Guillermo Del Toro Made Pinocchio To Save Stop-Motion From 'Perpetual Extinction'

There isn't a filmmaker working today more in love with the magic of the moving image than Guillermo del Toro. As a director and producer, he's made some of the most visually distinctive movies of the last 30 years. He is a brilliant illustrator who's equally enamored of live-action films and animation. He has dipped into both mediums, and turned out triumphs aplenty. So it is a unique thrill to find the maestro co-helming his first stop-motion animated film, alongside Mark Gustafson, with "Pinocchio."

The film began shooting at the outset of 2020, and will debut on Netflix this December. Two-time Academy Award-winning composer Alexandre Desplat not only wrote the score, but contributed several new songs to the soundtrack. This is a musical, one that might very well play darker than Walt Disney's fairly messed-up 1940 classic. For del Toro, who's been developing the film since 2008, this is a labor of love, which has as much to do with the method of production as the story.

Stop-motion animation is a tangible, literally handmade challenge to the ones-and-zeroes primacy of CG cartoons. It's labor intensive and out of step with the fluid look introduced by Pixar's "Toy Story," but great filmmakers have kept the faith. Henry Selick, Tim Burton, Wes Anderson, and Charlie Kaufman have made masterpieces within this tactile realm, so it follows that del Toro would want to join this antiquated party.