Obvious Child is a charming romantic dramedy about love and abortion in New York City. The humor feels like a mix of the crudeness and sharp teeth of Sarah Silverman’s comedy and the grounded snappiness of Lena Dunham’s Girls. At center stage is comedian Jenny Slate, with one of the breakthrough performances of this year’s fest.
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There’s one really good reason to see the German film Wetlands, and her name is Carla Juri. She’s a firecracker; I keep hearing people refer to her as “the German Greta Gerwig,” and the comparison is easy to see. But Juri has her own skills and appeal, and her performance is the most watchable one I’ve seen so far at Sundance this year.
That’s saying something, as the subject matter of Wetlands can be… off-putting. The story hinges on — and there’s no delicate way to put this — an anal fissure suffered by Juri’s character Helen during a grooming session gone wrong. Helen is a young woman who has an unusually deep body consciousness; she’s more intimately in touch with her body than any young woman in a recent film. While she’s a prat clearly damaged by her parents’ divorce, Helen is still a promising, even inspiring character. By the end, however, Wetlands throws away her potential in favor of a too-familiar quirky love story.
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If the idea of a bunch of zombie kids disemboweling their teachers sounds like fun, Cooties is the movie for you. Elijah Wood stars as Clint, a substitute teacher who ends up at the wrong school on the wrong day. He’s joined by Allison Pill, Rainn Wilson, Jack McBrayer, Nasim Pedrad and Leigh Whannell, all of whom play teachers tasked with trying to stop a quickly spreading virus that turns kids into rabid flesh eaters.
Whannell, best known for the Saw and Insidious franchises, also co-wrote the film and it pops with hilarious one-liners and disgusting violence. The second act slows down the action considerably, however, and some of the plot holes are massive, but that doesn’t take away too much from the good provided by first time directors Jonathan Milott and Cary Murnion. Read More »
Richard Linklater has truly created something special with his new film Boyhood – a remarkable, beautiful, cinematic achievement, like nothing you have ever seen before. Filmed over short periods from 2002 to 2013, the film chronicles a family over the course of 12 years, with the actors reprising their roles through the progression of time.
At the center of the story is Mason (Ellar Salmon), who with his sister Samantha (Lorelei Linklater), makes the journey from childhood to adulthood. As the film begins, we see that they are living with their single mother (Patricia Arquette) and that their father (Ethan Hawke) has long since left the family. The film takes us through their evolving relationship with their mother and father over many years, moves, and life changes.
I don’t want to give away many specifics or plot points, and keep this as more of a reaction than review. After the jump you can read more or watch a video blog I recorded after the screening with Russ Fischer.
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With Mark Ruffalo moonlighting as a superhero these days, it’s easy to forget he’s one of the best actors currently working. Infinitely Polar Bear, written and directed by newcomer Maya Forbes, not only serves as a reminder of Ruffalo’s chops, it’s arguably his finest performance to date. He plays Cameron, a bipolar father of two, who is forced to solely care for the kids when his estranged wife Maggie (Zoe Saldana) goes to graduate school hoping to improve the family’s financial situation.
So you’ve got a bipolar man, barely able to keep himself together, forced to take care of two young girls when their African-American mom goes away hoping to get a white-collar job… in 1978 Boston. Yes, Infinitely Polar Bear is weighty with issues of race, economics, and gender, but Forbes deals with them carefully and thoughtfully in a hilarious, heartwarming film. Read More »
Zach Braff‘s Wish I Was Here is now infamous because of the controversy surrounding Braff’s Kickstarter campaign. But let’s not allow that to cloud the real picture –Braff’s fans coughed up $3.1 million for his second feature film because they loved his first movie. Garden State connected with teens and college-aged twenty somethings in a manner that rarely happens, almost in the way that a song or a poem connects, rather than a movie. Fans have been waiting over a decade for Braff to go back behind the camera for a follow-up. This year at Sundance they got it.
Wish I Was Here is a real crowd pleaser, earning a standing ovation at the Premiere screening at Park City’s The Marc theatre. The film is very funny; when the lights came up I was hurting from laughter and sniffling a bit. (Must have been the cold temperature of Utah, right? Yeah that has to be the reason…) It is my favorite movie of Sundance this year (thus far).
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Mike Cahill‘s I Origins might be the best science vs faith movie I’ve seen since Robert Zemeckis’s Contact. That is a very huge compliment coming from me, as Contact is one of my favorite films.
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Friday morning I spent 85 minutes with Tom Hardy as he drove a car while fielding phone calls over a Bluetooth connection. It’s not as glamorous as it sounds; it’s a movie at this year’s Sundance Film Festival. Locke, directed by Steven Knight (Oscar-nominated screenwriter of Dirty Pretty Things and Eastern Promises), is a an incredible acting exercise with the spotlight shining on Hardy, and Hardy alone.
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