Into the Dark Treehouse Review

(Blumhouse Television and Hulu have partnered for a monthly horror anthology series titled Into The Dark, set to release a full holiday-themed feature the first Friday of every month. Horror anthology expert Matt Donato will be tackling the series one-by-one, stacking up the entries as they become streamable.)

Blumhouse and Hulu’s Into The Dark series strategically kicked off with a string of prominent holidays – Halloween clear through Valentine’s Day – but March poses a definition-less challenge. One met by filmmaker James Roday, who (rather responsibly) adapts “Ides of March” betrayal for the “#MeToo” era. Treehouse bleeds modern relevance and promotes endless discussion. Shockingly poignant, deeply enraged, and flaunts a hard stance – both legs braced – without needing undignified rape-revenge to make a point. A theme I bring up because this (often cheap, manipulative) crutch is leaned upon by too many similar but lesser tales.

Treehouse is appropriately angry, repurposes rhetoric such as “draining the swamp” and “bad hombre,” but most importantly shows how reprogramming is an option: a counterbalance to the “Cancel First” generation that still so expressively voices this seismic need for change while still honoring the most complicated folds of our human condition.

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