(This article is part of our Best of the Decade series.)
The 2010s were a banner decade for female directors. Despite the still abysmally low number of women working behind the camera, women directors have made significant strides in Hollywood and across the globe, earning as much or even more acclaim — and now, as much money — as their male counterparts.
In just the past decade, which came off of Kathryn Bigelow becoming the first woman to win the Academy Award for Best Director, Greta Gerwig became the new generation’s rising star, Patty Jenkins became the highest-paid female director working in Hollywood, and acclaimed indie filmmakers like Chloe Zhao and Ava DuVernay used their weight to land high-profile superhero jobs or boost other rising diverse directors. We still have a long way to go, but the glass ceiling has already started to accumulate plenty of cracks.
So without further ado, here are the best female directed movies of the decade, listed in alphabetical order.
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The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
In this edition, find out how Tim Burton‘s sequel Batman Returns was almost a completely different movie than what ended up in theaters. Plus, watch an hour-long animation roundtable with the directors of Coco, The LEGO Batman Movie and more. And finally, see the plane sequences in Dunkirk get a special Top Gun makeover. Read More »
When I sat down to compile a list of the best animated movies of 2017, I realized that the selection was shockingly meager. Outside of Pixar and Disney, animation has never been the pride of Hollywood, often appealing to the lowest common denominator rather than stretching the limits of what animated storytelling can do. That’s a job for the foreign animated flicks or for the arthouse indie films. Mainstream animated films only have to keep kids occupied while their parents run errands.
But there was something exceptionally horrible about 2017’s mainstream animated offerings. Aside from Coco, Cars 3, and The Lego Batman Movie, Hollywood has had a pretty bad year for animated movies. Don’t remember what came out this year? The Emoji Movie, The Boss Baby, and Smurfs: The Lost Village, just to name a few. Now you see what I mean.
Compared to last year, which boasted fantastic widely released films from high-profile studios like Disney’s Moana and Zootopia and smaller studios like Laika’s Kubo and the Two Strings, this year’s wide-release animated movies have little in the way of critical acclaim. How can there be such a difference in quality in one year? Let’s dive into it.
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