bettercallsaulcheck

The Ones Who Knock returns (with a slight change in co-hosts)! David and his brother Michael cover Better Call Saulfirst two episodes, “Uno” and “Mijo.”

E-mail us and let us know what you thought of the episode, as well as of the podcast, at theoneswhoknock@gmail.com. You can find every episode of the show at bettercallsaul.audio. If you like the show, feel free to leave us a review on iTunes! Hit the jump for links to stream/download.

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Fifty Shades of Grey

At about the half-hour mark in Fifty Shades of Grey, I came to a sobering realization: Christian Grey (Jamie Dornan) could get away with murder. This dude basically exhibits straight-up stalker behavior, and yet the object of his affection, Anastasia Steele (Dakota Johnson, in a nuanced and impressive performance), not only doesn’t mind — she occasionally seems into it. And that’s before the BDSM even begins!

Of course, a lot of that is probably due to Grey’s stunning good looks, his immense wealth, his confident personality, his incredibly well-built torso, his eyes that are so deep in color that you could lose yourself in them for days…

I’m sorry, where was I? Oh right. Hit the jump to see 10 things that Christian Grey does in Fifty Shades of Grey that would be creepy if I did them. This is not an exhaustive list.
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matthewmargeson

Kingsman: The Secret Service is the first great action film of 2015, a  delightful riff on British spy movies that manages to bring a modern sensibility to its incredibly choreographed action set pieces. Thus, it was with great pleasure that I interviewed Matthew Margeson, who wrote the score for Kingsman along with co-composer Henry Jackman. The score is a delight, with an enjoyable theme that has hints of “British elegance and charm,” as Margeson puts it.

Hit the jump to hear my /Filmcast interview with Margeson. You can buy the soundtrack for Kingsman on Amazon, iTunes, or at Lalaland Records.

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/Filmcast Ep. 305 – Jupiter Ascending

Jupiter Ascending Channing Tatum

David, Devindra, and Jeff praise Ryan Reynolds in The Voices, get thankful for Fresh Off The Boat, and react in real-time to the news of Spider-Man joining the Marvel Cinematic Universe. Be sure to read Jeff Yang’s piece about Fresh Off The Boat.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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Jupiter

The Wachowskis’ Jupiter Ascending is a total mess. It’s plot is nearly incomprehensible. It feels like there’s a director’s cut out there with at least a half hour more of explanatory plot details and character development. It introduces various story lines and characters whose appear on the screen for minutes before they vanish and are never followed up on. It borrows heavily from The Wachowskis’ own film, The Matrix, yet is crammed full of ideas that have appeared in other, better fantasy and sci-fi films.

And yet, I couldn’t help but enjoy it. Hit the jump to see my video review of the movie.

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/Filmcast Ep. 304 – Inherent Vice

New Inherent Vice trailer

DavidDevindra, Jeff, and Germain discuss the guilty pleasure of Everly, remember Parenthood fondly, plus hear what went down at Sundance this year. Be sure to see why Gremlins is kind of racist, and read Matt Patches’ and Kyle Smith’s reviews of Inherent Vice.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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The Tobolowsky Files Ep. 68 – Circle of Causation

circleofcausation

The only difference between mystery and certainty is that everyone loves a good mystery.

The Tobolowsky Files is a podcast from the people who brought you the /Filmcast, featuring a series of stories about life, love, and the entertainment industry, as told by legendary character actor Stephen Tobolowsky. You can e-mail Stephen at stephentobolowsky(AT)gmail(DOT)com. You can also follow him on Facebook or on Twitter.
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/Filmcast Ep. 303 – American Sniper

American Sniper Bradley Cooper

DavidDevindra, and Jeff discuss Jude Law’s hairline, praise The Man in the High Castle, and wonder if Indiana Jones should become like the Bond franchise. Also, Jeff explains where he’s been the past few weeks. Read about the reaction American Sniper is provoking and check out Dave’s thoughts on Zero Dark Thirty.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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violentyear

A Most Violent Year is a slow burn of a film, primarily centered around a simple land deal that entrepreneur Abel Morales (Oscar Isaac) is trying to put together to sustain and grow his young oil business. Yet somehow, writer/director J.C. Chandor is able to up the stakes until they are almost unbearably tense. What hangs in the balance is not merely Morales’ business and the future of his family, but also his sense of self, his moral center. If you extrapolate it further, the film becomes and indictment of American capitalism, in the same way that films like Nightcrawler did in 2014.

With some beautiful cinematography from Bradford Young and some dynamite performances from the leads, A Most Violent Year manages to be haunting, wistful, and unforgettable. Hit the jump to see my full video review of the film.

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