The Madonna biopic has found itself a director: Madonna. Yes, the material girl will direct and co-write her own biopic, which is such an unapologetically hubristic move that you have to respect it. Diablo Cody is co-writing the script with Madonna, and the film will presumably follow Madonna’s rise to fame. We really don’t know a whole lot about the approach here – is it going to follow the traditional musician biopic trappings (see: Bohemian Rhapsody), or will it go for something different (see: I’m Not There)? Whatever the case, Madonna says the film will “convey the incredible journey that life has taken [her] on as an artist, a musician, a dancer — a human being.”
Posted on Sunday, May 10th, 2020 by Ethan Anderton
(Welcome to The Quarantine Stream, a new series where the /Film team shares what they’ve been watching while social distancing during the COVID-19 pandemic.)
The Movie: Dick Tracy
Where You Can Stream It: HBO Now/HBO Go
The Pitch: Hard-boiled detective Dick Tracy (Warren Beatty, who also directs), based on the comic strip by Chester Gould, is searching for evidence that proves Alphonse “Big Boy” Caprice (Al Pacino) is the city’s most dangerous crime boss. He may have found the key to unraveling the crimelord’s illegal empire in Breathless Mahoney (Madonna), an enigmatic barroom singer who has witnessed some of Caprice’s crimes firsthand. However, she seems more set on stealing the detective away from his girlfriend, Tess (Glenne Headly), than helping him solve the case of his career.
Why It’s Essential Viewing: Dick Tracy was largely considered a flop when it was released back in 1990. With a production that was significantly over budget, Walt Disney Studios was disappointed to see the film make only $103.7 million domestically and another $59 million internationally. That’s not a bad take for a movie that came out in 1990, but for a movie that reportedly cost over $100 million, it’s less than thrilling, especially when it followed Tim Burton’s massively successful Batman, which grossed $411.5 million worldwide. But I’m here to tell you that not only should this movie not be considered a flop, but it’s one of the best comic book movies of all-time. Read More »
Posted on Saturday, January 12th, 2019 by Ethan Anderton
This year marks the 20th anniversary of the cult favorite comedy Office Space. The movie bombed spectacularly at the box office with just under $11 million made in its entire domestic run. That was barely enough to cover the film’s budget. But against all odds, the movie found a big audience on home video and cable and has since become one of the most quoted and beloved comedies of the ’90s.
Since this year is a milestone anniversary for Office Space, writer/director Mike Judge, cast members Ron Livingston, David Herman, Ajay Naidu, Jennifer Aniston, Gary Cole and some key crew members sat down for an oral history of the film to discuss how it came together, who nearly starred in the movie, why Madonna finds Michael Bolton sexy and much more. Find out everything we learned from the Office Space oral history below. Read More »
Posted on Wednesday, March 14th, 2018 by Chris Evangelista
Superstar Madonna is going to give filmmaking another shot with Taking Flight, based on the true story of Michaela DePrince.
Posted on Wednesday, March 26th, 2014 by Angie Han
Madonna‘s first feature directorial effort, Filth and Wisdom, was panned by reviewers and audiences. Her second, W.E., fared no better. But Madonna’s quickly gotten over the criticism (she is Madonna, after all) and is now gearing up for her third film, Adé: A Love Story.
The romantic drama has some mildly interesting pedigree going for it, at least. It’s based on the debut novel by Rebecca Walker, daughter of The Color Purple author Alice Walker, and will be produced by Silver Linings Playbook‘s Bruce Cohen. Find out what it’s about — and why Madonna may actually be a pretty good fit for the material — after the jump.
Posted on Wednesday, October 19th, 2011 by Angie Han
Madonna‘s first directorial effort — 2008’s Filth and Wisdom — wasn’t exactly well received, but you don’t get to be a pop icon of her magnitude without thick skin and a lot of persistence. The multihyphenate returned to the director’s chair this year for W.E., a drama consisting of two interlocking tales: one, the very well-known historical romance between Wallis Simpson (Andrea Riseborough) and King Edward VII (James D’Arcy); the other, a contemporary affair between a married New Yorker (Abbie Cornish) and a museum guard (Oscar Isaac). Watch the first trailer after the jump.
First Toronto Festival Announcements Include New Work From George Clooney, David Cronenberg and Francis Ford Coppola
Posted on Wednesday, July 27th, 2011 by Russ Fischer
If you’re more interested in the typical fall slate of festival entrees than summer’s glut of tentpole action fare, this is a great week. The Toronto International Film Festival announced the first wave of films that will play the fest in September. This is a batch of about 50 titles, which makes up only a small chunk of the programming. Usually TIFF features between two and three hundred films. But these are some of the highest-profile entries.
Below you’ll find rundowns on the new films from George Clooney, Bennett Miller, Jay & Mark Duplass, Todd Solondz, Francis Ford Coppola, Cameron Crowe, Sarah Polley, Fernando Meirelles, Lars von Trier, Marc Forster, Steve McQueen, Alexander Payne, and Lynne Ramsay. No announcement yet of the Midnight Madness programming choices, always some of my faves, but this is a great start. Read More »
Posted on Monday, June 13th, 2011 by Russ Fischer
After a bit of delay in finding a distributor, Madonna‘s second directorial effort W.E. has a home at The Weinstein Company. Moreover, the Weinsteins plan to release the picture sometime in 2011 — a last-minute calendar addition that could mean one of two things. Either the movie has actual awards potential, or The Weinstein Company needs a movie, now, that can fill some space in November. Read More »
Casting Notes: Joseph Fiennes and Eva Green in Camelot; Amy Ryan Joins In Treatment; James D’Arcy in W.E.
Posted on Friday, June 4th, 2010 by Russ Fischer
Joseph Fiennes and Eva Green will travel back to Camelot, the Starz series that re-tells the story of King Arthur. Fiennes is Merlin, while Green will be Morgana. Solid casting with both, though I’m not certain that I’ll ever be able to look at an Arthurian film or TV series without having to leap the hurdle of some of Excalibur‘s actors. Nicol Williamson and Helen Mirren are pretty difficult to top as Merlin and Morgana. In this Camelot Jamie Campbell Bower is Arthur, and Tamsin Egerton is Guinevere. [Reuters]
After the break, the great Amy Ryan goes back to HBO and Madonna’s possibly interesting new film finds its last major player. Read More »
Casting Notes: Ray Liotta in ‘Things Fall Apart’; New Actors for Lone Scherfig’s ‘One Day’ and Madonna’s ‘W.E.’
Posted on Monday, May 24th, 2010 by Russ Fischer
Mario Van Peebles is currently directing Curtis Jackson in Things Fall Apart and, based on Jackson’s past thespian efforts, that’s not terribly exciting. But now Ray Liotta is joining the cast, so that’s a positive turn. Jackson is playing “a star football running back…who faces a personal tragedy as well as his own mortality while in his senior year in college.” Liotta will now play his doctor, which will make a nice change from playing intimidating cops and the like, which Liotta gets all too often. [Variety]
After the break, Lone Scherfig (An Education) and Madonna get new talent for their next films. Read More »