Director Martin Scorsese has been trying to get his adaptation of Japanese author Sh?saku End?‘s novel Silence off the ground for over 20 years. Now the film is finally hitting theaters later this month, and the first reviews have hit the web.
The film isn’t in line with the kind of movie more casual moviegoers are used to getting from Martin Scorsese, who is better known for movies like The Departed, The Wolf of Wall Street, Gangs of New York, Raging Bull, Taxi Driver and GoodFellas. But that doesn’t mean it doesn’t have the same high quality we’ve come to expect from the filmmaker as he crafts something more along the lines of his films such as The Last Temptation of Christ and Kundun.
If you haven’t kept up with the development of Silence, the film follows two 17th-century missionaries (played by Andrew Garfield and Adam Driver) as they face the ultimate test of faith when they travel to Japan to find their missing mentor (Liam Neeson). So how did Martin Scorsese’s long-gestating passion project pan out? Read some of the first Silence reviews after the jump.
Read More »
With several decades of animated movies in its history, it’s a wonder that Walt Disney Animation can still churn out movies that feel as refreshing and satisfying as their latest computer animated delight, Moana. By meshing their traditional magic and narrative tropes with a stunning change of scenery and rich, exotic culture that has never been featured so prominently or respectfully in family film, Disney has crafted a dazzling adventure that the whole family can enjoy.
Read our full Moana review after the jump. Read More »
Posted on Friday, November 18th, 2016 by Angie Han
Note: With Nocturnal Animals out this weekend, we’re re-running our review from TIFF.
There’s a lot to admire about Nocturnal Animals, the second feature from Tom Ford. The narrative is actually two narratives, beautifully braided together by Ford and brought to life by Amy Adams and Jake Gyllenhaal. It’s pretentious pulp, in a good way — engaging to watch and pretty to behold. But Nocturnal Animals seems to be aiming for profundity, and there it falls short. It’s trying to say something, but what isn’t exactly clear. Read More »
Posted on Friday, November 18th, 2016 by Angie Han
Note: With Manchester by the Sea opening in theaters this weekend, we’re re-running our review from the Sundance Film Festival.
This year’s Sundance slate is positively jam-packed with tales of family tragedy, from Other People to The Hollars to The Fundamentals of Caring to Hunt for the Wilderpeople. But grief has rarely been explored as deeply and as beautifully, at Sundance or elsewhere, as in Kenneth Lonergan‘s Manchester by the Sea. This film wrecked me, to the point that I started crying all over again while working on this very review.
Casey Affleck, giving a career-best performance in a career-best role, is the devastating heart of this exquisitely wrought drama. Surrounding him are a rock-solid cast that also includes Kyle Chandler, Lucas Hedges, Michelle Williams, and C.J. Wilson. Collectively, they’ve put together a film that I strongly suspect will turn out to be the very best of this year’s Sundance crop, at least in my personal estimation. Read More »
Posted on Thursday, November 17th, 2016 by Fred Topel
24 has been remarkably consistent over the years. Even when they switched to 12 episodes, the machinations that keep the real time going are a well-oiled machine. With 24: Legacy, it feels good to be back in a familiar zone but see all the new directions this story could take.
It is just after noon when Eric Carter (Corey Hawkins) springs into action, defending himself and his wife Nicole (Anna Diop) from killers who come to their home in Arlington, VA. Rebecca Ingram (Miranda Otto) makes one last trip to CTU after she’s left the agency, and gets roped back in when Eric needs her help. Meanwhile, Rebecca’s husband John Donovan (Jimmy Smits) is beginning a day of campaigning for President in D.C. Read More »
/Film’s David Chen has said that half of his top ten list this year will probably be populated by documentaries. There have been some real fantastic documentary films in 2016, and I want to add a new one to your to-do list. It is called Magicians: Life in the Impossible. Yes, the title is so horribly generic that if you search “magicians movie” on Google, the film doesn’t even show up on the first page of results, but please don’t let that scare you away.
Read More »
This week Harry Potter fans can return to the wizarding world in Fantastic Beasts and Where to Find Them, the first installment of what will eventually be a five film series, spanning 19 years of narrative time, all directed by David Yates and written by J.K. Rowling. But will it be worth a trip to theaters? The first reactions indicated that this was the perfect follow-up to Harry Potter, delivering a different kind of magic in a simultaneously familiar and refreshing fashion, thanks to a whole new roster of characters.
Now the first Fantastic Beasts and Where to Find Them reviews are in (so far resulting in 100% on Rotten Tomatoes at the time of this writing, though that probably won’t last), and they seem to echo the first impressions, but with some key pieces of criticism.
Read More »
Posted on Friday, November 4th, 2016 by Angie Han
Note: With Loving in limited release this weekend, we’re re-running our review from the TIFF.
Jeff Nichols has never been one for outsized drama. It’s not that dramatic things don’t happen in his movies — on the contrary, his films are full of superpowered kids and apocalyptic dreams and the like. But he often seems less interested in big events than in all the moments in between, the everyday bonds and minute details that make up the textures of everyday life.
In Loving, Nichols applies that same approach to the 1967 Supreme Court case Loving v. Virginia, which struck down anti-miscegenation laws across the country. Aided by awards-worthy performances from Joel Edgerton and especially Ruth Negga, Nichols delivers an intimate drama that feels all the bigger for keeping its scope so resolutely small. Read More »
Cool Posts From Around the Web:
Last week brought the first reactions to Doctor Strange after press saw the movie before it hits international markets this coming week. Now the embargo has lifted on full reviews of Marvel’s latest addition to their cinematic universe, providing us with a much more detailed reception from critics.
The full Doctor Strange reviews paint a promising picture full of rich performances, dazzling visuals and some of the best action we’ve ever seen. However, these reviews also dive deeper into the movie’s shortcomings, mainly coming from treading familiar territory as another origin story and putting forth a lead character whose defining characteristics might be a little to close to the Marvel franchise that started this whole universe with Iron Man. But thankfully, Benedict Cumberbatch and director Scott Derrickson keep that from being too frustrating.
Check out some highlights from the Doctor Strange reviews after the jump. Read More »
Posted on Thursday, October 20th, 2016 by Angie Han
Never one to stay quiet in the midst of a heated political discussion, Michael Moore has weighed in on the 2016 presidential election with Michael Moore in TrumpLand. Sure, he’s already weighed in a bunch of times through other venues — as Moore likes to point out, he correctly predicted earlier than most that Donald Trump would win the Republican primary. But now the filmmaker gets to offer his two cents in the form of a film.
Or rather, a filmed version of a one-man show. Michael Moore in TrumpLand is essentially a concert film, shot during his performance in Wilmington, Ohio earlier this month. The most surprising thing about it, though, is that despite the title TrumpLand isn’t really about Donald Trump. Rather, it’s an impassioned, if not entirely effective, case for Hillary Clinton. Read More »