Seven years ago, The Sopranos ended with one of the greatest and most polarizing hours of television ever broadcast. In the final scene, Tony Soprano and his family meet for dinner. Meadow Soprano arrives late, and takes an agonizingly long time to park. We watch on the edge of our seats, tense, waiting for violence. Is a hit coming? A suspicious guy heads into the restroom. Meadow walks in. Tony looks up. Before anything happens, the screen goes black. Roll silent credits.
Does Tony Soprano live? Does the hit we think we know is coming take place as the screen goes black — is that Tony’s death? Is the whole thing a metaphor for Tony’s fate? Fans have speculated for years, and that’s the beauty of the show’s ending. Creator/writer/director David Chase has finally spoken up about Tony’s fate, however, and if you’re dying to know whatever there is to know about Tony’s existence (or lack thereof) after that cut to black, read on.
Update: Chase, through his representative, says the quote was misconstrued. Read his statement below.
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La French, aka The Connection for international festival audiences, jumps off from the same ’60s and ’70s drug-trafficking patterns that inspired The French Connection. Jean Dujardin stars as a young magistrate thrust into an attempt to corral international heroin smuggling, and follows his “violent six-year campaign to bring down the kingpin of a major narcotics ring.”
A French-language trailer (no subs, sorry) has arrived just in advance of the film’s world premiere at TIFF. Shot on 35mm, this one has a great look, and Dujardin seems to be in a particularly energetic mode. Cédric Jimenez directed the film, which also stars Gilles Lellouche, Céline Sallette, and Benoît Magimel. Check out The Connection trailer below. (Update: there’s an English-subbed trailer now, too!)
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Years back, there was a real divide between DC and Marvel. DC was the stoic old guard, Marvel the young upstart. Despite the fact that the ’60s saw some incredibly wacky characters grace the pages of DC comics, the conception amongst comics fans, especially when modern comics fandom came of age in the ’80s and ’90s, was still that DC was the “serious” house and Marvel the playground.
While it’s not a hard-and-fast rule, that characterization has been carried forward into the films produced by DC and Warner Bros., and those from Marvel Studios. Inspired by Christopher Nolan’s films (which were inspired by the wave of ’80s comics that included Frank Miller’s vision of Batman), DC’s films are monochromatic and relatively grim. Zack Snyder isn’t the guy one turns to for “fun.” Marvel’s movies are colorful and unabashedly fun.
Now a report says there’s an actual “no jokes in DC movies” mandate at Warner Bros., which could enforce the differences between DC and Marvel movies in a set manner. (Update: While two sources support the “no jokes” argument, Seth Rogen says otherwise.)
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In the noir classic Laura, directed by Otto Preminger, an investigator looks into the murder of a woman who had several suitors, and becomes obsessed with her image. Now the film is being remade, and James Ellroy is going to write it. Read More »
Nick Cave is a killer rock songwriter, and he and creative partner Warren Ellis have crafted a significant identity as a film scoring duo. Their music for The Assassination of Jesse James by the Coward Robert Ford is among the great western film scores, and they’ve done excellent music for films such as The Proposition and Lawless. They scored the upcoming film Far From Men (trailer here).
Cave says that while he and Ellis love doing that work, they want to do even more, and in different genres. Specifically they want to do a horror film. Read his comments below and someone, please, call these guys to make it happen. Read More »
Is Barry Allen drunk, or just a vigorous self-promoter? In this Flash poster for The CW’s new TV show, the hero is depicted running down a street in Central City. For some reason, he’s running in a zig-zag pattern that occasionally points him backwards. But whatever; the guy is so fast that he’ll still get where he’s going with time to spare.
And The Flash is meant to be fun, after all, so what’s a little time spent running just for fun? Speaking of, this poster is also decorated with a few little easter eggs. Some point to the series’ companion show, Arrow, while others hint at future developments for the series. You’ll need an even more high-res version to pick everything out, but get started via the one below. Read More »
In December, Fox will release a found-footage horror film that looks basically like “Alien in a pyramid,” with a ravenous mummy standing in for the xenomorph. The film comes from producer Alexandre Aja (High Tension, The Hills Have Eyes) and director Gregory Levasseur (who wrote those two films of Aja’s), and follows a group of archaeologists as the venture into a newly-discovered pyramid. While just a bit peeks out over the surface of the ground, the three-sided structure appears to be massive. The team soon discovers just how big it is — as they also find that it may have been constructed to keep something within its monolithic stone walls. Ashley Hinshaw, James Buckley, Denis O’Hare, Christa-Marie Nicola and Amir K. star; watch The Pyramid trailer below. Read More »
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The Netflix Daredevil TV series is shooting now, but we still know relatively little about it, and we know almost nothing about the three shows that will follow (featuring Jessica Jones, Luke Cage, and Iron Fist) much less how they’ll all come together in The Defenders. But now Netflix chief Ted Sarandos has said a few things about his company’s upcoming Marvel slate, and one comment in particular sticks out: that the series “will not be afraid to go darker” than Marvel’s films. Read More »