Last we heard that Louis Leterrier, director of The Incredible Hulk and Clash of the Titans, was circling a big screen adaptation of Brian K Vaughan‘s Y: The Last Man, but Warner Bros/New Line don’t know what to do with the property (Leterrier said in a later interview “I’d love to do it, but I need people to finance it, and the people financing it don’t know if it’s a TV show a movie, or what it should be.”)
If you haven’t yet read the series, pick up the paperback (or the new hardcover) of the first volume, as I very highly recommend it. You may recall that Eagle Eye/Disturbia director DJ Caruso was originally trying to get the film into production with actor Shia LaBeouf. Screenwriters Carl Ellsworth and Jeff Vintar contributed drafts, as did comic co-creator Vaughn, but in the end the project fell flat. Now DJ Caruso is speaking out about what went wrong. Hit the jump for details.
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One of the comic book adaptations that just keeps kicking is Y: The Last Man. For some time DJ Caruso (Disturbia, Eagle Eye) wanted to make the movie with Shia LaBeouf starring. He wanted to make a trilogy of films, but getting a first script New Line liked and the studio to agree to make a trilogy is something that hasn’t happened.
Earlier this year there was word that Louis Leterrier (The Incredible Hulk, Clash of the Titans) wanted to direct the adaptation. Now he’s actually talked about it. And, yes, he does want to make it, but New Line still doesn’t have an approach in mind. Read More »
Latino Review is reporting a rumor that Louis Leterrier, director of The Incredible Hulk and Clash of the Titans, is circling a big screen adaptation of Brian K Vaughan‘s Y: The Last Man. If you haven’t yet read the series, pick up the paperback (or the new hardcover) of the first volume, as I very highly recommend it. You may recall that Eagle Eye/Disturbia director DJ Caruso was orginally trying to get the film into production with actor Shia LaBeouf. Screenwriters Carl Ellsworth and Jeff Vintar contributed drafts, as did comic co-creator Vaughn, but in the end the project fell flat.
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For the last couple years, director DJ Caruso and his Disturbia and Eagle Eye star Shia LaBeouf were talking about adapting Brian K Vaughn‘s post-apocalyptic series Y: The Last Man. It was an ambitious plan, which could have led to multiple films tackling the bulk of the sixty-issue series. Then, while promoting Transformers: Revenge of the Fallen, LaBeouf said he was backing away from Y because the character was too much like his Transformers character. But now, because rising stars almost never say they’ll never do a project, LaBeouf says it could still happen. Read More »
In a day of superhero overload, Brian K Vaughn‘s Y: The Last Man is the perfect comic book series for a Hollywood big screen (or even small screen) adaptation. If you haven’t yet read the series, pick up the paperback (or the new hardcover) of the first volume, as I very highly recommend it.
Disturbia director DJ Caruso has been trying to get the project off the ground for a few years now, and Caruso’s frequent star Shia LaBeouf was interested in starring in a film adaptation. A script was in development, the first in a reported trilogy of adaptations — a potential franchise. But as time has passed, so has Shia’s interest. The Transformers star now tells Wizard Magazine that he’s not currently willing to make the film, and he may be too old for the role by the time that the project does get greenlit.
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Christopher Nolan’s use of the IMAX camera for The Dark Knight has caused filmmakers to reconsider how they will shoot the future of tentpole movies. First Jon Favreau said he would be interested in filming scenes from Iron Man 2 with IMAX cameras, and now DJ Caruso tells Collider that he has already thought about using the 70mm technology for sequences in the yet to be greenlit adaptation of Y: The Last Man. But for now, Caruso’s Eagle Eye is making history, as the first Hollywood film to be released in Digital IMAX in 15 locations.
Discuss: What upcoming films would you like to see scenes shot in IMAX? The Hobbit seems like the most obvious choice…
I’m a huge fan of Y: The Last Man, so it only makes sense that I’m very excited about the possibility of a big screen movie adaptation. DJ Caruso isn’t my first choice to direct that film, but if he can get Shia LaBeouf to star as Yorick – than I’m happy (I mean, think of how bad it could be with one of the stars from High School Musical as the lead?!). And everything DJ Caruso has said so far has convinced me that this guy has a good grip on the story… until now.
The filmmaker revealed to FirstShowing one of the big changes he made from the comic: the addition of a “ticking clock”, which makes sense. Since the film is being set up as the first in a trilogy (last I heard), you need to create a climax that satisfies the audience, but doesn’t end the adventure. But the ticking clock that Caruso came up with sounds rather stupid.
“One big change is that we put in a ‘ticking clock’ with Yorick and Ampersand, and I separated them, and Yorick starts to get a little sick when Ampersand’s not with him. I felt like we needed some kind of ticking clock so it wasn’t just a boy and his monkey.”
I have yet to finish the last couple books of the series due to my busy schedule, but I’m pretty sure that this separation sickness can’t be explained in the context of the story from the graphic novel. And the whole idea sounds very Hollywood (in a bad way) to me. Caruso claims that Y co-creator Brian K Vaughn “loved” the addition.
Caruso handed in a script to Warner Bros/New Line last week, and claims he will be tweaking it over the course of the next month. He insists that “In another month or so it should be ready.” Lets just hope that WB gives Caruso the budget he needs to bring Y to the big screen.
Discuss: In the movie, should Yorick and Ampersand get sick when they are apart from one another?
We’ve known for a while that D.J. Caruso‘s first film in a planned Y: The Last Man trilogy was aiming for 2010, and he’s given a new update to UGO. The director of Disturbia and Eagle Eye confirms that the script by Carl Ellsworth (Disturbia, Red Eye) was turned in last week to Warner Bros., a studio that’s said to be heavily enthusiastic and committed to the big budget endeavor. Moreover, he added that while Shia LaBeouf remains attached to the main character—a young Brooklynite named Yorick Brown who becomes the last man on an Earth populated with combative, horny women—the previously rumored Alicia Keys is not a lock to play Yorick’s government-hired protector codenamed 355…
“She’s definitely someone to consider. I thought she did a really cool job in [Smokin’ Aces]… So really, the one thing, I think I’ve mentioned this to you, I’m going for, and it’s not quite there yet on the page. I’d love to have sort of a (Robert) DeNiro/(Charles) Grodin relationship between 355 and (Yorick). Kind of a Midnight Run relationship…I think Alicia’s a great girl and everything but I have to make sure that she can handle the acting part of it.”
Midnight Run, eh? We’re big fans of the comic series at Slashfilm, so here’s hoping Caruso goes with another actress, possibly an unknown, and not the musician/aspiring Bond Girl. One name I’ve heard tossed around a bit with fans is Vivica Fox, based, I’m guessing, on her surprisingly good, albeit brief, performance and action skills in Kill Bill. She’s a little old for the part though, even if she did deliver laughs and sex appeal on Curb Your Enthusiasm. All requisites for 355. Any casting suggestions in the comments? And Caruso informs that fans have already mentioned Kill Bill‘s Lucy Liu for the part of Dr. Mann—a brilliant hands-on Chinese/Japanese geneticist who happens to be a lesbian—but he hasn’t given any actresses much consideration. Mann would play a larger part in a proposed second film.
Caruso let it be known that Yorick’s monkey Ampersand—a seminal character in the comics—will in fact be a real monkey in the film(s). Great news. It worked in Matthew Broderick’s Project X, and it can work here (no monkey pilots).
Brian K. Vaughn‘s Y: The Last Man is going to be really tough to develop. There’s the sheer size—Caruso has implied that all or part of the subplot with Yorick’s girlfriend in Australia may be kiboshed—but also enough philosophical implications and discussions therein, not to mention pop-culture references, to stretch out a semester in college. And while the comic books are “R-rated” (violence, sexuality), this will most likely be a PG-13 summer popcorn film(s). Caruso seems to have a good communication going with Vaughn, so we’re optimistic, but he’ll need to channel some early Spielbergian wonder and some of that director’s dark period tone and visuals to see it through. We’ll avoid referencing a certain scene in Indy IV.
Discuss: Any casting suggestions for Ampersand? 355?
With Matthew Vaughn off directing Kick-Ass and his once-proposed $300 million Thor epic but a memory, DJ Caruso (Disturbia, Eagle Eye) is now expressing interest in bringing Marvel‘s Son of Odin to the big screen. In an interview with IESB he said…
“…I would definitely tackle it and I sort of wrestled with it before and I was always a fan of Thor growing up as a kid. I know that they [Marvel] have a script, but there’s something, there’s a fear I have about Thor and depending on what Thor story you want to tell, whether you want to bring Thor into the modern world or if you want to go back to Asgard…”
He added that he’s even had talks with Marvel about the film, but it all comes down to the screenplay. Last year, screenwriter Mark Protosevich (I Am Legend, longtime Thor fan/collector) described his script to the Daily Herald as…
“It’s going to be like a super hero origin story, but not one about a human gaining super powers, but of a god realizing his true potential. It’s the story of a Old Testament god who becomes a new Testament god. I think it’s going to surprise a lot of people.”
And Vaughn was attracted to the project due to its pricey vision of Norse mythology, saying, “It’s very much a Marvel superhero story but against the backdrop of something you’ve never seen before.” All of which lends credence to a storyline focusing on Asgard and Thor’s villainous brother, Loki.
In the past, Peter hasn’t been too convinced that this character will work on film (Adventures in Babysitting excluded?), but mixing LOTR and Conan-like fantasy, a timeline that can jump across thousands of years, and a huge budget sits well with me. I like the idea of seeing iconic comic characters placed in film genres like War and Pulp Noir rather than running around another modern day metropolis; though Thor could go that direction as well. Caruso is still circling Y: The Last Man with Shia LaBeouf (and hopefully not Alicia Keys), a property that is nearly as challenging to pull off as this one in my opinion (I’ve got 15 issues to go).
And in a report on 20th Century Fox‘s future plans, Variety says the studio is mulling “the possibility of more X-Men spinoffs, including a young-X-Men project as well as Deadpool, based on a character played by Ryan Reynolds in Wolverine. The studio is even considering reviving the Daredevil property.”
In the summer of 2003, the groanable Ben Affleck-starrer coasted to a disappointing $102 million, and led many to predict the cooling of the comic book film, especially after the hokey 2005 Elektra spin-off (which Johnson produced). Recently, Jason Statham threw his name in for a DD remake. While I’m not adverse to that hypothetical casting, since a reboot would remain parked at Fox and not Marvel Studios, I do hope it stays on ice a while longer. Peter has suggested that the character is perfect for a live-action HBO series, and I agree. There is a humanity and struggle—not to mention room for a great procedural drama—to Daredevil that would be better explored on a smaller screen rather than in a me-too blockbuster.
Discuss: DJ Caruso for Thor. Why not? What’s the argument for a big budget Thor working as a Marvel Studios film and vice versa? Is a Daredevil reboot needed? On one hand, Batman Begins, on the other, The Incredible Hulk. Would you prefer a hypothetical HBO series, like Slashfilm’s crew, instead?