The 17 Best Horror Movies Of 2020 So Far – And Where You Can Stream Or Rent All Of Them

In an alternate simulation, my mid-year horror recap might read differently. Earthrealm #2895 avoided COVID-19's pandemic spread and watched Saint Maud, Antlers, and Candyman (plus others) when they released on their initially slated dates. Theaters never closed down, studios didn't erase schedules, and their government correctly anticipated a viral spread with preemptive, proactive measures. We, on this unfortunate hunk of space rock, have been robbed of massively anticipated new releases (small potatoes in the grand scheme). Still, there exists an overlooked truth in this cursed year in our home planet's history: 2020 carries no shortage of worthwhile horror releases.Oddly enough, the horror genre didn't skip much of a beat with the closure of nationwide theater chains. I've seen 70-plus horror flicks in 2020, only counting those officially released as of this article's post date, thanks to an always-continual release of genre content that hits video-on-demand platforms (pandemic or not). Countless under-seen gems land on services like Netflix or Shudder, and there are always rentable titles on wide-release VOD platforms. Don't let the misconception of boarded-up AMC or Cinemark entryways convince you otherwise. Horror cinema continues to thrive as a genre, even while we should all be parking our butts inside. Need proof and time killers? Here are my favorite horror flicks of 2020 so far, with precise instructions on where to find them.Stay at home, share some screams or howls and keep yourself and others safe so we can confidently reopen with flattened numbers soon enough. Please. I really, badly require a haircut.

Streamable: Amazon Prime ($3.99), Google Play ($3.99), Vudu ($3.99)Pro tip: watch Swallow right before The Invisible Man. Their narrative timelines could equate to one woman's abusive relationship with Swallow as the before/during, and The Invisible Man depicting how it doesn't stop afterward. A fuller picture where singular features frequently can only address one of either "before," "during," or "after."Haley Bennett plays a victim caught within domestic imprisonment so unsettling she consumes household objects as an independently rebellious release. It's her only reclamation of self, too afraid of escaping her suburban lockdown. A provocative glimpse of hopelessness, our ignorance of trauma in destructive moments, and the harmful ways we scream for help without striking any attention. No ghosts nor slasher villains here, yet terror and tension still cut through Swallow like a sharpened game piece through your intestinal lining.Hit the link for my full review of Swallow, or you can read Sarah Foulkes' /Film review in which she left the film far more disappointed than myself.

Streamable: Amazon Prime ($5.99), Google Play ($5.99), YouTube ($5.99)Craig Zobel's hot-button The Hunt was one of the final theatrical releases before stay-at-home orders went into effect, which accounts for a $6.5 million box office haul in total after debuting with $5.3. Then, after theaters closed, it was announced The Hunt (among other titles) would pivot directly onto home platforms for the comparable ticket price of $20. All this is to say, yes, I'm including a Blumhouse release on this list, one that never earned the theatrical recognition it deserved, then had to compete with titles like Bloodshot and The Invisible Man amongst countless cheaper VOD options.Weary friends grilled me over and over about The Hunt because they didn't want any political agendas shoved down their throats. Understandable, but Nick Cuse and Damon Lindelof's screenplay is scorched-earth exploitation first, foremost, and throughout. Vocality is across the board, all political "agendas," but more as a representation of online culture in an "everything sucks" style of aggression. No one is safe, but no one should be offended. Just appreciate the gory deathmatch carnage and cackle as every stereotype of the worst humans imaginable meet titanically violent deaths. Oh, and Betty Gilpin as one of the year's most badass heroines.You better believe I've got a full review of The Hunt right here, which Chris' /Film review does not parallel in agreement.

Streamable: Tubi, Amazon Prime ($3.99), YouTube ($3.99), Google Play ($3.99), Vudu ($3.99)Ghost Killers vs. Bloody Mary is the goriest, wackiest, most fiendishly sophomoric (in a fun way) Brazilian horror comedy you'll desire. Its maturity level is grade-school equivalent at times, and while "social media horror" is typically a hard sell for me, this YouTube paranormal crew's encounter with face-to-face evil tickles my uber-goofy horror funnybone. Analyzing the film's DNA would reveal traces of Sam Raimi and Todd & The Book Of Pure Evil, as the "Ghoulbusters" are punished without remorse for faking their haunted encounters episode after episode. Not exactly the sharpest crayon in the toolshed, but certainly the bloodiest, zaniest, and most indulgent when it comes to one-upping slapstick terrorization scene after scene.Unfortunately, I don't have a full review of Ghost Killers vs. Bloody Mary written – JUST KIDDING. It's right here. Plus, you've got Andrew Todd's /Film review right here!

Streamable: Amazon Prime ($3.99), YouTube ($3.99), Google Play ($3.99)What if Paranormal Activity was a quirky Irish rom-com that ditched found footage, chose a more Ghostbusters route, then added a dash of satanism? That'd be the adorable, ectoplasmic-slimy, and heartwarmingly tender Extra Ordinary. As my review out of SXSW 2019 reads, "Mike Ahern and Edna Loughman's Extra Ordinary comes together as the tonal lovechild of Jared Hess and Taika Waititi, playfully mocking horror beats instead of unleashing them." The kind of film where a ho-hum civilian ignores her ghost whispering ability while appliances float in midair, and the communications only get more charming as the film progresses. Oh, did I mention Will Forte plays a one-hit-wonder musician now trying to summon an underworld deity? Plus, spontaneous sacrificial combustion! Extra Ordinary has it all.

Streamable: Shudder, Amazon Prime ($3.99), YouTube ($3.99), Google Play ($3.99), Vudu ($3.99)As horror productions, horror journalism, and the horror genre in totality strive for a future of inclusivity, there's no denying its sins of the past. Enter actor Mark Patton, who starred as Jesse Walsh in A Nightmare on Elm Street 2: Freddy's Revenge. A sequel now infamous for its queer "undertones," which derailed Patton's career as a closeted gay actor. It's an examination of homosexuality during an uneasy period in Hollywood, and its effects on Patton as he tried to progress after his nightmarish mistreatment. Quite the revealing oral history that provides necessary context and hopeful admissions all these years later, blending catharsis with horror off the screen as documentarians chronicle Patton's life after a bedroom dance sequence became more memorable than any of Jesse Walsh's encounters with Freddy Krueger. We always need to do better, and Patton's story is one sole exemplification of why.Sadly I do not have a review of Scream, Queen! anywhere, but luckily /Film's big-shot Jacob Hall has a capsule review out of last year's Fantastic Fest.

Streamable: Hulu, YouTube ($3.99), Google ($3.99), Amazon ($3.99)You didn't think you'd escape a horror list written by me, Matt Donato, without Christmas Horror representation, did you? The Lodge might not visually pop festive accents via gaudy ornaments or glistening tinsel, but me-oh-my does it heap on megatons of holiday dread. It's what filmmakers Veronika Franz and Severin Fiala do best. Maryland has crabcakes and football, Germany has noose-tight psychological torment and darker moods than – well, honestly, I don't want to go there.Enter Riley Keough as a woman marred by trauma, then Jaeden Martell and Lia McHugh as the "bratty" children who only worsen their selfish predicament. Shards of a broken family slice Keough's frail incumbent mother figure (after Richard Armitage is left a widower) to shreds, unbeknownst to the young rascals who weaponize internal pains. In the middle of nowhere, snowed inside, just Keough's wavering sanity and two out-of-their depth kiddies. Those in the mood for a frigid slow burn should hop on Hulu this instant.You can read my full review out of Overlook 2019 right here, or read my Now Scream This brochacho Chris Evangelista's poster-quoted review over on another /Film page!

Streamable: ShudderJeff Barnaby's Blood Quantum, by definition, scores one for Native American representation in zombie, nay horror, cinema. In a world where walkers roam free, the Mi'gMaq reserve of Red Crow remains immune to the undead infection. Indigenous inhabitants survive while the white folk who once discriminately kept their distance now rush to their doorstep seeking refuge. There's plenty of cultural commentary and equal parts undead brutality, as Blood Quantum sports some memorably graphic zombie kills. Explanations might be scarce in terms of inexplicable immunities, but that's hardly an issue as Barnaby builds an apocalypse and services empathetic characters in a very The Walking Dead way...except with more engaging execution within a fraction of the running time.I'm happy to share my full Blood Quantum review alongside Meredith Borders' TIFF 2019 /Film review.

Streamable: ShudderShudder's exhaustively researched curation is well-enough worth the subscription, especially when it gives movies like Warning: Do Not Play a home. A South Korean thriller that evaded even my extensive genre coverage, rooted in the ideologies of "doomed cinema," this film asks "What if a ghost haunted a filmmaker and forced said creator to shoot the 'scariest film ever made' – would you watch it?" Those who caught Antrum: The Deadliest Film Ever Made and, like myself, wish the film was about an actual screening massacre at the hand of cursed cinema, Warning: Do Not Play is your redemption. Plus, I'm a sucker when those "reds" drench the screen (phrase patent pending). It's effective ghost-auteur cinema that proves itself adept at spooks and hair-raiser chills. Another Friday night, lights-off winner for those who don't mind subtitles at the bottom of their screens.