Posted on Friday, May 4th, 2012 by Jordan Hoffman
This is a weekend we’ve been thinking about for quite some time. The Avengers have finally assembled.
I’ve seen the movie and I can assure you that, yes, it is tremendous fun. One of the key reasons for this is the casting – it’s just terrific. Everyone plays off one another so nicely and there is no weak link.
To celebrate Earth’s Mightiest Heroes (and those they share the stage with) this week’s TBMYPHS is dedicated to the members of this amazing team up, and the work they did before getting their action figure on.
Soapdish (1991); Michael Hoffman, director.
It’s no Tootsie but it makes a valiant effort.
Robert Downey Jr., is part of the spry ensemble in this very funny, very goofy behind-the-scenes comedy of a daytime soap opera. (Yes, friends, there was a time when people actually watched daytime soap operas.)
The young Tony Stark isn’t the star of the show, but one must wonder if RDJ cribbed a few pompous-yet-still-lovable tricks from Kevin Kline. I’ve watched bits of this movie 400 times on cable and laughed every time – it’s one of the better forgotten movies of its day and definitely worth checking out.
Manny & Lo (1994); Lisa Krueger, director.
Here’s something I discovered when I looked at the resume of Scarlett Johansson – all the good movies she’s been in have been fairly high profile. She’s had some clunkers (A Love Song For Bobby Long – oof, I still have nightmares of John Travolta’s bloody urine) but not many films that are both good and obscure. Except for this gem.
Proof that the kid had it from an early age, Manny & Lo is a fine sample of a classic mid-90s indie. Heavy on character with a “quirky” visual style and a John Lurie score, this tale of foster kid siblings on the lam may seem like a Saturday Night Live parody of standard Sundance fare today, but at the time it was quite refreshing.
Apartment 12(2001); Dan Bootzin, director.
I love Mark Ruffalo. The fact that this oddball dude is now a movie star is a miracle of Giamatti proportions.
Apartment 12 is a flick I saw on the festival circuit close to ten years ago. The film was already old by then, but it started getting programmed once You Can Count On Me came out. The script kinda stinks (timid love blossoms amid wacky neighbors in an apartment complex), but it is 90 straight low budget minutes with Mark Ruffalo acting his heart out and, dammit, that’s gotta count for something.
This movie is a genuine time capsule, in that it is of the final wave to get made prior to the digital revolution. The cheap lighting and film stock are horrendous, but that’s what bootstrap filmmakers had to deal with in those days. I have a lot of good will toward this movie and if you seek it out and watch it I guarantee that you’ll find yourself charmed.
Walkabout (1971); Nicolas Roeg, director.
Here’s one thing you should know about The Avengers: there are a lot of odd cameos in it. Not just Stan Lee – respected actors from world cinema pop up for a minute or two at a regular clip. Playing one of the talking heads of the shadow government called the “World Security Council” is the british actress Jenny Agutter.
Best known for An American Werewolf in London and Logan’s Run, the one you need to check out immediately is Nic Roeg’s survivalist masterpiece Walkabout. It is a gorgeous, hallucinatory trek through Australia’s outback featuring some of the most remarkable imagery every put to screen. It is a hard movie to get a bead on – like Lawrence of Arabia (which Roeg worked on, and was an obvious influence) the impalpable setting affords the entire film an aura of importance, making the feelings of the main characters somewhat unknowable. Jenny Agutter was just a teenager when the movie was made, but her performance is terrific (although a movie with adult content like this with someone that age would be a major scandal today.)