Science fiction elucidates, though it rarely does so with such precision. Minh Quý Truong’s Nhà Cây (The Treehouse) began as a documentary on indigenous tribes, but it morphed toward abstraction during its lengthy edit. What Truong wanted to say with his film — about the ways in which we remember, and about the ethics and brutality of the moving image — could not be contained within the literal, or within the traditionally cinematic. So, he chose a new narrative framework: human colonies on Mars in the year 2045. 

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What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 30 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!

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