Anthony Hopkins is going to train Mike Tyson…sort of. Hopkins is set to play Tyson’s trainer Cus D’Amato in Cus and Mike, a new film about Tyson’s meteoric rise, directed by Nick Cassavetes. D’Amato adopted Tyson after the boxer’s mother died and then trained him over the next few years. Both Martin Scorsese and Bruce Willis were both attempting to get a film about D’Amato made in the past, and D’Amato was portrayed by George C. Scott in the HBO movie Tyson.
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Posted on Monday, October 12th, 2015 by Angie Han
MGM’s Road House remake is speeding along nicely. Last month it found itself a new Patrick Swayze in MMA fighter / Entourage star Ronda Rousey, and now it’s picked up a new director in Nick Cassavetes. Hit the jump for more on the Road House remake director. Read More »
Posted on Thursday, December 19th, 2013 by Angie Han
Facing the vengeance of not one, not two, but three women scorned would probably be pretty rough on most men. But after everything Nikolaj Coster-Waldau has been through as Jaime Lannister on this past season of Game of Thrones, some hormonal sabotage, a bit of professional betrayal, and a swift kick to the balls should seem like a walk in the park.
The Other Woman stars Coster-Waldau as a charmer with an oblivious wife (Leslie Mann) and at least two equally uninformed mistresses (Cameron Diaz and Kate Upton). But when the three ladies catch wind of what’s going on, they decide to team up to exact their revenge on him. Nicki Minaj and Taylor Kinney also star. Watch the trailer after the jump.
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For the past few months, Nick Cassavetes has been attached to direct the film Gotti: Three Generations, which will depict the lives of Gambino crime family boss John ‘The Dapper Don’ Gotti and his son John Gotti, Jr. The film is still moving forward with John Travolta attached to play the Dapper Don (for now) but it needs a new director, as scheduling issues have forced Nick Cassavetes to move on. Read More »
The question of one particular cameo in The Hangover Part II has been a popular discussion topic for the past several months. Mel Gibson was once slated to appear, then he was cut. His replacement was Liam Neeson, but now there has been another change. Director Todd Phillips decided to reshoot the scene in which the cameo featured, and Liam Neeson is no longer available. (Blame the Clash of the Titans sequel.) So he’s been replaced by The Notebook director Nick Cassavetes. Read More »
Briefly: A film about ‘Dapper Don’ John Gotti has been in the works for some time, and after January rumors put John Travolta in the shoes of the crime figure, we’ve now got confirmation that he is cast. The film is Gotti: Three Generations, and John Travolta will play John Gotti Sr. under the direction of Nick Cassavetes. Read More »
A biopic of mafia don John ‘The Teflon Don’ Gotti and his son John Gotti Jr. has been in the works for a while. Earlier this year Nick Cassavetes started negotiating to direct, and with that deal close to completion there’s word from enthusiastic exec producer Marc Fiore that John Travolta is in ‘serious talks’ to play the senior Gotti. Read More »
It’s a crazy, mixed up world and we are thankful for movies, excluding Valentine’s Day starring every safe, boring white actor ever, that offer proof. Slashfilm’s Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review or an interview.
In 1986, a supernatural moto-fantasy about a murdered bro who returns via a phantasmic, black stealth race car to kill his killers was released on Earth and no one gave a shit. More than two decades later, The Wraith, though forever without a wet ‘stache lick from Peter Travers, is cult-minted for being memorable-enough ’80s-ploitation. Next month sees the release of a Special Edition DVD that adequately recognizes and explores the movie’s legacy and history with commentary courtesy director Mike Marvin and featurettes on the film’s semi-iconic Dodge racer and co-star Clint Howard (who, if not semi-iconic himself, sported a semi-iconic wig inspired by Eraserhead for the film).
Revisiting The Wraith, what’s interesting is how this derivative hybrid of genres and classic revenge films—Marvin references High Plains Drifter and The Road Warrior—remains sublimely adolescent but in an inherently cold and detached way. Stranger still is how this suits the film’s undead hero, vehicle, and hints of an afterlife with a decidedly mechanical bent. And before viewing the S.E. I had no idea a crew member died and many others were injured in a chase scene gone awry. One stunt coordinator recounts how a grip fell 60-feet down a rocky embankment and was only found knocked-out but okay hours later. Nor did I know (or need to) that a sunbathing scene with lead star Charlie Sheen as the titular, ghostly hero and co-star Sherilyn Fenn (Twin Peaks, Wild at Heart) was shot on a “near-freezing” day. Hearing these stories, I wonder now if the troubles of the production didn’t contribute to the overall tone. And looking back at the film itself, which was released the same year as Top Gun, Ferris Bueller, and Blue Velvet, might The Wraith, however unintentionally, deserve to be called Lynchian?
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