Look of Silence still

For some, Joshua Oppenheimer‘s film The Act of Killing failing to win the Oscar for Best Documentary was the biggest travesty of awards season. The fascinating, frightening look inside the minds of the men responsible for the mass slaughter of hundreds of thousands in Indonesia was one of the most jaw-dropping films of the year. Not only because of its subject matter, but because the filmmaker actually got the film made at all. In the end, it definitely felt like there was more to this story. Now the director is returning to the subject, from a different angle.

A companion piece called The Look of Silence is about to hit the fall festival circuit and Drafthouse Films and Participant Media just picked up the U.S. rights. The film, set for 2015 release, will tell the same story as The Act of Killing from the opposite side of the violence — that is, from the perspective of the victims who not only live with the horror, but are forced to live near the people who committed the killings.

Read more about The Look of Silence, executive produced by Errol Morris, Werner Herzog and André Singer, and see the poster below. 

Here’s the poster for The Look of Silence:

Look of Silence poster

And here’s the full press release.

Drafthouse Films and Participant Media announced today they have jointly acquired all U.S. rights to Oscar®-nominated director Joshua Oppenheimer’s The Look of Silence, executive produced by Oscar-winner Errol Morris (The Fog of War), Oscar-nominee Werner Herzog (Encounters at the End of the World), and Emmy®-nominee André Singer (“Little Dieter Needs to Fly”), and produced by Oscar-nominee Signe Byrge Sørensen. The Look of Silence is the companion piece to Oppenheimer’s 2014 Academy Award®-nominated documentary The Act of Killing, and explores the Indonesian genocide and its terrifying legacy from the victim’s point of view, following one man on his search for the truth as he confronts his brother’s killers.

The Look of Silence will world premiere at the 2014 Venice Film Festival, followed by a Canadian premiere at the 2014 Toronto International Film Festival, and a New York premiere at the New York Film Festival. The Look of Silence will be released theatrically in the U.S. in the summer of 2015.

“When I watched The Act of Killing, I thought I might not ever see another documentary quite as powerful,” said Alamo Drafthouse and Drafthouse Films founder Tim League. “Joshua Oppenheimer’s stunning new film, The Look of Silence, is resounding proof that I was wrong.”

Diane Weyermann, EVP, Documentary Films at Participant Media commented, “The Look of Silence is a haunting story about a people who were written out of the history books, and Participant is proud to work with Joshua and Drafthouse to bring their story to American audiences.”

Master documentarians Werner Herzog and Errol Morris decided to support the film by serving as its executive producers after viewing a rough cut. Morris called the film “One of the greatest and most powerful documentaries ever made. A profound comment on the human condition.” Herzog has said it is “profound, visionary, and stunning.”

Director Joshua Oppenheimer added, “Reuniting with the passionate, resourceful, and tireless team who worked with us on The Act of Killing is a dream. We are thrilled to be back with old friends and deeply grateful to Errol and Werner.”

Through Joshua Oppenheimer’s work filming perpetrators of the Indonesian genocide, a family of survivors discovers how their son was murdered – and the identity of the men who killed him. The perpetrators live just down the road, and have been in power ever since the massacres. The family’s youngest son, an optometrist, seeks to bring the past into focus, asking how he can raise his children in a society where survivors are terrorized into silence, and everybody is intimidated into celebrating the murderers as heroes. In search of answers, he decides to confront each of his brother’s killers. The killers still hold power, so each encounter is dangerous. The former executioners respond with fear, anger, and naked threats but he manages these encounters with dignity; asking unflinching questions about how the killers see what they did, how they live side-by-side with their victims, and how they think their victims see them. Through these confrontations, audiences get a sense of what it is like to live for decades encircled by powerful neighbors who are also murderers of their children. The Look of Silence does something virtually without precedent in cinema or in the aftermath of genocide: it documents survivors confronting their relatives’ murderers in the absence of any truth and reconciliation process, while the murderers remain steadfastly in power.

The deal was negotiated by Cinephil’s Philippa Kowarsky for Signe Byrge Sorensen and Final Cut For Real, James Emanuel Shapiro for Drafthouse Films, and Jeff Ivers for Participant.

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