top 15 movies of 2017

Every year, the /Film staff writes their top 10 movies of the year lists and every year, we combine those lists into one final, definitive list. The result is a top 15 that represents the entire site,  a look at everything that we have treasured over the past 12 months.

In 2015, Mad Max: Fury Road was /Film’s favorite film of the year. In 2016, that honor went to Arrival. And now, with 2017 officially in the books, we have determined our overall top 15 films of 2017. Let’s take a look at what made the list.

First, a quick note on how this list was compiled. We took each personal list and assigned a score to each position in each top 10. For example, a film that ranked as number one on a personal list would score 10 points, a film that ranked as number two would score nine points, and so on. After some basic math, the overall list took shape.

Second, a number of films made it on to our top 10 lists but didn’t have enough points to break into the overall top 15. They are as follows: RawLoganItSpider-Man: HomecomingGuardians of the Galaxy Vol. 2Wonder WomanBrigsby BearPersonal ShopperOkjaWar for the Planet of the ApesYour Name, and Phantom Thread.

And finally, the blurbs under each entry are excerpted from our overall top 10 lists, which you can find linked at the bottom of this article.

the disaster artist review

15. The Disaster Artist

Points: 8

The way James Franco’s Tommy Wiseau and Dave Franco’s Greg Sestero support each other’s million-to-one dream of making it in Hollywood when no one else will is inspiring…until it turns toxic. The Francos are both excellent, but Dave, in particular, deserves praise for totally nailing the straight man part as James’ far more flamboyant performance earns a lot of attention. And while its dramatic aspects might make more people pay attention to it come awards time, the movie is also a comedy – and it earns its laughs. I think I cracked up more here than in anything else last year. (Ben Pearson)

Even though The Disaster Artist takes plenty of shots at the eccentricities and behavior of The Room director, writer and star Tommy Wiseau, he becomes far more than the punchline that his film has become over the years. James Franco’s performance makes us sympathize and empathize with Wiseau as a man trying to fulfill his own American dream. Not only is he a dreamer in every sense of the word, but he’s also a fiercely loyal friend. (Ethan Anderton)

music of coco

14. Coco

Points: 9

Coco is one of Pixar’s most visually dazzling movies; the way co-directors Lee Unkrich and Adrian Malina conceived of the underworld is vibrant, lush, and jaw-droppingly beautiful, but the scenes set in “real world” Mexico are also lovely. This may be the most emotional I’ve been at a movie in years (I was openly weeping during a key moment near the end), and the music is spot-on all the way through. (They even got the finger movements right – as someone who plays the guitar, I’m always paying close attention to technique, and the animators didn’t take any shortcuts here.) Decades from now, I think we’re going to look back on Coco as one of the high points in Pixar’s filmography. (Ben Pearson)

ingrid goes west

13. Ingrid Goes West

Points: 10

What makes Ingrid Goes West this year’s best film is that it’s a wickedly smart commentary on our social media obsessed world. But this film is a comedy first and foremost and uses the commentary as the canvas to tell this story. It’s not just a great comedy, though – it’s the perfect film to represent our times. No, it’s not about Trump, politics, diversity, or any of the issues we talk about on a daily basis, but it’s about the platforms on which we talk about all of that. It’s about us as a society and how the technology in our pockets has changed our habits and happiness. (Peter Sciretta)

John Wick pic 3

12. John Wick: Chapter 2

Points: 10

Chad Stahelski’s action movie fantasia blends the brutal action of Hong Kong cinema, the outrageous plotting of modern South Korean cinema, and the mythology and world-building of American comic books into a delicious cocktail that goes down so smooth that it feels…well, criminal. Usually, it takes a decade or two before we place the best genre cinema on a pedestal and admit that a concoction this clever and fun is a masterpiece. We could be all dead by then. Let’s celebrate John Wick: Chapter 2 right now. (Jacob Hall)

John Wick: Chapter 2‘s action sequences might not be as hard-hitting or spectacularly executed as the original (or maybe my expectations were just higher going in), but what this sequel nails is something I didn’t expect: a sense of world-building. Who would have thought that a franchise like John Wick would create a movie universe that I would want to explore? The first film, while fantastically executed, seemed like a one and done revenge action film, but now I need to see this entire world of the international hitmen and bounty hunters. I think when all is said and done, we could look back at the John Wick films as the best action series of our time. (Peter Sciretta)

Three_Billboards_01

11. Three Billboards Outside Ebbing, Missouri

Points: 11

Three Billboards Outside Ebbing, Missouri believes in people. It believes that they will ultimately achieve grace, that they can fix their broken lives and protect those in need. It also believes that the path to get there is littered with land mines and potholes and that redemption is only achieved after you’ve stumbled a half dozen times and learned enough hard lessons to leave a mark. It’s a bitter pill of a movie, sweetened by Martin McDonagh’s searing, stylized dialogue and performances from likable actors bringing flawed and often loathsome characters to life. Not everyone will be on board for this tale of small town fury – the way it proudly waves a middle finger in the face of political correctness has ignited a storm on Film Twitter – but its coarseness, its uncouthness, completes McDonagh’s intentionally imperfect portrait. (Jacob Hall)

I’m a longtime fan of writer/director Martin McDonagh because his movies often feel “written” in the best possible way, with a wonderful mixture of flawed characters, heartbreaking loss, and laugh out loud comedy. Three Billboards exemplifies all of those qualities and more, led by a fearsome powerhouse of a performance from Frances McDormand that feels very much in line with the frustration and boiling rage many of us (but especially women) felt last year. (Ben Pearson)

Continue Reading /Films Top 15 Movies of 2017 >>

Pages: 1 2 3Next page

Cool Posts From Around the Web: