Posted on Friday, August 31st, 2012 by Angie Han
Fall doesn’t technically start for another three weeks, but we all know Labor Day is the unofficial turn of the season. In this very late summer edition of TV Bits:
- MTV announces Jersey Shore will end after Season 6
- Robin Williams could return to TV with David E. Kelley
- Jorge Garcia lands a guest spot on Once Upon a Time
- Yes, Judy Greer will return to Arrested Development
- And yes, Mike Schur‘s Mose will appear on The Farm
- NBC has a sneak peak tour planned for Revolution
- New details emerge on Psycho prequel Bates Motel
- See stars hanging out on the set of NBC’s Hannibal
- Alan Ball‘s Cinemax series Banshee gets a teaser
- American Horror Story teaser finally shows the cast
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It’s a crazy, mixed up world and we are thankful for movies, sans New Moon, that offer proof. Weekend Weirdness cocks its disoriented, nappy head to examine such flicks, whether it’s a new trailer for a provocative indie, a review, or news of an excavated cult classic. The works discussed herein tend to make cinema a little more interesting, and in the best and worst cases do the same for life. In this installment: Final Flesh is a real life Videodrome with porn actors from the co-creator of Wonder Showzen; Dirty is the forthcoming, surprisingly solid doc on the late Wu-Tang Clan rapper Ol’ Dirty Bastard; [adult swim]’s Aqua Teen Hunger Force plops out a spicy Meatwad of a Xmas album, and more, G. The “G” is courtesy Nic Cage’s bad lieutenant.
Nearly a decade after he worked as a writer for Late Night with Conan O’Brien, the career of Vernon Chatman continues its fascinating flush-parade down and around comedy’s perverse bowels. With a new film, Final Flesh, he subverts the acting prowess of real life porno D-listers to match the success of his respected twists on tween teevee (MTV’s Wonder Showzen) and low-rent, fantasy animation (Xavier: Renegade Angel). The irony is that even though the DVD for Final Flesh arrived at my door with a tie-in golden condom packet filled with antibacterial lotion, Chatman ostensibly kept his hands clean of the filth. Flesh is what resulted after he commissioned four online companies that produce adult movies from scripts submitted by paying customers. Instead of sending the companies various scenarios too obscene for Roller Girl, Chatman’s screenplays mostly ditch sex in favor of a murky end days subplot complete with an Atomic Bomb.
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