Brad Bird has made it official, and tweeted out a video showing his long time collaborator Michael Giacchino signing the contract to return to score The Incredibles 2. Hit the jump to see that video.
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Cyclops Print Works will be releasing a new screen printed poster today by artist Joe Dunn for Brad Bird‘s Tomorrowland. I know a lot of you weren’t fans of Tomorrowland, but as a Disneyland fanatic I really enjoyed much of the first half of the film. And this poster is stunning, and filled with a ton of Disneyland Easter eggs – can you spot them?
Hit the jump to see the full Joe Dunn Tomorrowland print in full, and learn how you can get it.
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Hollywood has a woman problem, both behind the scenes and in front of the camera. There isn’t enough female filmmakers making big movies, and there aren’t enough big-budget films centering on — or even featuring — complex female characters. This is something discussed many times in recent years here and on other sites. Over the last decade we’ve seen the Bechdel test, a simple routine which calls attention to drastic gender inequality in our big screen stories, blow up in popular culture.
The old Hollywood way of thinking has always been that female driven stories doesn’t usually equate to huge box office successes unless they involve princess fairytales or epic love stories. In recent years we have seen a growing desire for female driven stories on the big screen, from young adult adaptations like Twilight or The Hunger Games to 2013’s Oscar-winning success Gravity, or even breakout b-action films like Lucy.
But the tables are turning and we’re starting to see Hollywood bet big on female-driven stories. This summer alone is filled with blockbuster films with strong female characters in the central role. I thought now that we are almost half way into June we should look back and forward and take an assessment of the new era we may have approached.
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Brad Bird‘s Tomorrowland was always a gamble. Sometimes gambles pay off big, other times they don’t. Now it seems, despite the combination of an Oscar-winning director, a proven box-office star and a high-concept, Disney-approved idea, Tomorrowland will end up losing Disney somewhere around $140 million. Read more about the Tomorrowland box office below. Read More »
David, Devindra, and Jeff continue their coverage of SIFF, discuss one of Steven Soderbergh’s underappreciated thrillers, and wonder how some great films get lost in the ether. Also, in this week’s After Dark, the guys discuss how difficult it is to come up with a lasting, meaningful name for something. Be sure to read about The Fermi Paradox. You can buy tickets to the World Premiere of The Primary Instinct here.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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The backstory for Brad Bird‘s film Tomorrowland contains a lot of detail about the beneficent cabal known as Plus Ultra, a secretive group of dreamers which conceived and built a futuristic creative paradise. In the actual film, however, we don’t see too much about Plus Ultra. Scenes were trimmed for length and pacing, and much of that story was left out of the film, along with all mentions of Disney.
Pixar actually animated a short scene that was meant to quickly define and explain Plus Ultra. Bird, however, decided the bit killed the pace of the film, and he cut it. That clip is online and you can watch the Pixar Tomorrowland sequence below. Read More »
It’s that time of the week again. We’re certainly looking forward to a nice holiday weekend, and if you were too busy to stay on top of all the news this week, we’ve got a round-up of all the stories you need to catch up on.
Below you’ll find a round-up of trailers for summer movies like Pixels, sequels like The Maze Runner: Scorch Trials, and the likely awards contender Steve Jobs. We also have updates on Star Trek 3, a controversial point of view on geek culture from Simon Pegg, more Mad Max: Fury Road goodies and some Tomorrowland exploration as well. So without further adieu, let’s check out the best stories of the week. Read More »
I talk with Jeff Jensen about how he went from a television writer at Entertainment Weekly to collaborating with Damon Lindelof and Brad Bird on the story for Tomorrowland. I must admit, I planned to go in and talk to Jensen about how the 1952 box was fabricated and how the script influenced the box and how the box influenced the script, but I found myself kind of blindsided with Jensen’s reaction. Jeff continued to pretend that the 1952 box wasn’t a creation of the team behind the film, which threw most of my prepared questions out the window. We still discuss how the box was used to sell executives and early Disney fans on the ideas behind the backstory of the movie.
I talk to Jeff about the early development of the film which saw two dueling ideas, one being a more Harry Potter approach and another more inspired by Close Encounters of the Third Kind. We also talk about the amazing Plus Ultra backstory which didn’t fully make it into the film but can be discovered through the tie-in prequel novel Before Tomorrowland he also wrote. Read all this and more in my Jeff Jensen Tomorrowland interview, after the jump.
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By now you’ve heard it a million times. After J.J. Abrams passed on the film a first time, Brad Bird was given the opportunity to direct Star Wars Episode VII. Bird, however, had to choose between Star Wars and Tomorrowland, a film he was also passionate about which was already in pre-production, and had a star attached. Obviously, Bird chose Tomorrowland, Abrams reconsidered and both are very happy with those decisions. However, fellow Star Wars fan and Tomorrowland co-writer Damon Lindelof recently said he was sure Bird was going to leave their project. In fact, he told Bird to do so and Bird happily surprised him.
Below, read what Lindelof thought about Bird’s choice, if Lindelof would do a Star Wars movie, and Bird’s quote when he’s reminded there’s an opening for a Star Wars Anthology film. Read More »