With Jose Padilha‘s remake of RoboCop, not only is the title character getting a new suit, apparently he’s getting a new mode of transportation too. While the RoboCop of 1987 was happy piloting a standard police cruiser, the RoboCop of 2014 (the film was just pushed back) will rock a sleek new motorcycle. After the jump, check out a ton of photos of Robo’s new ride as well as a video of the bike in action. Plus, get a glimpse of his gun, a fan-favorite feature of RoboCop. Read More »
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Briefly: It always seemed weird that Neill Blomkamp‘s second film, Elysium, would be a March 2013 release. Granted, from what we’ve seen of the movie it looks like smarter, tougher sci-fi than most summer fare. But as the movie features Matt Damon escaping from the polluted surface of Earth to make use of medical technology on an elite space colony called, it also appears to have high entertainment value. I’d hope that a film like that could be marketed into summer success.
Evidently Sony feels the same, as the film is now scheduled for August 9, 2013. That’s a good late-summer berth for a smart sci-fi film, and roughly the same spot in which Blomkamp’s District 9 became a solid hit in 2009. So, all’s good, right? Well, part of the move is based on the fact that the Aug 9 date became vacant when MGM, Sony and Columbia realized that the Jose Padilha reboot of RoboCop is going to need more time in the oven. So that has been pushed to February 7, 2014.
Sony made a couple other small date changes, too, as Cloudy 2: Revenge of the Lefotovers will now open onSeptember 27, 2013, and the feature version of Pixels has been pushed back from a May 23, 2014 date to an unspecified time slot. [Variety]
Posted on Sunday, October 14th, 2012 by Angie Han
Just because we’ve already seen and loved the original Carrie, Robocop, and Evil Dead doesn’t mean we can’t be curious about the remakes. Today we have teaser posters and footage descriptions for Fede Alvarez‘s Evil Dead and Kimberly Peirce‘s Carrie, thanks to the Sony panel at New York Comic-Con, and a peek at Alex Murphy’s new ride from Jose Padilha‘s Robocop. Hit the jump to get an eyeful.
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I’m reluctant to say that this is absolutely 100% the design for the new RoboCop, despite the fact that these pictures were snapped on the Toronto set of Jose Padilha‘s new version of the story. I say that because I’m not certain that we’re seeing Joel Kinnaman in the suit there, though it could be a stuntman in a version of the suit that Kinnaman wears.
Still, these are pics of a suit from the set of the new RoboCop, and so, combined with what we’ve seen of the new ED209, they give us some idea of what this movie is going to look like. Check out full-size shots below. Read More »
Posted on Tuesday, September 11th, 2012 by Angie Han
The Robocop reboot has had its share of skeptics since the moment it was announced, and last month’s scathing review of the script from Drew McWeeny (of HitFix, and formerly of AICN) only seemed to confirm doubters’ worst fears about the project. Now another film writer has weighed in, however, and while his response falls short of glowing, it is significantly more optimistic.
Latino Review‘s Da7e has posted a video recounting the plot details for José Padilha‘s remake as spelled out in the draft he read, as well as a writeup on his reactions. Hit the jump to watch the video and read his comments.
Also after the jump: Robocop adds Gary Oldman‘s manager in an on-camera role, DreamWorks sets out to remake the ’80s comedy All of Me, and Dredd uploads some behind-the-scenes footage.
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Posted on Tuesday, September 4th, 2012 by Angie Han
Spike Lee is turning to some familiar faces to help round out the cast of his Oldboy remake. After adding his Do the Right Thing star Samuel L. Jackson a few weeks back, Lee is turning to his Red Hook Summer actor Nate Parker for another supporting role. The up-and-comer’s other credits include Arbitrage, Red Tails and The Secret Life of Bees.
A remake of Chan-wook Park‘s hit South Korean thriller, Oldboy centers around a man (Josh Brolin) out to exact revenge on the person who kidnapped and imprisoned him for mysterious reasons. Sharlto Copley plays the villain, while Elizabeth Olsen co-stars as a woman who aids and romances Brolin’s character. Parker is in talks to play a doctor colleague of Olsen’s. Oldboy will shoot this fall, likely for a 2013 release. [Variety]
After the jump, Carrie and The Evil Dead get synopses, and José Padilha responds to talk of Robocop difficulties.
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Posted on Wednesday, August 29th, 2012 by Angie Han
The search has been on for a new Robocop villain since last week, when negotiations with Hugh Laurie fell through. For a hot second it looked like Clive Owen could step up to replace him, but now word is that it’s actually Michael Keaton who’ll take over the part instead.
It seems like good news, if only because it means more big-screen appearances for Keaton. The former Batman and Beetlejuice actor fits right into a star-studded cast that also includes Gary Oldman, Samuel L. Jackson, Abbie Cornish, Jennifer Ehle, Jackie Earle Haley, Jay Baruchel, Michael K. Williams, Marianne Jean-Baptiste, and lead Joel Kinnaman. More details after the jump.
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There has been a lot of talk about reboots of well-loved ’80s/’90s sci-fi lately, thanks to Total Recall, the news about Videodrome, and the development of a new RoboCop, to be directed by Elite Squad helmer Jose Padilha.
The general consensus is that a director with little studio experience is brought in to make a reboot like RoboCop not only because of his skillset, but because a relative inexperience with the studio system means it is easier for the studio to get what it wants out of a reboot. (Which often means: something bland, broad, and gently palatable. Or, in terms RoboCop fans might recognize, a rudimentary paste, maybe something that tastes like baby food.)
RoboCop has had some small public issues, such as the departure of potential villain Hugh Laurie, and a not terribly positive script review that hit Twitter, but those aren’t things terribly out of the ordinary. Now, however, director Fernando Meirelles (City of God; 360), a friend of Padilha, makes the production sound like one in which the director is really fighting for every little element of the film. Read More »
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