It usually feels like a miracle when an Oscar winner gives a short and sweet acceptance speech. Hell, long Oscar acceptance speeches have become such a staple that 2018 Academy Awards host Jimmy Kimmel even created a whole new category for shortest acceptance speech. (Congratulations Mark Bridges.)
But there was one speech that we wish we could have heard more of: Barry Jenkins Best Picture speech that the director would have given after Moonlight‘s astonishing win at the 2017 Oscars. But we all know what happened that year. A fumbled envelope, an award incorrectly given to La La Land, the celebrity reaction picture of the century. Unfortunately, that insane mistake would end up overshadowing Moonlight‘s very important win, and a speech that would have had us all weeping. But now, you can finally hear the speech that Barry Jenkins meant to give.
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The Oscars have come and gone, with The Shape of Water winning Best Picture and Guillermo del Toro winning Best Director. But for those of you who were maybe too busy to watch the entire ceremony, or just want to know about the good bits, you’ll want to check out these fantastic montages from the broadcast.
The 2018 Oscars not only featured the comedic stylings of Jimmy Kimmel and another fantastic Hollywood prank, but it also features several outstanding montages paying tribute to the magic of the movies. One extended montage runs through the 90-year history of films, another honors the military on film, but the most powerful one highlights the importance of inclusion and representation on the big screen. Read More »
Lady Bird may have been the first in a series of films set in sunny Sacramento. In an interview with Moonlight director Barry Jenkins on the new A24 Podcast, director Greta Gerwig confessed she was hoping to make a quartet of films in the Lady Bird setting.
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As you might expect from the creator of this year’s Oscar winner for Best Picture, Moonlight director Barry Jenkins has been keeping busy. He hopped over into the TV world to direct the fifth episode of Justin Simien‘s excellent Netflix series Dear White People, and Jenkins is staying in that medium to write and direct a small screen adaptation of Colson Whitehead‘s best-selling novel The Underground Railroad for Amazon.
But fear not, movie lovers, because Jenkins won’t be in the TV realm for long. He’s just set up his next movie: an adaptation of James Baldwin‘s acclaimed book If Beale Street Could Talk.
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After a stunning Best Picture win for Moonlight at the Oscars, Barry Jenkins is ready to embark on his next project. And he’s making the move over to television. Jenkins is set to write and direct a TV series adaptation of the 2016 bestseller The Underground Railroad for Amazon.
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After Moonlight won Best Picture at the Academy Awards in the most spectacularly crazy fashion last weekend, hopefully more viewers are heading to theaters to seek it out. The film from director Barry Jenkins is truly a masterpiece, telling a story that is relevant, timely, powerful and moving. And when you pay closer attention, you’ll see that the film takes clear influence from the work of master filmmaker Wong Kar-Wai.
A new video essay takes footage from Moonlight and puts it alongside the visuals of Wong Kar-Wai’s films such as Days of Being Wild, In the Mood for Love and Happy Together, which all seem to inform some of the decisions that were made behind the camera in order to tell the story of this young boy discovering and embracing who he is. Watch the Moonlight and Wong Kar-Wai visual comparison after the jump. Read More »
It’s been a hell of a year for director Barry Jenkins. The filmmaker has been getting all sorts of acclaim for his powerful coming of age drama Moonlight, which was just nominated for Best Picture last week. Jenkins himself also landed a nomination for Best Director, which isn’t a bad accomplishment for his sophomore effort behind the camera.
With the Academy Awards less than a month away, and Moonlight getting plenty of nominations at various awards ceremonies, Barry Jenkins has been making all sorts of publicity rounds (including the usual roundtable interviews with the major awards contenders in the directing arena). One of his more recent appearances will be something that cinephiles who have a fondness for the Criterion Collection will enjoy quite a bit. Check it out after the jump. Read More »
Posted on Tuesday, January 24th, 2017 by Jacob Hall
Sometimes, all you need to do is put a bunch of interesting personalities in the same room, turn on the camera, and watch a fascinating conversation unfold. The latest Director Roundtable from The Hollywood reporter finds Damien Chazelle (La La Land), Barry Jenkins (Moonlight), Mel Gibson (Hacksaw Ridge), Denzel Washington (Fences), Oliver Stone (Snowden), and Mira Nair (Queen of Katwe) all talking about their work and it’s always fascinating to see such a varied group of talented folks having an upfront chat about their experiences.
Watch the 2017 directors roundtable chat below.
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The Directors Guild of America has unveiled the nominations for the 67th annual DGA Awards. Hit the jump to see the nominees and learn about Kubo and the Two Strings‘ historical nomination from the Costume Designers Guild.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we watch an unconventional approach to the coming of age yarn, be delighted by an unconventional approach to the coming of age yarn, come of age in an era of entrepreneurship, come of age as we manually remove landmines, and have the cops come bust down our coming of age party with military grade weaponry just cuz they can. Read More »