Avatar is one of the best movies of all time. The King of Comedy is one of the best movies of all time. Paths of Glory is one of the best movies of all time. The Red Shoes is one of the best movies of all time. Dazed and Confused is one of the best movies of all time. Each of these surprising, or not-so-surprising statements comes from one of the following filmmakers: Quentin Tarantino, Martin Scorsese, Woody Allen, Francis Ford Coppola and Michael Mann. Each took place in Sight and Sound‘s filmmaker poll of the best films of all time, the results of which were revealed earlier this week.
Over 350 directors in total were polled and Yasujiro Ozu’s Tokyo Story ended up taking the top spot. That doesn’t mean it was everyone’s individual pick; just an average of the votes. In the latest issue of the magazine, which is on sale now, you can read every filmmaker’s full list of choices. Lists from five of the biggest names participants have been posted online. After the jump, read the all time best films ever according to Tarantino, Scorsese, Allen, Coppola and Mann.
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Draw a Venn diagram of film that has both mass appeal and is of interest to movie website editors and, dead center, you’ll have Prometheus.
Never in my sixty-eight years of writing professionally online have I banged out so much copy about one title. There is absolutely nothing left to scrutinize – that is, until, the general public sees it and starts floating their own interpretations. This gives us a window (here in the US, anyway) of about one day.
As such, I figured this week’s TBMYPHS should be about the one thing Prometheus-related that hasn’t been overly analyzed – its title. (Prometheus, Greek titan, tied to a rock, hit Wikipedia for more.)
So light yourself a plate of saganaki, it’s time to explore our Greek titular heritage. Read More »
Woody Allen‘s latest film will be his first to shoot in the US in almost a decade, but that might not be the big reason to pay attention to it. The film just added three cast members, and they’re quite a set. One of them is a great surprise: Louis C.K., a man we know is a fan of Allen’s work if only for the homage he paid Manhattan in the third season of Louie. Another is also a surprise, but a much more surreal one: Andrew Dice Clay, whose comic sensibility is everything a classic Allen character would claim to hate, but might secretly love. Then, to balance things out, we have Peter Sarsgaard.
A bit more info on the film follows. Read More »
Posted on Wednesday, April 18th, 2012 by Angie Han
Fans of FX’s Louie will no doubt be thrilled to check out this unrevealing but artsy teaser for the show’s third season, but it’s Showtime that steals most of the spotlight in today’s TV Bits. The premium cable network has a new poster for Episodes, a new teaser for Homeland, and possibly even a new love interest for Dexter. Also after the jump:
- Damages sets a start date for its fifth and final season
- The horror-sitcom Holliston gets renewed for Season 2
- AMC mulls over six scripts for possible pilot orders
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Posted on Friday, April 13th, 2012 by Angie Han
Having spent the last several years gallivanting across Europe with some admittedly wonderful results (Match Point, Vicky Cristina Barcelona, and Midnight in Paris), Woody Allen is finally preparing to return Stateside. At this week’s world premiere of his latest film, To Rome With Love, Allen announced that he would be shooting his next movie in the U.S. The news runs contrary to previous reports that he’d be continuing his Continental tour with Copenhagen as his next stop. For his part, Allen claims to have no idea how the media got that impression. More after the jump.
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2011 saw one of the greatest successes of Woody Allen‘s career, as his film Midnight in Paris did great business on the US arthouse circuit and worldwide, eventually raking in nearly $150m globally. There was also that little matter of winning an Oscar for Best Original Screenplay.
Now Allen returns with To Rome With Love, a vignette-based romantic comedy with most of the action falling into a very familiar Allen mode. (It’s a welcome returns, with lines like “the kid’s a communist, the father’s a mortician… does the mother run a leper colony?”)
The cast features Jesse Eisenberg, Greta Gerwig, Ellen Page, Alec Baldwin, Penelope Cruz, Roberto Benigni (of whom we haven’t seen much in some time), Judy Davis and Woody Allen himself, who hasn’t been in front of the camera since the 2006 release Scoop. The action places that cast in various minor romantic and comic entanglements that all look a bit fluffy, and very entertaining.
Check out the trailer below. Read More »
Following up his most financially successful film to date, recent Oscar-winner Woody Allen has his next film all but ready to go. It was going to be called Nero Fiddled but distributor Sony Pictures Classics announced the title has changed to To Rome With Love and it’ll be released June 22. Read much more after the jump. Read More »
One of the great fascinations for anyone who appreciates creative endeavors is, I think, the question about where stories come from. It’s great to be able to link any given book, movie or what have you to one specific origin point. Doing so adds context to the story, and helps ground the whole creative process, which can seem so ethereal.
Circulating today is a bit of Woody Allen‘s stand-up comedy, originally documented on an LP in the ’60s and most often heard via the collection Standup Comic. The interesting bit, aside from Allen’s excellent delivery and sense of timing, is that this particular routine, ‘Lost Generation,’ is very obviously the first glimmer of what would become Midnight in Paris.
This routine has, obviously, been around for decades, so it isn’t exactly news. It even circulated at a point last year when far fewer people had seen Midnight in Paris. But with that film having a much higher awareness level now in the wake of its long theatrical run and Allen’s Oscar win, let’s check out the mid-’60s stand-up story that was the seed for the film. Read More »
When we first reported on Fading Gigolo, the movie that John Turturro wrote and will direct and star in, we noted that Woody Allen had been offhandedly mentioned as an actor who might end up in the movie. That’s kind of a big deal, since Allen hasn’t acted in a movie that he didn’t direct since making small appearances in Alfonso Arau’s Picking Up the Pieces and Peter Askin and Douglas McGrath’s Company Man, both released in 2000.
Now Allen is confirmed for the picture, and we know that he’ll be a guy who talks Turturro’s character into working as a gigolo and then acts as his pimp. Sounds like a win. A really weird win, but still. Read More »