The Sundance Film Festival isn’t just a film festival, but a look into the future of cinema. As we travel to Park City Utah this year, I thought it would be nice to take a look back at the last 30 years of the festival. Today I begin part one of my two-day, two-part look at the best movies of Sundance Film Festival history. In part one I will focus on the first 15 years of the festival* as the small independent film festival grew into the launching pad for new filmmakers and ground zero for the independent movie boom of the 1990’s.
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Posted on Thursday, October 23rd, 2014 by Angie Han
Todd Solondz is going back into the Dollhouse. Nearly 20 years after his breakthrough film Welcome to the Dollhouse, the indie filmmaker is planning to revisit Dawn Wiener in his next film Wiener-Dog. While not a direct sequel per se, the new movie does involve an older version of Dawn, played by Greta Gerwig.
Also involved with the project is Julie Delpy, though at this point it’s unclear what role she will play. Hit the jump for all the details on Solondz’ not-quite Welcome to the Dollhouse sequel.
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Update: Buzz continues to build as the film just won Best Screenplay at the Venice Film Festival.
I like how Todd Solondz talks. In the below featurette—ideal for a Saturday afternoon in both length and Puerto Rico palm casualness—the writer/director of Welcome to the Dollhouse discusses his new film, Life During Wartime. Yep, titled after the Talking Heads’ classic. You may or may not know that Wartime is being cited in early reviews as a return to form for Solondz, the rare American director who is unwaveringly committed to exploring the fringes and norms of society.
There was a time in the mid ’90s when I actually confused Solondz and Wes Anderson, due to their media-buzz indie predilection and similar disheveled nerd-artist appearances. Funny that in 2009, that seems like such an odd and off mix-up. Perhaps tellingly so. Wartime stars Paul Reubens, in sickly make-up, the swell Allison Janney, a dour-looking Ally Sheedy, and Little Boston’s Paul Dano, and finds Solondz revisiting and reimagining several characters from his controversial pedophile study Happiness, in addition to ones from Dollhouse. Variety has called it Solondz’s best.
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