Continuing the march towards the Academy Awards, director Sam Mendes won another key award for his work on the war drama 1917, making it likely that he’ll end up with a little golden man when the Oscars winners are unveiled next month. The Director’s Guild of America announced the winners of their annual awards, and Mendes took home the top prize for Outstanding Directorial Achievement in Feature Film. But it wasn’t the only award the 1917 earned this weekend. Read More »
It may become necessary to redefine to word “autobiographical” when referring to the latest work from director Alma Har’el, Honey Boy, based on an original screenplay by actor Shia LaBeouf, who not only fashioned the story of a child actor’s relationship with his domineering father on his own experience growing up, but also cast himself as his father character James Lort in this harrowing and all-too-real portrayal. LaBeouf also shows us the Otis character (played as a child by Noah Jupe, currently also seen in Ford v Ferrari) as a young adult struggling with substance abuse and other signs of PTSD cause by his upbringing. Lucas Hedges plays the older Noah, who is eventually arrested and sent to court-ordered therapy (with a therapist played by the great Laura San Giacomo), where he begins to reflect upon his childhood rise to fame and his early struggles with his ex-rodeo clown/felon dad.
Having debuted at Sundance in January, Honey Boy is so daring and devastating, that it’s difficult to imagine that LaBeouf could find anyone he would trust to direct his own story. But he and the Israeli-born Har’el had been in communication for years before the script was even fully formed, with her guiding him through some of the more difficult structural and story moments.
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At some point over the past few years, you’ve probably rolled your eyes at something Shia LaBeouf has said or done. Whether it was attention-grabbing art projects like #IAMSORRY or the live-streamed marathon of him watching his own movies that spun out of him getting caught plagiarizing artist Daniel Clowes, or the off-screen drunken escapades that were fodder for tabloids, it’s been clear for a long time that LaBeouf was going through some things.
But his new autobiographical movie, Honey Boy – while not serving as an excuse for his sometimes-questionable behavior – at least provides some insight into some of the personal demons he’s had to battle in his life. It might even make you see the actor in a whole new light. Check out the latest trailer below. Read More »
One of the breakout films of the 2019 Sundance Film Festival was Honey Boy, the harrowing tale of a child actor (Noah Jupe) stuck in an abusive relationship with his manipulative, alcoholic father, and the toll it takes on his life when he’s an adult movie star (Lucas Hedges) making millions. What makes this story so captivating is that it’s actually the autobiographical tale of actor Shia LaBeouf, as he grew up making a Disney Channel show with his own father as his caretaker and acting coach. Adding to that is the fact that Shia LaBeouf also plays his own father, exorcising some of his personal demons. Watch the Honey Boy trailer below. Read More »
In recent years, Shia LaBeouf has become well-known for wild publicity stunts, tabloid-worthy behavior, perplexing performance art, and more. But with his autobiographical film Honey Boy that he scripted himself, the actor not only illustrates the struggles he dealt with as a child star thanks to his abusive, alcohol and drug addicted father, but also proves that he’s still an incredible actor. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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