Posted on Wednesday, December 7th, 2011 by Angie Han
As we head toward the end of the year, it’s clear that 2011 has yielded some damn great performances from both established stars (Gary Oldman, Glenn Close) and rising talents (Jessica Chastain, Mia Wasikowska). So naturally, the best way to celebrate their accomplishments is by inviting each of them to play characters wholly unlike the ones they’ve recently received acclaim for.
In a video gallery from The New York Times Magazine titled “Touch of Evil,” thirteen of this year’s most notable stars tackle thirteen villainous types, from “The Menacing Dummy” (Oldman) to “The Sociopath” (Rooney Mara channeling A Clockwork Orange‘s Alex DeLarge) and everything in between. Hit the jump for a photo gallery from the feature.
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This past spring Mark Ruffalo said that he was looking at a role in Red Light Winter, a film based on the play of the same name by Adam Rapp (The L Word, Winter Passing), and a movie that would be brought into the world by Scott Rudin, the producer whose taste tends more genuinely toward the literary than almost anyone else working in the US right now.
Ruffalo told The Playlist “it’s the story of a writer and his best friend, and a kind of crazy love triangle they get into,” and more specifically the play is about two thirty-something friends who fall for the same prostitute in Amsterdam. Ruffalo and Billy Crudup play the friends, and now Kirsten Dunst will be their shared obsession. Read More »
Find it hard to keep up with what films are casting and which actors and actress are doing what? You’re not the only one. It’s all but impossible to keep up with everything, which is why we bring you Casting Bits. Today we’ve got a bunch of big names in smaller movies, a few studio productions sprinkled in and then a couple we missed in recent days. After the jump read about:
- Miley Cyrus cast as Adam Sandler’s daughter in Hotel Transylvania
- Rufus Sewell is confirmed to join Paradise Lost, as Lucifer’s buddy Samael
- Clive Owen is an NSA agent in Recall, written by Paul Schrader
- Elizabethtown co-stars Kirsten Dunst and Orlando Bloom team up again in Cities
- Genesis Rodriguez is an FBI agent in The Last Stand
- Comedians Tracy Morgan and Eddie Griffin are reportedly battling to play the Ol’ Dirty Bastard in a coming biopic
- Alona Tal and Natalie Martinez will star alongside Mark Wahlberg in Albert Hughes’ Broken City
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Lars von Trier detractors often accuse the Danish director of being little more than a provocateur, and his impetuous demeanor when dealing with the media doesn’t dispel that impression. That leads some — even our own Germain, in his review of Melancholia — to suspect that Trier’s actual films are constructed, in part, as nothing more than button-pushing exercises. I tend to believe in the director more as an imp who has a healthy, if perverse sense of humor, and who takes the opportunity to enjoy unorthodox fun when he can.
Such is the case, I suspect, with the new character posters for Melancholia.
In anticipation of the film’s UK release this weekend and October 7 VOD bow in the US (to be followed by a November 11 theatrical release) there are six new character posters for the film. They feature actors Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård and John Hurt. But there’s also a poster for Lars himself, which is even stamped with a ‘persona non-grata’ seal, mocking his expulsion from the Cannes Film Festival this past May. See all six below. Read More »
There’s not a whole lot in this first official domestic trailer for Lars von Trier‘s Melancholia that we haven’t seen in previous trailers and clips. (Such as the great UK trailer we just saw a few days ago.) But what the hell, the film is among our most-anticipated of the year, and this trailer offers up a great HD look at the gorgeous and subtle cinematography from Manuel Alberto Claro.
So hit the jump and get one more look at the ways in which sisters played by Kirsten Dunst and Charlotte Gainsbourg deal with the possibility of the impending end of life on Earth. Read More »
It’s been a big, loud year for Lars von Trier, thanks in part to his new film Melancholia, and more so to the Cannes press conference comments that saw the director banned from the festival. But getting beyond that controversy, there’s the fact that Melancholia is one of the best-reviewed films of the director’s career, and remains one of my most-anticipated films of the fall.
We’ve seen one trailer for the film, in which Kirsten Dunst and Charlotte Gainsbourg play sisters with very different dispositions who are staring down the end of the world on the eve of Dunst’s character’s wedding. Now here’s the UK trailer, which nicely shows off the ensemble cast (which also includes Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgård, Stellan Skarsgård and Udo Kier) and opens on a surprisingly upbeat note before settling into the anxious mode that you’d expect from a film about the end of the world. Read More »
The Cannes jury, headed by Robert De Niro, has selected the winners of this year’s competition slate, and the results are slightly surprising. In the early days of the fest two films quickly emerged as seeming front-runners for the top prize, Lynne Ramsay‘s We Need to Talk About Kevin and Michel Hazanavicius‘ silent black and white film The Artist, but the Palme d’Or went instead to Terrence Malick‘s The Tree of Life.
The slate of winners was surprisingly tipped towards American films and talent, or films that played very specifically towards American tendencies in a way that isn’t quite typical for a Cannes awards slate. The full list of winners is after the break. Read More »
You can say this for Lars Von Trier: he doesn’t believe in treading lightly. If today wasn’t so busy I’d spend a few hours digging up the director’s old comments from Cannes press conferences and correlating their level of pseudo-outrage to the quality of the film he’s promoting. His latest movie, Melancholia, premiered at Cannes today and the reviews are (perhaps predictably) mixed, with some of the most telling comments coming in the form of negative reviews from normally sympathetic fans. (There are also some significant raves.)
‘Sympathetic’ is the byword for LVT today, as the press conference for Melancholia featured the director baiting the press with statements about feeling that he understands Hitler and being a Nazi. Depending on how you look at it, press-baiting may not even have been his goal — it is more like the Nazi comments grew out of an attempt at a joke that, like a poor SNL routine, went on too long and wound down into an awkward sort of ‘oops’ conclusion. (A conclusion that proved perhaps appropriately apocalyptic, given the context of promoting a film about the end of the world.) The discourse about him today is dominated this current provocation, but we’ve also got early reviews of Melancholia and a few more upcoming career details. Read More »
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