Here’s why you should go out to the movies on a Friday evening: last night at the Aero, in Santa Monica, audiences who turned up to see The Shining were told that Kubrick’s movie would be followed by a surprise double-feature. That second film was Paul Thomas Anderson‘s The Master, and it was projected in 70mm.
What a cool move on Anderson’s part — not a test screening, but just a low-key surprise for people who were in the right place at the right time. (This is a bit like his choice to premiere There Will Be Blood at Fantastic Fest, when that festival was a lot smaller.) Opinions are starting to filter out about the movie, and while they’re largely from people we don’t know — so we don’t know their taste in film in general — there are some comments that you’ll probably want to read. Read More »
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Since its earliest rumblings, we’ve been following a new project by Disney Animation Studios called Paperman. It’s a short film directed by John Kahrs about “a young man in NYC relying on his heart, imagination, a stack of papers—and a little luck—to win the girl of his dreams.” The short is scheduled to premiere in theaters with Wreck-It Ralph this November.
Paperman is now finished and will reportedly debut in Los Angeles and France this month. Several new images have come on line, and the short also screened at Disney’s Pixar Studios, leading several employees there to tweet all about it. Check it out below. Read More »
The expectations are sky-high for Alfonso Cuarón‘s Gravity, the director’s first film since 2006′s Children of Men. In fact, between the A-list cast (Sandra Bullock and George Clooney), its intriguing sci-fi premise, its ambitious long shots, and gushing praise from colleagues like Guillermo del Toro, we have plenty of reason to believe the film could be his most brilliant yet. On the other hand, this wouldn’t be the first time we’ve been dead wrong about a movie this early on.
This week in Pasadena, Gravity had its first test screening, and while the cut was apparently very rough, audiences saw enough to form some strong opinions about it. From here, it sounds like it could be this year’s Tree of Life — gorgeous, innovative, worthy of acclaim, and perhaps a little divisive. Hit the jump to see some reactions.
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Posted on Tuesday, February 7th, 2012 by Angie Han
One film I’ve been decidedly mixed on is John Carter, Andrew Stanton‘s live-action debut. Much as I love the talent involved — stars Taylor Kitsch, Willem Dafoe, Mark Strong, etc., screenwriter Michael Chabon, and of course Stanton — I haven’t loved the footage we’ve seen of it so far. But trailers, clips, and Super Bowl spots only tell us so much, and some of the buzz from the early screenings have made the project sound a bit more promising. Hit the jump for more.
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When people think of 1999 movies, titles like Fight Club, The Matrix and Being John Malkovich are just a few of the influential titles mentioned. One that regularly gets overlooked is American Pie, which not only was a massive hit, it launched a franchise, multiple catchphrases and the careers of several actors. It’s now 13 years later and 2012, once again, has a very impressive set of films coming out and, once again, American Reunion is getting overlooked. The fourth theatrical Pie film returns the entire cast for their 10 year high school reunion and will be released on April 6.
The film test screened earlier this week in New York and Los Angeles and fans took to Twitter to voice their opinions. What did they think? They loved it. Read some early buzz after the jump. Read More »
Posted on Tuesday, October 11th, 2011 by Angie Han
Hugo represents unfamiliar territory for Martin Scorsese, being both his first family film and his first 3D project, but you wouldn’t know it from watching the movie. The legendary director has crafted a charming piece of all-ages entertainment that’s absolutely stunning in its use of live-action 3D — even in the unfinished version I saw, a work in progress with visible green screens, some very rough CG, and a temporary sound mix. This is the kind of work filmmakers are talking about when they insist it isn’t just a cheesy, money-grabbing gimmick, but a true next step in cinematic technology, because this is the kind of movie that’s actually worth shelling out the extra bucks and dealing with those uncomfortable disposable glasses for. Read on after the jump.
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Paramount Pictures has begun test screening Martin Scorsese‘s Hugo, with screenings in New York City and Chicago. Like many of you, I’ve been anxiously awaiting this film. Not just because its a new Scorsese film, but I’m really interested to see what a master filmmaker can do with the 3D camera. Advance buzz coming out of the first test screenings is quite positive. Read the first spoiler-free reactions, after the jump.
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For a while now we’ve been hearing about Todd Phillips and Joel Silver-produced low-budget hard-R comedy film Project X. The project was set-up at Warner Bros with a $12 million budget, with Phillips serving as producer and creative godfather’ for commercial turned first time feature film director Nima Nourizade. The comedy follows three high school seniors who “throw a birthday party to make a name for themselves,” but as the night progresses, “things spiral out of control as word of the party spreads.” Warner Bros has been test screening the film recently, and members of the recruited audience in attendance have been chatting it up on the IMDB message boards and twitter.
What did they think? Find out after the jump.
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