22 Jump Street (9)

/Film’s Germain Lussier called 22 Jump Street (out in theaters this weekend) one of the funniest and best films of the summer. I saw 22 Jump Street this week and found it to be immensely enjoyable. Its knowing references to its bizarre sequel status were amusing, and I loved the gags in the last half of the film, when it felt like directors Chris Miller and Phil Lord felt free to let loose and really play with the film’s reality.

I spoke with Germain about why he loved the film so much and how 22 Jump Street avoids being a repetitive sequel in the vein of Hangover 2. Find our video review after the jump.
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Joanna and David discuss the ninth episode of season 4 of Game of Thrones, “The Watchers on the Wall.” Thanks to our sponsor for this week, Hover. Learn more details about our T-shirt contest on our Facebook page.

If you like the show, feel free to leave us a review on iTunes and like us on Facebook.
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Edge of Tomorrow

Doug Liman’s Edge of Tomorrow is out in theaters now and it’s one of my favorite films of the year (see Germain’s review here). But if you were like me and many other film critics, you might’ve found that ending to be a wee bit lacking on a variety of fronts.

Let’s talk about why Edge of Tomorrow had a terrible ending for an otherwise great film. SPOILERS follow.
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Intramural

Like many sports movie fans, I find the conventions of the sports movie both stultifyingly familiar yet oddly comforting. So when I saw the trailer for Andrew Disney’s Intramural recently, I knew I’d have check it out at the 2014 Seattle International Film Festival. While /Film readers didn’t really warm to the film’s trailer when it debuted, I found the Intramural to be quite charming and hilarious — a lovingly made Dodgeball-esque lampooning of a genre that has become all-too-familiar.

I had a chance to chat with Intramural writer Bradley Jackson about his favorite sports movie tropes, and why Air Bud 4 sullies the realism of the Air Bud franchise. See our video interview after the jump.
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/Filmcast Ep. 275 – Edge of Tomorrow

Edge of tomorrow trailer

David and Devindra welcome Jeff Cannata to the /Filmcast! This week, we break down some new Star Wars news, plus Dave reports from the Seattle International Film Festival. Be sure to check out David’s interviews with the filmmakers behind Layover and Time Lapse.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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Time Lapse Movie

Let’s say you’re making a sci-fi film featuring a camera that takes pictures of what happens 24 hours in the future. You’d probably need a lot of note cards to make sure you keep all the events of the film straight. That, plus yarn to connect different scenes and photos together. Lots and lots of yarn…

Time Lapse just had its North American debut at the Seattle International Film Festival, and it definitely makes great use of this time-bending camera premise. I thought the film was a super fun genre exercise, a thriller that reminded me of Timecrimes and old-school Twilight Zone episodes. The film is immensely satisfying, especially for a person like me who loves the use of time travel paradoxes in films. No detail in this film is wasted as it barrels towards its inevitable conclusion, and all previous plot points lock into place.

But there are also a lot of challenges associated with making a film like this. I chatted with the filmmakers, BP Cooper and Bradley King about the difficulties of keeping all the events straight, as well as which other time travel movies inspired them. Learn more about Time Lapse at the film’s website and check out our video interview after the jump.
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Mountain

Joanna and David discuss the eighth episode of season 4 of Game of Thrones, “The Mountain and the Viper.” Thanks to our sponsor for this week, Pat Sponaugle. Be sure to read up on this episode’s callback joke, plus check out reaction shots of a dubious nature.

If you like the show, feel free to leave us a review on iTunes and like us on Facebook.
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SIFF 2014: Making a Movie for $6,000

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This weekend, I saw a movie at the Seattle International Film Festival that had a budget of $6,000. Joshua Caldwell’s Layover, which had its world premiere here, was shot in 11 days in Los Angeles and takes place during the course of a single evening, as a itinerant frenchwoman Simone (played by Nathalie Fay) re-connects with a friend from her past. Layover is a film in the tradition of Linklater’s Before series, and I found that it perfectly captured the paradox encountered by many a millenial: feeling trapped, while also realizing that the possibilities for your life are still endless. It’s a beautiful, moving, and wistful film.

But what goes into making a film with a budget that’s slightly more than the cost of the camera you’d need to shoot it on? I spoke with Caldwell about how he shot the film and why he went the low-budget route. Find our conversation after the jump, watch the film’s trailer, and be sure to check out the Indiegogo campaign for Caldwell’s next two films.
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