If you’re an observant love of cinema, aside from likely knowing each and every film directed by Quentin Tarantino, you know that it’s fairly easily to recognize his work. This isn’t just because of the extensive dialogue and endless homages to classic, obscure films, but simply by the way he shoots his movies. From dancing scenes to trunk shots to sprawling overhead God’s eye sequences, Tarantino has a very distinct style.
Now a new supercut takes a tributary look at the cinemtography of all of Tarantino’s films, from Reservoir Dogs to his most recent Django Unchained. This slick video highlighting some of the best Quentin Tarantino cinematography will make you want to have a Tarantino marathon very soon. Read More »
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Tomorrow night kicks off Gallery 1988’s Both Sides: An Art Show Celebrating Heroes & Villains featuring artwork by Dan Mumford and Jeff Boyes, two pop culture artists we’ve featured on the site previously. The show will also feature some “cameo” artwork from Ashton Gallagher, Chet Phillips, Clark Orr, Dave Quibble, Jeffrey Everett/Rockets are Red, Ryan Binkerhoff and Sam Gilbey. Hit the jump to get a preview of some of the artwork from the show.
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Jurassic World is finally hitting theaters today, and as promised, here is my final interview with director Colin Trevorrow about the movie. As many of you know, I have talked to Colin two other times during the production of the film, once about the information leaks and fan backlash to some of those details and another time in an extensive interview when I visited the set of the film. My latest interview with Colin was conducted at the junket on the Universal back lot last week after having seen the movie.
In the interview, Colin talks about the Flight of the Navigator remake, how the voice cameos in the movie came about, the ideas of commercialization and sequels in the movie, how Steven Spielberg helped change the edit of the movie, the fan reaction to the trailers and the struggle to preserve surprises, how he met his writing partner Derek Connolly while working at Saturday Night Live, featherless dinosaurs in an age when science thinks different, and would he be interested in directing a Star Wars movie.
After the jump, you can read the whole interview (a couple of excerpts have run earlier in the week) which is virtually spoiler free (I have removed one question and answer which I will run next week after everyone has seen the film).
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It’s no secret that Quentin Tarantino steals from other movies in order to make the films that everyone loves to see him make. This isn’t really an insult to Tarantino as the filmmaker has said previously, “I steal from every single movie ever made. If my work has anything, it’s that I’m taking this from this and that from that and mixing them together.”
And if you’ve ever wondered what movies Tarantino is stealing from, a great visual guide has surfaced online to show you. See what movies Quentin Tarantino steals from after the jump! Read More »
Craig Drake‘s work can stop you in your tracks. Drake uses what feels like a bare minimum of elements to perfectly represent his subject in a striking and distinctive way. You might call it “minimalist,” but that would be a discredit to the energy contained in each piece.
In 2014, Drake had a very-well received solo show at the Hero Complex Gallery in Los Angeles. A few of the pieces even made my best of the year list. This year, the did a follow up show that contained even more beautiful work based on properties we all know and love. Stuff like Star Wars, Tron, Kill Bill, Akira, Pulp Fiction and more. Below, check out images from the latest Craig Drake Solo Show. Read More »
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They say opposites attract, and in art, the idea of mixing “cute” and “violent” helps prove the saying. 100% Soft, a California based artist, has a very distinct, very “cute” style where all the characters are small, sweet and cherubic. He’s had many pieces in lots of different shows but this week, he’s having his first solo show and the work is absolutely incredible.
The show is called Mass Hysteria and it’s a collection of art featuring massive gatherings and action scenes from your favorite movies, TV and music. It opens at 7 p.m. February 6 at Gallery 1988 East in Los Angeles.
Some examples of this “Mass Hysteria” is the end of The Avengers, the Crazy 88 in Kill Bill, the hallway in Oldboy, the finale of Raiders of the Lost Ark and many other mass gatherings in pop culture, all viewed through that cute little filter. The results are just beautiful and gory and awesome. In a phrase: mind-blowing. Check out a small sample of the 30 + images in the Mass Hysteria art show below. Read More »
Quentin Tarantino loves telling stories out of sequence. From his very first film, the director has written and edited his films with some pieces out of order, creating dramatic irony, shock value, heightened drama and more. He also makes the audience engage more with the film as we piece together the hows and whys of questions like when did Mr. Orange meet Mr. White, how does Vincent Vega know Mia Wallace, how did O-Ren gain power, etc. Viewing a Tarantino film multiple times then becomes essential, simply because once you know how things play out, you begin to see the layering he’s created throughout.
Designer Noah Daniel Smith knows this. He appreciates it. But he also appreciates how awesome it can look when you put the scenes in order. Two years after making a chronological timeline of Pulp Fiction, Smith has now put Kill Bill in chronological order for a new poster. Check out the full Kill Bill Timeline below. Read More »
Posted on Monday, July 28th, 2014 by Angie Han
Quentin Tarantino has been promising a release of Kill Bill: The Whole Bloody Affair for years now, and now he says he’s almost ready to deliver. During an appearance at San Diego Comic-Con over the weekend, Tarantino revealed that he and The Weinstein Company have had discussions about releasing the film in theaters “within the next year.” Hit the jump to read his comments.
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Miramax is now selling the art Ken Taylor created for the Tarantino XX DVD/Blu-ray set as a series of limited edition silkscreened prints. They have released five prints in all which span Quentin Tarantino‘s Miramax film career. Each print is silkscreened on 24 x 35 130lb acid free paper stock using archival quality inks, and is individually hand numbered edition of only 500. Check out the full size images after the jump.
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