Edward Norton’s adaptation of Jonathan Lethem‘s novel took over twenty years to bring to the screen. But while delays like this are traditionally to a film’s detriment, it actually works in favor of Motherless Brooklyn. The distance allowed by this time in development leads to a movie that is likely significantly more mature and thematically rich than what Norton would have made in 1999. Read More »
I’ve heard from many a festival-goer that it’s possible to work through the entire New York Film Festival lineup – or at least its premier section, the Main Slate – given how the event spreads out manageably over the course of seventeen days all at Lincoln Center. But with schedule conflicts or lack of interest in certain titles, it’s a feat seldom seen or accomplished. Or, maybe given how gluttonous I feel after having done this myself, people choose not to brag about it if they do manage to pull it off.
While battling fatigue as well as exhaustion, plus countless instances of doubting if this was something I actually wanted to do, I managed to see all 29 films programmed in this year’s NYFF Main Slate. (If you’re the ranking type, I did just that over on Letterboxd.) I learned plenty about myself and some masochistic moviegoing habits after subjecting myself to this marathon of viewing contemporary cinema, but that’s a subject for another piece. It’s impossible to watch this incredible selection of films from across the globe and not have some larger takeaways about trends, patterns and parallels. Here are ten lessons from surveying the Main Slate in its entirety. Read More »
The 57th annual New York Film Festival started off strong, with Martin Scorsese’s interrogation of time in his mob masterpiece The Irishman. So it is perhaps rather fitting that the whirlwind two weeks of prestige films will end with a movie displaced out of time. Edward Norton’s noir passion project Motherless Brooklyn was a somewhat baffling capper to this year’s New York Film Festival, which was filled with its share of hits and misses. One of those misses is the impenetrable Lou Ye black-and-white romance drama Saturday Fiction. But a few of the gems were unmissable, including Agnes Varda’s final film Varda by Agnes.
Dive into our New York Film Festival 2019 Week 2 recap.
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Edward Norton‘s longtime passion project is finally coming to theaters. The Oscar-nominated actor has spent nearly two decades trying to get Motherless Brooklyn off the ground, an adaptation of the 1999 novel by Jonathan Lethem. And now, it has finally arrived with the official Motherless Brooklyn trailer signaling that this movie, which Norton directs and stars in, does indeed exist. Watch the Motherless Brooklyn trailer below.
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We’ve been waiting for what seems like forever for Ed Norton to firm up plans to direct and star in a film based on the Jonathan Lethem novel Motherless Brooklyn. But we haven’t been interested in the idea for as long as Norton has. He optioned the novel when it was first published, in 1999, and has been trying to get the film made ever since. File Motherless Brooklyn under “passion project,” then — fifteen years is more than enough time to qualify the active pursuit of material as such.
After all that time trying to launch the film, the money is now coming from RatPac Entertainment — that’s the company run by Brett Ratner and James Packer, which just had its name on The Lego Movie and is behind Cameron Crowe’s new film, too. Read More »