Just over ten years ago, French director Christophe Gans got a lot of attention for helping raise global awareness of Monica Bellucci when he cast her in his movie The Brotherhood of the Wolf, inspired by centuries-old stories of beasts raiding the French countryside. He has only made one film since: Silent Hill, which received a much more chilly reception than did Brotherhood.
Now Gans is one of several people trying to revive the classic story of Beauty and the Beast. We’ve just seen the 3D re-release of Disney’s version, and there was the horrible tween take called Beastly released last year. Two new TV version are in the works, at ABC and the CW. Now Gans has written and will direct his own, starring Vincent Cassel (The Brotherhood of the Wolf) and Lea Seydoux (Mission: Impossible – Ghost Protocol). Read More »
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Oh, I can’t wait for this. Here’s the second trailer we’ve seen for David Cronenberg‘s A Dangerous Method, which tells the story of Dr. Carl Jung (Michael Fassbender) and Sigmund Freud (Viggo Mortensen), who both fall into a web tethered by Jung’s patient Sabina Spielrein (Keira Knightley).
The previous trailer was just a bit more explicit — as you’d expect from the intersection of Cronenberg and early psychoanalysis, there is some kink ahead. So this trailer is much the same as the international one that arrived in June, only with a handful of shots swapped out for tamer stuff. But there’s a proper HD version now, and it is lovely. Read More »
Danny Boyle just bolstered the cast of his new thriller Trance, which will shoot later this year, then go dormant until late 2012 while the director works on the London Olympics, before finally being completed next fall for release sometime in 2013. James McAvoy is already set to play an accomplice in a botched art heist, and now he will likely be joined by Rosario Dawson and Vincent Cassel. Read More »
Posted on Thursday, April 21st, 2011 by Angie Han
When Keira Knightley or Natalie Portman stars in a luxury fragrance commercial, she gets one gorgeous love interest. But when Vincent Cassel appears in one, he gets three. As part of his duties as the “face” of Yves Saint Laurent’s La Nuit de L’Homme cologne, Cassel recently reteamed with his Black Swan director Darren Aronofsky to shoot this ad, in which Cassel goes on the prowl on one eventful night in Paris. Watch it after the jump.
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Posted on Wednesday, December 29th, 2010 by David Chen
This week, David Chen, Devindra Hardawar and Adam Quigley deliver their thoughts on two of this year’s most critically acclaimed films, debate whether or not the Coens have ever done a “straight genre exercise” before, plus offer a crazy theory about the real meaning of Black Swan and speculate on where Aronofsky’s career might be headed next. Thanks to all our listeners, sponsors, donors, and subscribers for an exciting 2010! Check back in a few days for our Top 10 Movies of 2010 in this week’s /Filmcast: After Dark.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. We are off until January 9th. Join us then at Slashfilm’s live page at 10 PM EST / 7 PM PST, where we’ll be reviewing Exit Through the Gift Shop.
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Update: we’ve updated the post with more reviews.
Darren Aronofsky‘s ballet thriller Black Swan premiers tonight at the Venice Film Festival. The first press screening just got out and I can’t express how jealous I am of everyone who has seen it. The initial buzz is now online, and is available below. Hit the jump to read excerpts from the reviews and tweets from the festival-goers and critics in Venice.
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Fox Searchlight has released the first teaser trailer for Darren Aronofsky‘s upcoming Black Swan, starring Natalie Portman, Mila Kunis and Vincent Cassel. Check it out after the break. If you were afraid that Aronofsky making a ballet movie was a step in the wrong direction, this should quickly change your mind. Read More »
Cool Posts From Around the Web:
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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