Posted on Monday, October 27th, 2014 by Russ Fischer
A Girl Walks Home Alone at Night is a stylish and moody feature debut from very promising writer/director Ana Lily Amirpour. In this film, Amirpour combines a hearty set of influences — Iranian culture, Westerns, rock and roll films, and horror icons — to create a unique take on the vampire genre. It’s a sultry and compelling film, with all the energy of the late ’80s and early ’90s independent scene but a personality that isn’t quite like any of the influences it draws from. I can’t wait to see what Amirpour does next; in the meantime I’m ready to see this one again. Check out the new A Girl Walks Home Alone at Night trailer below.
A Girl Walks Home Alone at Night Trailer
Kino Lorber will release A Girl Walks Home Alone At Night in New York and Los Angeles on November 21st, with national expansion to follow. Trailer via Vice.
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Strange things are afoot in Bad City. The Iranian ghost town, home to prostitutes, junkies, pimps and other sordid souls, is a bastion of depravity and hopelessness where a lonely vampire stalks its most unsavory inhabitants. Cinema’s first Iranian vampire western, Ana Lily Amirpour’s debut feature basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave. Amped by a mix of Iranian rock, techno, and Morricone-inspired riffs, its airy, anamorphic, black-and-white aesthetic and artfully drawn-out scenes combine the simmering tension of Sergio Leone with the weird surrealism of David Lynch.