Alicia Vikander and James McAvoy are both part of blockbuster franchises. While Vikander has Tomb Raider coming up, she also appeared in Jason Bourne not too long ago. Meanwhile, McAvoy will play Professor X for the fourth time in the upcoming X-Men: Dark Phoenix and he’s also reprising his role as The Horde in Glass, a sequel to both Split and Unbreakable. But the two took time out of their schedule to make a more quiet, subdued film from director Wim Wenders.
Submergence follows Danielle Flinders (Vikander) and James More (McAvoy) as they meet in a Normandy hotel, falling for each other romantically before they go off on two very different missions. The distance between them will be great (there’s a literal ocean between them), but their love may be enough to keep them going. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we see what Clown from Slipknot does with his time off when he’s not in a jumpsuit, travel overseas for a sci-fi mystery, get schooled on what our drone program is up to, sell some weed with our older brother, and see what happens when YouTube decides to become sentient to make a movie with its in-house talent. Read More »
Every Thing Will Be Fine is the latest film from Wim Wenders, with James Franco starring in a film about a man whose life is thrown into disarray after a car accident. Marie-Josée Croze, Rachel McAdams, and Charlotte Gainsbourg also star in the slow-burn drama, and there’s a good Every Thing Will Be Fine trailer to check out below.
In addition to that, we’ve got the Wim Winders touring retrospective that features the 295-minute version of Until the End of the World. (You read that right; it’s a five-hour cut.) Read More »
The sixty-three films eligible for the Best Foreign Language Film at the 2012 Oscars have been culled down to nine movies, and the resulting list is a bit surprising. Not making the cut is The Flowers of War, with Christian Bale, or Miss Bala, the Mexican film that did well at festivals last year.
Meanwhile the Belgian film Bullhead, which got a good reception at Fantastic Fest, did make the list, as did likely favorite to win A Separation, which took home a Golden Globe this past weekend.
Get the full list after the break. Read More »
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On day two of the 38th annual Telluride Film Festival and I caught the amazing new Pixar film LA Luna, Wim Wenders 3D documentary Pina about the famous modern dance choreographer, and the first surprise premiere screening of the festival, Jim Field Smith‘s dark dramedy Butter, a top Black List screenplay about a midwest butter carving championship which stars Jennifer Garner, Ty Burrell, Olivia Wilde, Ashley Greene, Alicia Silverstone, Rob Corddry and Hugh Jackman.
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The Telluride Film Festival, a presentation of the National Film Preserve which takes place beginning tomorrow, Friday Sept 2 and runs through Monday Sept 5, is an unusual beast as far as film festivals go. The core film lineup is not announced until the day before the festival begins, so attendees have to commit to the fest without knowing any of the movies that will definitely play.
Now the first list of films is out, and it has some expected inclusions such as David Cronenberg‘s A Dangerous Method (trailer) and the Cannes fave The Artist (trailer). In addition there are some good surprises, such as Steve McQueen and Michael Fassbender‘s reunion, Shame (pics), and the Dardenne Brothers‘ The Kid With a Bike.
More films will be announced at the last minute over the next couple days. One addition, for example, according to Kris Tapley, is Butter. Peter is arriving in Telluride later today so he’ll have coverage of the festival during the holiday weekend. Check out the announced lineup below. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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Some of the greatest living filmmakers have gotten together to make a feature film which will be shown at the 60th anniversary of the Cannes Film Festival.
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