground in Park City, Utah in January to bring you coverage of all of the biggest and best in the world of independent film, including movies from filmmakers like Dan Gilroy, Mindy Kaling, Scott Z. Burns, and many more. The festival runs from January 24– February 3, 2019.
Below, read about the 10 notable movies we’re looking forward to, and see the full list of what’ll be playing at the festival. Read More »
Hollywood has always had a problem with giving women leading roles once they start hitting their 40s and 50s. Obsessed with the fresh-faced, young women pouring into Los Angeles everyday, it’s one of the more shameful sides of show business. But thankfully that’s started to change a bit with great roles for women of all ages, and A24 has just released the first trailer that gives Julianne Moore one of those fantastic roles.
Gloria Bell (Julianne Moore) is a divorced woman just trying to meet the right man all over again, hitting up night clubs, dancing like no one is watching, and living her best life. That’s when she meets Arnold (John Turturro), and it looks like everything is coming up Gloria. At least at first. See what happens in the Gloria Bell trailer below. Read More »
The Mumbai Film Festival began as a modest affair, though with the sponsorship of Fox’s Star network and telecom giant Reliance Jio in recent years, it’s exploded into a prestigious destination for cinema the world over. This year, the festival’s 20th, saw both premieres of Indian art-house films as well as arrivals of various 2018 festival darlings — Cannes, Berlin, Venice, you name it — but what separates the Mumbai Film Festival (MAMI for short, after parent organization Mumbai Academy of the Moving Image) from most festivals with such a vast selection is affordability.
For just 500 rupees — or $6.90 at the time of writing — the festival affords week-long access to over 200 films from the world over. I personally met folks who had travelled from all corners of the country (some, even internationally) to watch heavy-hitters like Roma, Border, Diamantino and Burning, films that may not otherwise see theatrical release in all parts of the world. It feels celebratory, too; given that the lineup is spread across half a dozen locations within a 12-mile radius, MAMI essentially becomes a city-wide affair. Cinema ought to be for everyone, not just folks who can afford skyrocketing ticket prices or the latest streaming service, and in that vein MAMI succeeds.
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Posted on Thursday, November 1st, 2018 by Jacob Hall
(This review originally ran during our coverage of the 2018 SXSW Film Festival. Prospect opens in New York and Los Angeles tomorrow, November 2, 2018.)
Prospect exists in a huge universe, one whose scope boggles the mind and imagination. And we are treated to only the smallest, most tantalizing glimpse. A taste. What a taste it is.
Here is an indie science fiction film so aware of its unavoidable budgetary limitations that it builds them into its own mystique. A picture may be worth a thousand words, but casually evocative descriptions of a dozen unique planets and unseen societies is worth $100 million. The scale of Prospect lies unseen in the margins, placing this tiny tale of survival smack dab in the middle of a galaxy that the film dares us to imagine. There’s something special about that. Something powerful. And it certainly helps that Prospect is led by characters who immediately invest us in what’s going on. We want to follow them, to learn more about them, because perhaps they’ll guide us to the worlds they keep talking about.
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Global cinema lives at the New York Film Festival. The recently concluded 56th edition ran two straight weeks (four, if you’re press) at the prestigious Lincoln Center, offering everything from experimental shorts to director talks to virtual reality films, though, as one might expect, the wide array of features is undoubtedly a central highlight. I’ve been attending the festival for five years running, and having caught a good majority of the 2018 slate— 27 films, the most I’ve seen at any festival — I can safely say it’s one of the best lineups I’ve ever had the pleasure of experiencing.
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