Just click play and listen to this while you read the story.
The Ramones are one of the most influential rock bands to ever bash out a three-chord gem, but their use in film has been — let’s face it — pretty mediocre. I’ve always wanted to see someone cut some really smashing sequences to Ramones songs, but that has been a rare event. That’s about to change, because Martin Scorsese is reportedly planning to make a Ramones movie. That means we might see a sequence in which Thelma Schoonmaker cuts footage to ‘Blitzkrieg Bop,’ in which case I’ll just lose my mind in the best way. Read More »
Please Recommend /Film on Facebook
This year is the tenth anniversary of Fantastic Fest, and the fest will close with a movie we’ve been anticipating over the past couple months: Nightcrawler, starring Jake Gyllenhaal as a seedy news reported in Los Angeles. That film was announced today along with a host of other movies, including the new Keanu Reeves film John Wick, for which Reeves will make his second appearance at the fest. Then there’s The Creeping Garden, a documentary about slime molds and the people who study them; neo-giallo thriller The Editor, and new Studio Ghibli movie The Tale of the Princess Kaguya, and Sion Sono’s new film Tokyo Tribe.
The full second wave lineup is below. I’ve added trailers for most of the films. Note that I haven’t watched all those trailers in full yet, and there’s a chance that one or two are not safe for work. Read More »
Seven years ago, The Sopranos ended with one of the greatest and most polarizing hours of television ever broadcast. In the final scene, Tony Soprano and his family meet for dinner. Meadow Soprano arrives late, and takes an agonizingly long time to park. We watch on the edge of our seats, tense, waiting for violence. Is a hit coming? A suspicious guy heads into the restroom. Meadow walks in. Tony looks up. Before anything happens, the screen goes black. Roll silent credits.
Does Tony Soprano live? Does the hit we think we know is coming take place as the screen goes black — is that Tony’s death? Is the whole thing a metaphor for Tony’s fate? Fans have speculated for years, and that’s the beauty of the show’s ending. Creator/writer/director David Chase has finally spoken up about Tony’s fate, however, and if you’re dying to know whatever there is to know about Tony’s existence (or lack thereof) after that cut to black, read on.
Update: Chase, through his representative, says the quote was misconstrued. Read his statement below.
Read More »
La French, aka The Connection for international festival audiences, jumps off from the same ’60s and ’70s drug-trafficking patterns that inspired The French Connection. Jean Dujardin stars as a young magistrate thrust into an attempt to corral international heroin smuggling, and follows his “violent six-year campaign to bring down the kingpin of a major narcotics ring.”
A French-language trailer (no subs, sorry) has arrived just in advance of the film’s world premiere at TIFF. Shot on 35mm, this one has a great look, and Dujardin seems to be in a particularly energetic mode. Cédric Jimenez directed the film, which also stars Gilles Lellouche, Céline Sallette, and Benoît Magimel. Check out The Connection trailer below. (Update: there’s an English-subbed trailer now, too!)
Read More »
Years back, there was a real divide between DC and Marvel. DC was the stoic old guard, Marvel the young upstart. Despite the fact that the ’60s saw some incredibly wacky characters grace the pages of DC comics, the conception amongst comics fans, especially when modern comics fandom came of age in the ’80s and ’90s, was still that DC was the “serious” house and Marvel the playground.
While it’s not a hard-and-fast rule, that characterization has been carried forward into the films produced by DC and Warner Bros., and those from Marvel Studios. Inspired by Christopher Nolan’s films (which were inspired by the wave of ’80s comics that included Frank Miller’s vision of Batman), DC’s films are monochromatic and relatively grim. Zack Snyder isn’t the guy one turns to for “fun.” Marvel’s movies are colorful and unabashedly fun.
Now a report says there’s an actual “no jokes in DC movies” mandate at Warner Bros., which could enforce the differences between DC and Marvel movies in a set manner. (Update: While two sources support the “no jokes” argument, Seth Rogen says otherwise.)
Read More »
In the noir classic Laura, directed by Otto Preminger, an investigator looks into the murder of a woman who had several suitors, and becomes obsessed with her image. Now the film is being remade, and James Ellroy is going to write it. Read More »
Nick Cave is a killer rock songwriter, and he and creative partner Warren Ellis have crafted a significant identity as a film scoring duo. Their music for The Assassination of Jesse James by the Coward Robert Ford is among the great western film scores, and they’ve done excellent music for films such as The Proposition and Lawless. They scored the upcoming film Far From Men (trailer here).
Cave says that while he and Ellis love doing that work, they want to do even more, and in different genres. Specifically they want to do a horror film. Read his comments below and someone, please, call these guys to make it happen. Read More »
Cool Posts From Around the Web:
Is Barry Allen drunk, or just a vigorous self-promoter? In this Flash poster for The CW’s new TV show, the hero is depicted running down a street in Central City. For some reason, he’s running in a zig-zag pattern that occasionally points him backwards. But whatever; the guy is so fast that he’ll still get where he’s going with time to spare.
And The Flash is meant to be fun, after all, so what’s a little time spent running just for fun? Speaking of, this poster is also decorated with a few little easter eggs. Some point to the series’ companion show, Arrow, while others hint at future developments for the series. You’ll need an even more high-res version to pick everything out, but get started via the one below. Read More »