Note: With Sausage Party in theaters this weekend, we’re re-running our review from San Diego Comic-Con.
Seth Rogen has said on a number of occasions that the desire to make his own animated movie came from a love for Pixar movies. Even though he didn’t exactly grow up on them as a child (he was already 14 when the first Toy Story arrived in 1995), he’s still loved them immensely as an adult. However, if Rogen was going to attempt to make his version of a Pixar movie, you know it wasn’t going to be anywhere near family friendly.
Sausage Party had a special screening here at Comic-Con last night, and the final result of years of development, test screenings and hard work is an outrageous comedy that brings the laughs hard, and all the most raunchy and raw hilarity hasn’t even been touched by the movie’s marketing.
Get our full Sausage Party review after the jump. Read More »
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Posted on Tuesday, August 9th, 2016 by Angie Han
Unless you’ve been living down in the sewers, Killer Croc-style, for the past week, you’ve surely heard by now that Suicide Squad was not much loved by critics. One logical explanation for this is that Suicide Squad just isn’t a great movie — that it’s too messy or overstuffed or ugly. But some people have a different theory. John Ostrander, creator of the Suicide Squad comics, thinks it’s because critics just “came prepared to hate” the movie. Here we go again. Read More »
With the release of Suicide Squad just a few days away, the first reviews of the movie have been unleashed on the web. Many who were disappointed in Batman v Superman: Dawn of Justice have been hoping that Suicide Squad would help get the DC Comics universe back on the right track, injecting some much needed fun and energy into the comic book work. Meanwhile, those who enjoyed Zack Snyder’s superhero face-off were excited at the prospect of seeing some of DC’s most iconic villains grace the big screen together. So how does Suicide Squad fare?
Most of the Suicide Squad reviews have some pretty unkind things to say, with many writing that it has an illogical story, a ridiculous and awful villain, and some pretty sloppy editing. Sadly, it doesn’t sound like this will save the DC Comics universe for those who were already disappointed in it. But there may be hope for those who found themselves disagreeing with critics about Batman v Superman, because even the negative reviews add that there’s some fun to be had among the messiness and the cast makes it better than it otherwise could have been.
Check out our round-up of Suicide Squad reviews and reactions after the jump for more. Read More »
Posted on Tuesday, August 2nd, 2016 by Angie Han
There’s a lot riding on Suicide Squad, the third entry in Warner Bros.’ DC Extended Universe. Both Man of Steel and Batman v Superman made a lot of money, but polarized fans. Among the chief complaints? That the DC films were too grim, too gloomy, and not nearly “fun” enough.
Which is where Suicide Squad comes in. With its zippy pop tunes and its neon color scheme, the Suicide Squad marketing campaign has been all about fun. The trailers and posters promised a movie that’d finally bring jokes back to the DC universe, not to mention a welcome shot of comic book weirdness. So does Suicide Squad get the franchise back on track, or send it veering further off the rails? Read our Suicide Squad spoiler-free review after the jump. Read More »
I’m a die-hard Bourne film fan. I’ve watched Matt Damon’s Bourne films more than 15 times collectively. I’ve listened to John Powell‘s scores for each more than 100 times. I was disappointed when the Damon / Paul Greengrass combo didn’t return for Legacy, but I always held out hope that if they did ever come back, it would be because they had a compelling adventure in store for us.
This weekend, nine years after the release of The Bourne Ultimatum, Jason Bourne hits theaters and it is, by far, the weakest of Damon’s Bourne films. Not only does it bring nothing new to the table for the franchise, but the film just feels like a shambling corpse of its former self. Continue after the jump to read my Jason Bourne review.
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Director Paul Greengrass and star Matt Damon return to the Bourne franchise with Jason Bourne, but is it as good as the previous trilogy of films based on Robert Ludlum‘s novels? Hit the jump to read some selected spoiler-free excerpts from the first reviews and find out if Jason Bourne is worth seeing this week in theaters.
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This was the perfect way to introduce Blair Witch to the world. The series is rooted in clever marketing, as the original film was positioned as real found footage of real film students who disappeared. The sequel twisted the concept to focus on the Blair Witch hype more than the legend itself. Now they’ve made the third film, 16 years later, a true surprise. Lionsgate committed to early marketing of the film as The Woods so that the first audience to see it could learn it was actually Blair Witch. No one else will get quite that experience, as it would be impossible to keep the secret once it began screening, but this way all the fans could be in on the reveal, even if they only followed it online. Read More »
Posted on Thursday, July 21st, 2016 by Angie Han
The word “remake” is sometimes met with automatic groans, but 2000’s Frequency is exactly the right candidate for a remake. The premise is intriguing, and the film itself got solid reviews, but it’s not really a classic by any measure. It wasn’t a box office hit in its time, and even though there are plenty of people who’ve seen and enjoyed it, Frequency doesn’t have any kind of devoted fandom. What it does have is a great premise that deserves another chance to shine, and The CW is more than happy to give it one. Read More »
Posted on Thursday, July 21st, 2016 by Angie Han
Every superhero show or movie has them: dozens or hundreds of anonymous extras milling about in the backgrounds of all those CG-heavy, city-destroying third-act climaxes, looking alternatively terrified and grateful. Every once in a while, some of them even get to speak – to testify against Superman in Congress or to corner Iron Man in an elevator. But NBC’s Powerless is the first time these nameless nobodies truly get to take center stage. And as it turns out, they’ve got a pretty great story to tell. Read More »