Inu-Oh Review: Glam-Rock In Feudal Japan
Inu-Oh, steeped in the 14th century Muromachi period of the ruling shoguns, rolls out rock music that unleashes restorative power.
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Day Shift Review: Jamie Foxx Hunts Vampires In This Action-Heavy Horror-Comedy
Day Shift is big on great action, low on almost everything else.
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Fall Review: This Nail-Biting Survival Thriller Is Surprisingly Effective, If Not Entirely Convincing
Despite some obvious flaws, Fall is a fun, scary survival thriller.
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Laal Singh Chaddha Review: Forrest Gump, Minus The Mawkishness
This is the superior version of Forrest Gump.
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Prey Is The Best-Reviewed Predator Movie, And It's Not Even Close
Everyone likes Dan Trachtenberg's new Predator movie.
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Prey Spoiler Review: There's A New Predator At The Top Of The Food Chain
The Prey cast and crew have managed to come along 35 years later and deliver a film that's every bit worthy of the original Predator.
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The 20 DC Animated Movies You Need To Watch, Ranked
From Batman: Mask of the Phantasm to Constantine: City of Demons, these are the 20 must-watch DC animated original movies.
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The Sandman Review: Still Dreaming Of A Great Neil Gaiman Adaptation — But Getting Closer
After a rough first half, The Sandman starts to dream a little bigger.
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Easter Sunday Review: No Amount Of Prayer Could Save This Movie
Easter Sunday is exactly what you expect from a movie starring an irritating stand-up comic and directed by the guy behind Super Troopers 2.
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Prey Review: The Predator Series Heads Back In Time, Blending A Revisionist Western With A Bloody Monster Movie
Prey is a great new addition to the Predator series.
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Luck Review: Skydance's Pixar-Lite Adventure Jinxes Itself
Luck tries to capture the magic of Ghibli and Pixar, and ends up falling flat.
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Bullet Train Review: A Slick, Glib, Moderately Entertaining Adventure
Bullet Train is, by and large, very pleased with itself and only sometimes earns that level of pleasure.
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Skinamarink Review: An Experimental Kinder Trauma Horror Experience [Fantasia]
Kyle Edward Ball transports audiences back to those unmistakable waking nightmares of wandering around households while mommies and daddies slumber.
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The Harbinger Review: Sets The Bar For Covid Pandemic Horror [Fantasia]
The Harbinger showcases how to address the ongoing pandemic and still deliver an unobstructed bone-chilling horror tale.
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The Breach Review: A Strong Finish Opens The Gates To Hell [Fantasia]
Rodrigo Gudiño's latest is a mix between Lovecraft and Cronenbergian squishiness.
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Bodies, Bodies, Bodies Review: The Gen Z Horror-Comedy Romp Is Fast, Funny, And A Tonally On-Point Terror
Real life will always be bloodier than fiction.
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They/Them Review: A Fright Free Slasher That Completely Misses The Mark
They/Them is disappointing and forgettable.
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Fallout: Atomic Bonds Turns Post-Apocalyptic Game Into A Wasteland Wonder
In this installment of Cardboard Cinema, we explore the nuclear wasteland of the board games Fallout and Fallout: Atomic Bonds.
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Moonage Daydream Review: A David Bowie Doc As Extravagant, Radiant, Otherworldly As The Legend Himself [Cannes]
An eclectic, frenetic, fascinating portrait of Davie Bowie.
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DC League Of Super-Pets Review: A Half-Good Boy Of A Movie
DC League of Super-Pets is eminently forgettable.
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Glorious Review: A Goopy Lovecraftian Restroom Comedy [Fantasia]
Yes, this is a movie about a Lovecraftian glory hole. What more do you need to know?
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Thirteen Lives Review: A Visually Accomplished Ticking-Clock Thriller With Nuanced Central Performances
Ron Howard's take on the Tham Luang Nang Non cave rescue is tense and engrossing.
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Nope Spoiler Review: A Thrilling Spectacle About The Horrors Of Exploitation
Nope confirms Jordan Peele is the next great blockbuster auteur.
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Jordan Peele's Nope Scares Up $6.4 Million In Thursday Previews
The director of Get Out and Us seems to have another hit on his hands.
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Not Okay Review: One Of The Most Pleasant Surprises Of 2022
Not Okay deftly balances humor with legitimate awfulness.
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Nope Review: Jordan Peele Stages An Absolute Spectacle With His Scary, Funny Sci-Fi Blockbuster
This may not be Jordan Peele's best movie, but it is his most entertaining.
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