Harry Potter director David Yates may be taking a break from big movies. After helming the last four Potter films, he has been courted for other huge projects such as The Stand, the Alan Turing movie The Imitation Game and a Doctor Who film he’ll reportedly make with the BBC, possibly starting next year.
Before anything else, however, it looks like he’ll direct a film based on the Emma Forrest memoir Your Voice in My Head, which Forrest wrote as a way of coping with her own bipolar disorder and the two relationships that paralleled her most difficult days with the condition. Read More »
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Yesterday there was big news about David Yates and the development of a new Doctor Who film, which the director is overseeing with the BBC. That project is in the very early stages, with a writer yet to be hired. We’re not going to see that new version of Doctor Who for a couple years yet.
And Warner Bros., for which Yates made the last four Harry Potter films, is still trying to keep the director around. He was briefly set to make an adaptation of Stephen King’s The Stand, before that project was taken over by Ben Affleck, and there are other WB films for which Yates name has been mentioned. Now Warners wants Yates to make The Imitation Game, a film about the mathematician Alan Turing, who was instrumental in WWII codebreaking efforts and, more famously, was a key mind in the development of computer science and artificial intelligence. He was also a persecuted homosexual who reportedly took his own life by eating an apple poisoned with cyanide.
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This has been a long time coming. Doctor Who, the BBC sci-fi series that has run for decades starting in 1963, with a few breaks here and there, will finally hit the big screen after several years of rumors about a new film being in development. The BBC has enlisted Harry Potter director David Yates (he made the last four Potter films and was set to make The Stand for Warner Bros. before Ben Affleck took over) to bring the series to the big screen. Read More »
Posted on Wednesday, October 19th, 2011 by Angie Han
If you’re the kind of person who got all emotional during all those Harry Potter cast interviews about shooting the final scene, or if you referred to the last movie, without irony, as “the end of an era,” then When Harry Left Hogwarts is for you. The documentary, by BAFTA-winning filmmaker Morgan Matthews (The Fallen), chronicles the making of David Yates‘ Harry Potter and the Deathly Hallows: Part 1 and Part 2, and will make you get teary-eyed all over again as cast members talk about what it’s been like to be part of the franchise for the past ten years. Watch the trailer after the jump.
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Now, the time has finally arrived that you might actually be excited about a Twilight movie…
Warner Bros is in talks with Christopher Nolan, Michael Bay, Alfonso Cuaron (Children of Men), Rupert Wyatt (Rise of the Planet of the Apes) and David Yates (Harry Potter films) for a new movie adaptation of The Twilight Zone. The 1983 Twilight Zone movie was presented as an anthology, each of the four stories helmed by A-list directors: Steven Spielberg, John Landis, Joe Dante and George Miller. Hollywood no longer likes the idea of an anthology film (note Warner Bros’ handling of the highly praised 2007 horror anthology film Trick ‘r Treat), so the new movie is one storyline, and will require a single director.
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Harry Potter and the Deathly Hallows – Part 2 is the biggest movie of the year, with a $1.1 billion-dollar take worldwide. We’ve known for years that Warner Bros. was anxious about this point in time because, without Potter, what will the studio be able to rely upon as a guaranteed cash cow? And with the afterglow of that billion-buck figure starting to fade like the taillights of a truck hauling off WB’s money-printing press, it is time to take action.
The action is this: put director David Yates and screenwriter Steve Kloves, the architects of Potter‘s success, together on a new project. Something big. Something sprawling enough to generate a couple movies. Something like Stephen King‘s own thousand-page viral outbreak, end of the world, showdown-between-good-and-evil doorstop The Stand. I think it’s a great idea. Will the moviegoing public? That remains to be seen. Read More »
What happens when a studio dedicates a decade to adapting one of the most popular novel series in the world, and does so with an eye for quality? In the case of Harry Potter, the result is a massive payoff. Warner Bros. upset its own record for the biggest domestic opening weekend box office take, set by The Dark Knight in 2008, as Harry Potter and the Deathly Hallows – Part 2 opened to a $168.5 million domestic haul and earned nearly half a billion dollars worldwide. Read the numbers below. Read More »
Note: This review was originally posted on July 10th 2011, but is being republished to coincide with the film’s opening weekend.
Fourteen years, seven books, eight movies, billions of dollars in profit and an incalculable amount of affected imaginations all lead up to one point. Numbers might help define J.K. Rowling‘s Harry Potter franchise for some, but true fans know that emotion is best way to quantify the impact of the series. The mere words “Harry Potter” can elicit emotional reactions specific to the characters and the series, and help recall experiences we’ve shared with the story over the years.
The release of Harry Potter and the Deathly Hallows Part 2 marks the emotional climax of an era and is laden with almost insurmountable expectations. Unless Rowling decides otherwise (and she might), this film could very well be the final piece of the Harry Potter canon. So does Deathly Hallows Part 2 live up to the hype? I’m happy to say it does. Read More »
The success of Harry Potter and the Deathly Hallows Part 2 is already a foregone conclusion; the film grossed over $40 million from midnight showings alone last night, an amount most films are lucky to take in over an entire opening weekend. But does David Yates’ final entry in the franchise make for a satisfying conclusion to one of the most critically and financially successful film series of all time?
/Film’s Germain Lussier seems to think so, and so do the vast majority of the film critics. But what did you think? Were the battle sequences suitably epic? Did the decision to split the last book into two films make sense? Share your thoughts in the comments and assume SPOILERS lie after the jump.
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