There’s a new city-loving omnibus film featuring work from a crop of well-known directors and name actors, and the first footage from the project is out. In these Rio, I Love You trailers, you’ll see how the producers follow Paris, je t’aime and New York, I Love You with a bunch of new stories set in Brazil’s most internationally famous city and former capital.
This time the produces recruited directors Fernando Meirelles (City of God), Carlos Saldanha (Ice Age, Rio), Im Sang-soo (The Housemaid), Stephan Elliott (Easy Virtue), Paolo Sorrentino (The Great Beauty), Guillermo Arriaga (Babel), Andrucha Waddington (Party Crashers), Nadine Labaki (Where Do We Go Now?), José Padilha (RoboCop, Elite Squad), and John Turturro (Fading Gigolo) to make various segments of the movie.
Those segments feature a wide-ranging cast that includes Vincent Cassel, Rodrigo Santoro, Jason Isaacs, Ryan Kwanten, Emily Mortimer, and Harvey Keitel. (And Keitel’s Will this movie help salve the World Cup loss in Brazil? Probably not, but it will keep everyone paid and some audiences entertained. See the trailers below. Read More »
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Posted on Friday, June 6th, 2014 by Angie Han
After spending the past season on Game of Thrones trying to exact revenge for the death of his sister, Pedro Pascal is skipping over to Netflix to try and bring a different bad guy to justice.
Pascal is set to star in Netflix’s Pablo Escobar drama Narcos, opposite Wagner Moura (Elysium). Jose Padilha (Robocop) is directing. Get more details on the show after the jump.
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Pablo Escobar is a figure that has become the inspiration for many a film, and now he and the Medellin Cartel are going to be the focus of a new limited series on Netflix. The former DVD rental house and current streaming movie champ will be the home for a ten-episode show called Narcos. Jose Padilha (Elite Squad, RoboCop) is directing. Now Wagner Moura, star of Elite Squad, has been cast as Escobar. Read More »
When I sat down with director Jose Padilha at Comic Con to talk about his upcoming Robocop reboot, I expected to have a very superficial conversation about his first Hollywood blockbuster. Instead, he dished out a deep psychological dissection of the characters and story of his film.
I’ve now seen the film and got another chance to talk with Padilha about the finished project. We spoke about how he got the directing gig, and the source of the concept at the core of the film. We talk about his background before filmmaking, when he studied political economy at Oxford. He tells me the most interesting thing he learned about the advancement in robotics while developing the movie. We discuss the struggles of trying to make a smart blockbuster movie in the Hollywood system. Why his RoboCop is not R-Rated and dealing with the MPAA over graphic violence in the film. All of this and more can be read in my interview with Jose, after the jump.
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If Jose Padilha‘s RoboCop wasn’t called “RoboCop,” it would be much easier to embrace. While this remake evokes and/or borrows many designs and big ideas from Paul Verhoven’s 1987 original, the meat of the story is almost totally unique, giving it the feel of a completely different movie. Obviously, that was the point, but by simultaneously differentiating itself while also staying beholden to the original, the film is burdened with the weight of expectations and analysis of the original film.
That burden aside, Padilha has made a pretty solid movie. It has a lot to say and it delves into facets of the Alex Murphy character we’d never seen before. The story is global; the influence of media and government plays a huge role. There’s some really intense action, which takes a back seat to myriad points of social commentary and morality. Those points give the film a seemingly unique voice, but it doesn’t work as a cohesive piece. Padilha has brought together a strong cast with beautiful music and camerawork to make a movie much better than one would expect, but nowhere near what you’d hoped. Read More »
An all-but-unstoppable robot cop is good to have around when drug cartels or terrorists show up, but can he corral drunk drivers? The National Highway Safety Administration hopes so. It has recruited RoboCop for a PSA warning holiday drivers that a futuristic law enforcement officer who doesn’t actually exist will be able to read their blood alcohol content from afar before making a traffic stop.
Actually, maybe a made-up cop is a good boogeyman for drunk drivers because there are probably some drunks who would be so psyched to meet RoboCop that they’d just stop for the privilege.
Check out the PSA below. Read More »
Want a new look at RoboCop, from director José Padilha and starting Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Jackie Earle Haley, and Samuel L. Jackson?
A Japanese TV spot is now online, featuring a few minor bits of footage that most of you probably haven’t seen yet. Read More »
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Posted on Wednesday, November 20th, 2013 by Angie Han
Most of the Robocop marketing so far has focused on, well, Robocop (Joel Kinnaman). But before he was Robocop, he was a plain old human known as Alex Murphy — and as the latest international trailer reminds us, Alex is lurking inside of him still.
While there’s more than enough action to go around in this new promo, the real focus is on the very human cost of Omnicorp’s new robot police force. It seems that being brought to the brink of death and then revived as a freakish android-man hybrid tends to take an emotional toll on a guy. Watch the video after the jump.
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