Academy Names 241 Screenplays And 77 Scores Eligible For The Oscar

We know you were losing sleep over it, so we're happy to be the first to tell you that Furry Vengeance and Yogi Bear are both eligible to be nominated for Best Screenplay Oscars on January 25. Also that Marmaduke score that has been wearing out your iPod? It's eligible too. However, the inclusion of these 2010 masterpieces really isn't that big a surprise.

With final nominations just over a month away the Academy of Motion Picture Arts and Sciences announced that 241 screenplays – 134 original and 107 adapted – are eligible for a Best Screenplay nomination and that music from 77 films is eligible for Best Original Score (not including Black Swan, The Fighter or The Kids Are All Right). Add those to the 248 films eligible for Best Picture and Oscar voters have a lot of work to do in the coming weeks. Kind of. See the full lists, the favorites and read the rules after the jump.

Let's be honest. Out of all of these eligible films, voters really are only going to concentrate on a small number – the ones that have been getting nominations from other respected groups. So as much as one might excited that films like Kick-Ass or Scott Pilgrim vs. The World or Insert-Your-Favorite-Film-Here are eligible for awards, that's unfortunately as far as they are going to get unless they're a front runner.

Here are the front runners for each of these categories, in order of how well they have been doing throughout the awards season, courtesy of Awards Daily.

Best Original Screenplay

  • Lisa Cholodenko, Stuart Blumberg -The Kids Are All Right
  • David Seidler – The King's Speech
  • Christopher Nolan – Inception
  • Mark Heyman, Andres Heinz, John J. McLaughlin – Black Swan
  • Mike Leigh – Another Year
  • Scott Silver, Paul Tamasy, Eric Johnson – The Fighter
  • Derek Cianfrance – Blue Valentine
  • Best Adapted Screenplay

  • Aaron Sorkin – The Social Network
  • Joel and Ethan Coen – True Grit
  • Simon Beaufoy, Danny Boyle – 127 Hours
  • Debra Granik, Anne Rosselini – Winter's Bone
  • Michael Arndt – Toy Story 3
  • Peter Craig, Ben Affleck, Aaron Stockard – The Town
  • William Davies, Dean DeBlois, Chris Sanders – How to Train Your Dragon
  • Best Original Score

  • Trent Reznor, Atticus Ross – The Social Network
  • Hans Zimmer – Inception
  • Alexandre Desplat – The King's Speech
  • AR Rahman – 127 Hours
  • Danny Elfman – Alice in Wonderland
  • Clint Mansell – Black Swan (Ineligible)
  • Alexandre Desplat – The Ghost Writer
  • Carter Burwell – True Grit (Ineligible)
  • Randy Newman – Toy Story 3
  • Chances are, if a film isn't on one of those lists, it's not going to get nominated. Still, making the master list below means there's always a chance. Here are the lists.

    Original screenplays

    AGORA

    ALL GOOD THINGS

    ALPHA AND OMEGA

    ANIMAL KINGDOM

    ANOTHER YEAR

    APARORIS

    APPLAUSE

    BIUTIFUL

    BLACK SWAN

    BLACK TULIP

    BLUE VALENTINE

    THE BOOK OF ELI

    THE BOUNTY HUNTER

    BROOKLYN'S FINEST

    BURIED

    BURLESQUE

    CAIRO TIME

    CASE 39

    CASINO JACK

    CITY ISLAND

    THE CONCERT

    CONVICTION

    COP OUT

    COUNTRY STRONG

    CRAYON

    CYRUS

    DATE NIGHT

    DAYBREAKERS

    DEFENDOR

    DESPICABLE ME

    DEVIL

    DREAMKILLER

    THE DREAMS OF JINSHA

    DROOL

    THE DRY LAND

    DUE DATE

    EASY A

    ESSENTIAL KILLING

    EXPECTING MARY

    THE EXPENDABLES

    THE FIGHTER

    FOUR LIONS

    FRANKIE & ALICE

    FROM PARIS WITH LOVE

    FURRY VENGEANCE

    GET LOW

    GOING THE DISTANCE

    GREENBERG

    GROWN UPS

    HAPPY TEARS

    THE HARIMAYA BRIDGE

    HARRY BROWN

    HEARTBREAKER

    HEAVEN'S RAIN

    HEREAFTER

    HIDEWAY (LE REFUGE)

    HOLY ROLLERS

    HOW DO YOU KNOW

    HOWL

    HUBBLE 3D

    I AM LOVE

    IDIOTS AND ANGELS

    THE ILLUSIONIST

    INCEPTION

    INSIDE JOB

    THE JONESES

    JUST WRIGHT

    THE KIDS ARE ALL RIGHT

    KILLERS

    THE KING'S SPEECH

    KNIGHT AND DAY

    THE LAST EXORCISM

    LEAP YEAR

    LEBANON

    LEGION

    LETTERS TO GOD

    LETTERS TO JULIET

    LIFE AS WE KNOW IT

    LOTTERY TICKET

    LOUIS

    LOVE RANCH

    MACHETE

    MADE IN DAGENHAM

    MEGAMIND

    MICMACS

    MIDDLE MEN

    MISCONCEPTIONS

    MONSTERS

    MORNING GLORY

    MOTHER AND CHILD

    MY NAME IS KHAN

    MY SOUL TO TAKE

    NIGHT CATCHES US

    OCEANS

    ONDINE

    THE OTHER GUYS

    OUR FAMILY WEDDING

    PLEASE GIVE

    PREACHER'S KID

    RED HILL

    REMEMBER ME

    ROBIN HOOD

    ROZYCZKA

    SALT

    SEQUESTRO

    SHE'S OUT OF MY LEAGUE

    THE SICILIAN GIRL

    SIX DAYS IN PARADISE

    SKYLINE

    SOLITARY MAN

    SOMEWHERE

    SPLICE

    THE SPY NEXT DOOR

    STONE

    SUMMER WARS

    TAKERS

    3 BILLION AND COUNTING

    THE TILLMAN STORY

    TOOTH FAIRY

    TOUCHING HOME

    TRASH HUMPERS

    UNBEATEN

    UNSTOPPABLE

    VALENTINE'S DAY

    VAMPIRES SUCK

    THE VIRGINITY HIT

    WAITING FOR "SUPERMAN"

    WAKING SLEEPING BEAUTY

    THE WARRIOR'S WAY

    WATERCOLORS

    WELCOME TO THE RILEYS

    WHEN IN ROME

    YOU AGAIN

    YOU WILL MEET A TALL DARK STRANGER

    Adapted screenplays

    THE A-TEAM

    ALICE IN WONDERLAND

    THE AMERICAN

    ANTON CHEKOV'S THE DUEL

    BARNEY'S VERSION

    CATS & DOGS: THE REVENGE OF KITTY GALORE

    CHARLIE ST CLOUD

    CHLOE

    THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER

    CLASH OF THE TITANS

    COCO CHANEL & IGOR STRAVINSKY

    THE COMPANY MEN

    THE CRAZIES

    DEAR JOHN

    DEATH AT A FUNERAL

    DIARY OF A WIMPY KID

    DINNER FOR SCHMUCKS

    EAT PRAY LOVE

    EDGE OF DARKNESS

    THE EXTRA MAN

    FAIR GAME

    FLIPPED

    FOR COLORED GIRLS

    GET HIM TO THE GREEK

    THE GHOST WRITER

    THE GIRL ON THE TRAIN

    THE GIRL WHO KICKED THE HORNET'S NEST

    THE GIRL WHO PLAYED WITH FIRE

    THE GIRL WITH THE DRAGON TATTOO

    GREEN ZONE

    GULLIVER'S TRAVELS

    HARRY POTTER AND THE DEATHLY HALLOWS, PART 1

    HEMINGWAY'S GARDEN OF EDEN

    HOW TO TRAIN YOUR DRAGON

    I LOVE YOU PHILLIP MORRIS

    IRON MAN 2

    IT'S KIND OF A FUNNY STORY

    JACK GOES BOATING

    JOHN RABE

    JONAH HEX

    THE KARATE KID

    KICK-ASS

    THE LAST AIRBENDER

    THE LAST SONG

    LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE

    LET ME IN

    LIFE DURING WARTIME

    LIKE DANDELION DUST

    LITTLE FOCKERS

    THE LOSERS

    LOVE & OTHER DRUGS

    MACGRUBER

    MAO'S LAST DANCER

    MARMADUKE

    MY DOG TULIP

    NANNY MCPHEE RETURNS

    NEVER LET ME GO

    THE NEXT THREE DAYS

    A NIGHTMARE ON ELM STREET

    NOWHERE BOY

    THE NUTCRACKER IN 3D

    127 HOURS

    OSS 117 – LOST IN RIO

    PARANORMAL ACTIVITY 2

    PERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF

    THE PERFECT GAME

    PIRANHA 3D

    PREDATORS

    PRINCE OF PERSIA: THE SANDS OF TIME

    PURE COUNTRY 2: THE GIFT

    QUEEN OF THE LOT

    RABBIT HOLE

    RAMONA AND BEEZUS

    RED

    REPO MEN

    RESIDENT EVIL: AFTERLIFE

    THE RUNAWAYS

    SAW 3D

    SCOTT PILGRIM VS THE WORLD

    SECRETARIAT

    SEX AND THE CITY 2

    SHREK FOREVER AFTER

    SHUTTER ISLAND

    THE SOCIAL NETWORK

    THE SORCERER'S APPRENTICE

    STEP UP 3D

    THE SWITCH

    TAMARA DREWE

    TANGLED

    THE TAQWACORES

    THE TEMPEST

    TINKER BELL AND THE GREAT FAIRY RESCUE

    THE TOURIST

    THE TOWN

    TOY STORY 3

    TRON: LEGACY

    TRUE GRIT

    THE TWILIGHT SAGA: ECLIPSE

    TYLER PERRY'S "WHY DID I GET MARRIED TOO?"

    WALL STREET: MONEY NEVER SLEEPS

    THE WAY BACK

    WILD GRASS

    WINTER'S BONE

    THE WOLFMAN

    A WOMAN, A GUN AND A NOODLE SHOP

    YOGI BEAR

    YOUTH IN REVOLT

    Original Score

    THE A-TEAM

    ALICE IN WONDERLAND

    THE AMERICAN

    ANIMAL KINGDOM

    ANOTHER YEAR

    APAPORIS

    BABIES

    BARNEY'S VERSION

    BIUTIFUL

    BLACK TULIP

    BROOKLYN'S FINEST

    CHARLIE ST. CLOUD

    THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER

    CLASH OF THE TITANS

    CONVICTION

    CYRUS

    DAYBREAKERS

    DESPICABLE ME

    DINNER FOR SCHMUCKS

    EDGE OF DARKNESS

    THE EXPENDABLES

    FAIR GAME

    FOR COLORED GIRLS

    FRANKIE & ALICE

    GET LOW

    THE GHOST WRITER

    HARRY POTTER AND THE DEATHLY HALLOWS, PART 1

    HEREAFTER

    HOW DO YOU KNOW

    HOW TO TRAIN YOUR DRAGON

    HOWL

    THE ILLUSIONIST

    INCEPTION

    INSIDE JOB

    IRON MAN 2

    JUST WRIGHT

    THE KARATE KID

    THE KING'S SPEECH

    THE LAST AIRBENDER

    LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE

    LET ME IN

    LOVE & OTHER DRUGS

    MADE IN DAGENHAM

    MAO'S LAST DANCER

    MARMADUKE

    MIDDLE MEN

    MORNING GLORY

    MOTHER AND CHILD

    NEVER LET ME GO

    THE NEXT THREE DAYS

    OCEANS

    127 HOURS

    PERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF

    THE PERFECT GAME

    PRINCE OF PERSIA: THE SANDS OF TIME

    PURE COUNTRY 2: THE GIFT

    RABBIT HOLE

    RAMONA AND BEEZUS

    REMEMBER ME

    ROBIN HOOD

    SALT

    SECRETARIAT

    THE SOCIAL NETWORK

    THE TEMPEST

    TOOTH FAIRY

    THE TOURIST

    THE TOWN

    TRON: LEGACY

    THE TWILIGHT SAGA: ECLIPSE

    VAMPIRES SUCK

    WAITING FOR "SUPERMAN"

    WALL STREET: MONEY NEVER SLEEPS

    THE WAY BACK

    WILD GRASS

    WINTER'S BONE

    WRETCHES & JABBERERS

    YOGI BEAR

    As for what qualifies a film to be on the list, the official Oscar rules are a bit vague for the screenplay awards. There isn't anything that says what wouldn't make a film eligible. For Original Score, there's a bit more:

  • The work must be created specifically for the eligible feature-length motion picture.
  • The work must be the result of a creative interaction between the filmmaker(s) and the composer(s) and/or songwriter(s) who have been engaged to work directly on the motion picture.
  • The work's eligibility shall be evaluated on its effectiveness, craftsmanship, creative substance and relevance to the dramatic whole.
  • The work must be recorded for use in the motion picture prior to any other usage, including public performance or exploitation through any media whatsoever.
  • In addition, scores diluted by the use of tracked themes or other preexisting music, diminished in impact by the predominant use of songs, or assembled from the music of more than one composer shall not be eligible.
  • So there you have it. What, if any, are the glaring omissions?

    Source: The Wrap